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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B172 it is the complementary color #CC4E8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B172 shade: #38B16D, #49C380, #5AD593, #6BE7A6 and #7CF9B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B172 shade: #33B172, #229F5F, #118D4C, #007B39 and #006926

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B172 shade: #33B172, #33B150, #38B133, #5AB133 and #7CB133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B172 shade: #33B172, #33B194, #33ACB1, #338AB1 and #3368B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B172 shade matches the following richer shades: #33B172, #21C472 and #0ED672

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B172 shade: #33B172, #469F72, #588C72, #6B7A72 and #7D6772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B172 shade: #37B133, #33B151, #33B172, #33B194 and #33ADB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B172 shade: #217149, #2A915E, #33B172, #45C987 and #65D29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B172 shade: #33B172, #3359B1 and #B14033

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B172 shade: #33B172, #7233B1 and #B17233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B172 shade: #33B172, #3359B1, #B13372 and #B18B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B172 shade: #33B172, #3333B1, #B13372 and #B1B133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

Complementary color

CMYK 0 / 62 / 31 / 20

HEX #CC4E8D

RGB 204 78 141

HSL 330, 0.55%, 0.55%

LAB 52.07, 55.98, -8.89

 

CMYK 68 / 0 / 38 / 31

HEX #38B16D

RGB 56 177 109

HSL 146.28, 0.52%, 0.46%

LAB 64.47, -48.92, 25.34

 

CMYK 63 / 0 / 34 / 24

HEX #49C380

RGB 73 195 128

HSL 147.05, 0.5%, 0.53%

LAB 70.87, -49.22, 23.9

 

CMYK 58 / 0 / 31 / 16

HEX #5AD593

RGB 90 213 147

HSL 147.8, 0.59%, 0.59%

LAB 77.2, -49.33, 22.57

 

CMYK 54 / 0 / 28 / 9

HEX #6BE7A6

RGB 107 231 166

HSL 148.55, 0.72%, 0.66%

LAB 83.46, -49.31, 21.35

 

CMYK 50 / 0 / 26 / 2

HEX #7CF9B9

RGB 124 249 185

HSL 149.28, 0.91%, 0.73%

LAB 89.64, -49.21, 20.21

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 79 / 0 / 40 / 38

HEX #229F5F

RGB 34 159 95

HSL 149.28, 0.65%, 0.38%

LAB 58, -48.03, 24.2

 

CMYK 88 / 0 / 46 / 45

HEX #118D4C

RGB 17 141 76

HSL 148.55, 0.78%, 0.31%

LAB 51.49, -46.78, 25.95

 

CMYK 100 / 0 / 54 / 52

HEX #007B39

RGB 0 123 57

HSL 147.8, 1%, 0.24%

LAB 44.89, -44.97, 27.83

 

CMYK 100 / 0 / 64 / 59

HEX #006926

RGB 0 105 38

HSL 141.71, 1%, 0.21%

LAB 38.28, -41.71, 29.83

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 0 / 55 / 31

HEX #33B150

RGB 51 177 80

HSL 133.81, 0.55%, 0.45%

LAB 63.94, -54.62, 39.52

 

CMYK 68 / 0 / 71 / 31

HEX #38B133

RGB 56 177 51

HSL 117.62, 0.55%, 0.45%

LAB 63.77, -56.98, 52.19

 

CMYK 49 / 0 / 71 / 31

HEX #5AB133

RGB 90 177 51

HSL 101.43, 0.55%, 0.45%

LAB 64.85, -48.46, 53.63

 

CMYK 30 / 0 / 71 / 31

HEX #7CB133

RGB 124 177 51

HSL 85.24, 0.55%, 0.45%

LAB 66.5, -36.81, 55.84

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 0 / 16 / 31

HEX #33B194

RGB 51 177 148

HSL 166.19, 0.55%, 0.45%

LAB 65.19, -40.96, 5.03

 

CMYK 71 / 3 / 0 / 31

HEX #33ACB1

RGB 51 172 177

HSL 182.38, 0.55%, 0.45%

LAB 64.47, -30.59, -12.16

 

CMYK 71 / 22 / 0 / 31

HEX #338AB1

RGB 51 138 177

HSL 198.57, 0.55%, 0.45%

LAB 54.09, -12.9, -28.01

 

CMYK 71 / 41 / 0 / 31

HEX #3368B1

RGB 51 104 177

HSL 214.76, 0.55%, 0.45%

LAB 43.91, 7.38, -44.01

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 83 / 0 / 42 / 23

HEX #21C472

RGB 33 196 114

HSL 149.82, 0.71%, 0.45%

LAB 70.19, -58.11, 30.18

 

CMYK 93 / 0 / 47 / 16

HEX #0ED672

RGB 14 214 114

HSL 150, 0.88%, 0.45%

LAB 75.7, -65.5, 37.26

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 56 / 0 / 28 / 38

HEX #469F72

RGB 70 159 114

HSL 149.66, 0.39%, 0.45%

LAB 59.26, -37.48, 15.61

 

CMYK 37 / 0 / 19 / 45

HEX #588C72

RGB 88 140 114

HSL 150, 0.23%, 0.45%

LAB 54.08, -23.47, 8.46

 

CMYK 12 / 0 / 7 / 52

HEX #6B7A72

RGB 107 122 114

HSL 148, 0.07%, 0.45%

LAB 49.81, -7.24, 2.5

 

CMYK 0 / 18 / 9 / 51

HEX #7D6772

RGB 125 103 114

HSL 330, 0.1%, 0.45%

LAB 46.01, 10.77, -2.87

 

CMYK 69 / 0 / 71 / 31

HEX #37B133

RGB 55 177 51

HSL 118.1, 0.55%, 0.45%

LAB 63.75, -57.18, 52.15

 

CMYK 71 / 0 / 54 / 31

HEX #33B151

RGB 51 177 81

HSL 134.29, 0.55%, 0.45%

LAB 63.95, -54.47, 39.05

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 0 / 16 / 31

HEX #33B194

RGB 51 177 148

HSL 166.19, 0.55%, 0.45%

LAB 65.19, -40.96, 5.03

 

CMYK 71 / 2 / 0 / 31

HEX #33ADB1

RGB 51 173 177

HSL 181.9, 0.55%, 0.45%

LAB 64.78, -31.07, -11.7

 

CMYK 71 / 0 / 35 / 56

HEX #217149

RGB 33 113 73

HSL 150, 0.55%, 0.29%

LAB 42.18, -34.09, 15.4

 

CMYK 71 / 0 / 35 / 43

HEX #2A915E

RGB 42 145 94

HSL 150.29, 0.55%, 0.37%

LAB 53.55, -41.5, 18.82

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 66 / 0 / 33 / 21

HEX #45C987

RGB 69 201 135

HSL 150, 0.55%, 0.53%

LAB 72.75, -51, 22.73

 

CMYK 52 / 0 / 26 / 18

HEX #65D29C

RGB 101 210 156

HSL 150.28, 0.55%, 0.61%

LAB 76.84, -43.79, 17.38

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 50 / 0 / 31

HEX #3359B1

RGB 51 89 177

HSL 221.9, 0.55%, 0.45%

LAB 39.62, 17.04, -50.89

 

CMYK 0 / 64 / 71 / 31

HEX #B14033

RGB 177 64 51

HSL 6.19, 0.55%, 0.45%

LAB 43.14, 45.24, 32.28

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 36 / 71 / 0 / 31

HEX #7233B1

RGB 114 51 177

HSL 270, 0.55%, 0.45%

LAB 36.21, 51.36, -56.15

 

CMYK 0 / 36 / 71 / 31

HEX #B17233

RGB 177 114 51

HSL 30, 0.55%, 0.45%

LAB 53.62, 19.18, 43.93

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 50 / 0 / 31

HEX #3359B1

RGB 51 89 177

HSL 221.9, 0.55%, 0.45%

LAB 39.62, 17.04, -50.89

 

CMYK 0 / 71 / 36 / 31

HEX #B13372

RGB 177 51 114

HSL 330, 0.55%, 0.45%

LAB 42.66, 55.79, -7.06

 

CMYK 0 / 21 / 71 / 31

HEX #B18B33

RGB 177 139 51

HSL 41.9, 0.55%, 0.45%

LAB 59.94, 5.23, 50.53

 

CMYK 71 / 0 / 36 / 31

HEX #33B172

RGB 51 177 114

HSL 150, 0.55%, 0.45%

LAB 64.45, -48.77, 22.61

 

CMYK 71 / 71 / 0 / 31

HEX #3333B1

RGB 51 51 177

HSL 240, 0.55%, 0.45%

LAB 30.02, 41.42, -66.52

 

CMYK 0 / 71 / 36 / 31

HEX #B13372

RGB 177 51 114

HSL 330, 0.55%, 0.45%

LAB 42.66, 55.79, -7.06

 

CMYK 0 / 0 / 71 / 31

HEX #B1B133

RGB 177 177 51

HSL 60, 0.55%, 0.45%

LAB 70.2, -15.04, 60.74

 

Description

Color code: HEX #33B172 | qconv.com Color code: HEX #33B172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 177 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 177 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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