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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B139 it is the complementary color #CC4EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B139 shade: #38B134, #49C347, #5AD55A, #6BE76D and #7CF980

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B139 shade: #33B139, #229F26, #118D13, #007B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B139 shade: #33B139, #4FB133, #71B133, #93B133 and #B1AD33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B139 shade: #33B139, #33B15B, #33B17D, #33B19F and #33A1B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B139 shade matches the following richer shades: #33B139, #21C428 and #0ED618

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B139 shade: #33B139, #469F4A, #588C5B, #6B7A6C and #7D677C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B139 shade: #72B133, #51B133, #33B137, #33B159 and #33B17B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B139 shade: #217124, #2A912F, #33B139, #45C94B and #65D26A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B139 shade: #33B139, #3394B1 and #B13361

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B139 shade: #33B139, #3733B1 and #B13733

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B139 shade: #33B139, #3394B1, #B133AD and #B15133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B139 shade: #33B139, #336EB1, #B133AD and #B17633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

Complementary color

CMYK 0 / 62 / 3 / 20

HEX #CC4EC6

RGB 204 78 198

HSL 302.86, 0.55%, 0.55%

LAB 54.41, 64.26, -38.6

 

CMYK 68 / 0 / 71 / 31

HEX #38B134

RGB 56 177 52

HSL 118.08, 0.55%, 0.45%

LAB 63.78, -56.9, 51.81

 

CMYK 63 / 0 / 64 / 24

HEX #49C347

RGB 73 195 71

HSL 119.03, 0.51%, 0.52%

LAB 70.11, -57.78, 50.94

 

CMYK 58 / 0 / 58 / 16

HEX #5AD55A

RGB 90 213 90

HSL 120, 0.59%, 0.59%

LAB 76.38, -58.28, 49.81

 

CMYK 54 / 0 / 53 / 9

HEX #6BE76D

RGB 107 231 109

HSL 120.97, 0.72%, 0.66%

LAB 82.58, -58.54, 48.58

 

CMYK 50 / 0 / 49 / 2

HEX #7CF980

RGB 124 249 128

HSL 121.92, 0.91%, 0.73%

LAB 88.73, -58.62, 47.32

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 79 / 0 / 76 / 38

HEX #229F26

RGB 34 159 38

HSL 121.92, 0.65%, 0.38%

LAB 57.34, -55.86, 50.32

 

CMYK 88 / 0 / 87 / 45

HEX #118D13

RGB 17 141 19

HSL 120.97, 0.78%, 0.31%

LAB 50.94, -53.49, 50.03

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 55 / 0 / 71 / 31

HEX #4FB133

RGB 79 177 51

HSL 106.67, 0.55%, 0.45%

LAB 64.44, -51.6, 53.08

 

CMYK 36 / 0 / 71 / 31

HEX #71B133

RGB 113 177 51

HSL 90.48, 0.55%, 0.45%

LAB 65.9, -40.85, 55.04

 

CMYK 17 / 0 / 71 / 31

HEX #93B133

RGB 147 177 51

HSL 74.29, 0.55%, 0.45%

LAB 67.94, -27.71, 57.76

 

CMYK 0 / 2 / 71 / 31

HEX #B1AD33

RGB 177 173 51

HSL 58.1, 0.55%, 0.45%

LAB 69.09, -12.99, 59.67

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 71 / 0 / 49 / 31

HEX #33B15B

RGB 51 177 91

HSL 139.05, 0.55%, 0.45%

LAB 64.08, -52.95, 34.21

 

CMYK 71 / 0 / 29 / 31

HEX #33B17D

RGB 51 177 125

HSL 155.24, 0.55%, 0.45%

LAB 64.67, -46.45, 16.94

 

CMYK 71 / 0 / 10 / 31

HEX #33B19F

RGB 51 177 159

HSL 171.43, 0.55%, 0.45%

LAB 65.48, -38.06, -0.65

 

CMYK 71 / 9 / 0 / 31

HEX #33A1B1

RGB 51 161 177

HSL 187.62, 0.55%, 0.45%

LAB 61.1, -25.14, -17.24

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 83 / 0 / 80 / 23

HEX #21C428

RGB 33 196 40

HSL 122.58, 0.71%, 0.45%

LAB 69.44, -67.2, 61.41

 

CMYK 93 / 0 / 89 / 16

HEX #0ED618

RGB 14 214 24

HSL 123, 0.88%, 0.45%

LAB 74.98, -74.43, 70.1

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 56 / 0 / 53 / 38

HEX #469F4A

RGB 70 159 74

HSL 122.7, 0.39%, 0.45%

LAB 58.6, -44.54, 36.15

 

CMYK 37 / 0 / 35 / 45

HEX #588C5B

RGB 88 140 91

HSL 123.46, 0.23%, 0.45%

LAB 53.59, -28, 20.84

 

CMYK 12 / 0 / 11 / 52

HEX #6B7A6C

RGB 107 122 108

HSL 124, 0.07%, 0.45%

LAB 49.65, -8.46, 5.8

 

CMYK 0 / 18 / 1 / 51

HEX #7D677C

RGB 125 103 124

HSL 302.73, 0.1%, 0.45%

LAB 46.33, 12.74, -8.4

 

CMYK 36 / 0 / 71 / 31

HEX #72B133

RGB 114 177 51

HSL 90, 0.55%, 0.45%

LAB 65.95, -40.49, 55.11

 

CMYK 54 / 0 / 71 / 31

HEX #51B133

RGB 81 177 51

HSL 105.71, 0.55%, 0.45%

LAB 64.51, -51.06, 53.18

 

CMYK 71 / 0 / 69 / 31

HEX #33B137

RGB 51 177 55

HSL 121.9, 0.55%, 0.45%

LAB 63.69, -57.56, 50.49

 

CMYK 71 / 0 / 50 / 31

HEX #33B159

RGB 51 177 89

HSL 138.1, 0.55%, 0.45%

LAB 64.05, -53.27, 35.19

 

CMYK 71 / 0 / 31 / 31

HEX #33B17B

RGB 51 177 123

HSL 154.29, 0.55%, 0.45%

LAB 64.63, -46.88, 17.98

 

CMYK 71 / 0 / 68 / 56

HEX #217124

RGB 33 113 36

HSL 122.25, 0.55%, 0.29%

LAB 41.63, -40.31, 34.73

 

CMYK 71 / 0 / 68 / 43

HEX #2A912F

RGB 42 145 47

HSL 122.91, 0.55%, 0.37%

LAB 52.89, -48.99, 42.16

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 66 / 0 / 63 / 21

HEX #45C94B

RGB 69 201 75

HSL 122.73, 0.55%, 0.53%

LAB 71.92, -60.3, 51.22

 

CMYK 52 / 0 / 50 / 18

HEX #65D26A

RGB 101 210 106

HSL 122.75, 0.55%, 0.61%

LAB 76.01, -52.36, 41.93

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 71 / 16 / 0 / 31

HEX #3394B1

RGB 51 148 177

HSL 193.81, 0.55%, 0.45%

LAB 57.13, -18.37, -23.31

 

CMYK 0 / 71 / 45 / 31

HEX #B13361

RGB 177 51 97

HSL 338.1, 0.55%, 0.45%

LAB 42.12, 54.01, 2.73

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 69 / 71 / 0 / 31

HEX #3733B1

RGB 55 51 177

HSL 241.9, 0.55%, 0.45%

LAB 30.29, 41.87, -66.08

 

CMYK 0 / 69 / 71 / 31

HEX #B13733

RGB 177 55 51

HSL 1.9, 0.55%, 0.45%

LAB 41.72, 49.08, 30.62

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 71 / 16 / 0 / 31

HEX #3394B1

RGB 51 148 177

HSL 193.81, 0.55%, 0.45%

LAB 57.13, -18.37, -23.31

 

CMYK 0 / 71 / 2 / 31

HEX #B133AD

RGB 177 51 173

HSL 301.9, 0.55%, 0.45%

LAB 45.26, 64.03, -38.75

 

CMYK 0 / 54 / 71 / 31

HEX #B15133

RGB 177 81 51

HSL 14.29, 0.55%, 0.45%

LAB 46.27, 37.04, 35.86

 

CMYK 71 / 0 / 68 / 31

HEX #33B139

RGB 51 177 57

HSL 122.86, 0.55%, 0.45%

LAB 63.71, -57.36, 49.69

 

CMYK 71 / 38 / 0 / 31

HEX #336EB1

RGB 51 110 177

HSL 211.9, 0.55%, 0.45%

LAB 45.68, 3.62, -41.2

 

CMYK 0 / 71 / 2 / 31

HEX #B133AD

RGB 177 51 173

HSL 301.9, 0.55%, 0.45%

LAB 45.26, 64.03, -38.75

 

CMYK 0 / 33 / 71 / 31

HEX #B17633

RGB 177 118 51

HSL 31.9, 0.55%, 0.45%

LAB 54.6, 16.94, 44.97

 

Description

Color code: HEX #33B139 | qconv.com Color code: HEX #33B139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 177 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 177 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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