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Color name
HEX #33B229

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B229 it is the complementary color #CC4DD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B229 shade: #38B224, #49C437, #5AD64A, #6BE85D and #7CFA70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B229 shade: #33B229, #22A016, #118E03, #007C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B229 shade: #32B228, #57B228, #7DB228, #A2B228 and #B29D28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B229 shade: #32B228, #28B243, #28B268, #28B28E and #28B1B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B229 shade matches the following richer shades: #32B228, #23C416 and #14D605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B229 shade: #32B228, #41A03A, #508F4C, #607D5D and #6F6B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B229 shade: #7DB228, #58B228, #34B228, #28B241 and #28B266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B229 shade: #1F6F19, #299120, #32B228, #3FD033 and #5ED855

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B229 shade: #33B229, #28A2B2 and #B2286B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B229 shade: #33B229, #2834B2 and #B22834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B229 shade: #33B229, #28A2B2, #A728B2 and #B23828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B229 shade: #33B229, #2879B2, #A728B2 and #B26228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

Complementary color

CMYK 5 / 64 / 0 / 16

HEX #CC4DD6

RGB 204 77 214

HSL 295.62, 0.63%, 0.57%

LAB 55.07, 67.39, -46.69

 

CMYK 69 / 0 / 80 / 30

HEX #38B224

RGB 56 178 36

HSL 111.55, 0.66%, 0.42%

LAB 64.01, -58.42, 57.59

 

CMYK 63 / 0 / 72 / 23

HEX #49C437

RGB 73 196 55

HSL 112.34, 0.56%, 0.49%

LAB 70.3, -59.59, 57.54

 

CMYK 58 / 0 / 65 / 16

HEX #5AD64A

RGB 90 214 74

HSL 113.14, 0.63%, 0.56%

LAB 76.53, -60.33, 56.89

 

CMYK 54 / 0 / 60 / 9

HEX #6BE85D

RGB 107 232 93

HSL 113.96, 0.75%, 0.64%

LAB 82.72, -60.76, 55.93

 

CMYK 50 / 0 / 55 / 2

HEX #7CFA70

RGB 124 250 112

HSL 114.78, 0.93%, 0.71%

LAB 88.84, -60.98, 54.82

 

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

CMYK 79 / 0 / 86 / 37

HEX #22A016

RGB 34 160 22

HSL 114.78, 0.76%, 0.36%

LAB 57.6, -57.16, 55.35

 

CMYK 88 / 0 / 98 / 44

HEX #118E03

RGB 17 142 3

HSL 113.96, 0.96%, 0.28%

LAB 51.23, -54.39, 53.43

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 72 / 0 / 78 / 30

HEX #32B228

RGB 50 178 40

HSL 115.65, 0.63%, 0.43%

LAB 63.89, -59.28, 56.19

 

CMYK 51 / 0 / 78 / 30

HEX #57B228

RGB 87 178 40

HSL 99.57, 0.63%, 0.43%

LAB 64.98, -50.5, 57.61

 

CMYK 30 / 0 / 78 / 30

HEX #7DB228

RGB 125 178 40

HSL 83.04, 0.63%, 0.43%

LAB 66.79, -37.52, 59.96

 

CMYK 9 / 0 / 78 / 30

HEX #A2B228

RGB 162 178 40

HSL 66.96, 0.63%, 0.43%

LAB 69.24, -22.48, 63.12

 

CMYK 0 / 12 / 78 / 30

HEX #B29D28

RGB 178 157 40

HSL 50.87, 0.63%, 0.43%

LAB 64.75, -4.63, 59.51

 

CMYK 72 / 0 / 78 / 30

HEX #32B228

RGB 50 178 40

HSL 115.65, 0.63%, 0.43%

LAB 63.89, -59.28, 56.19

 

CMYK 78 / 0 / 62 / 30

HEX #28B243

RGB 40 178 67

HSL 131.74, 0.63%, 0.43%

LAB 63.91, -58.35, 45.54

 

CMYK 78 / 0 / 42 / 30

HEX #28B268

RGB 40 178 104

HSL 147.83, 0.63%, 0.43%

LAB 64.4, -52.68, 27.83

 

CMYK 78 / 0 / 20 / 30

HEX #28B28E

RGB 40 178 142

HSL 164.35, 0.63%, 0.43%

LAB 65.16, -44.32, 8.27

 

CMYK 78 / 1 / 0 / 30

HEX #28B1B2

RGB 40 177 178

HSL 180.43, 0.63%, 0.43%

LAB 65.83, -33.95, -10.7

 

CMYK 72 / 0 / 78 / 30

HEX #32B228

RGB 50 178 40

HSL 115.65, 0.63%, 0.43%

LAB 63.89, -59.28, 56.19

 

CMYK 82 / 0 / 89 / 23

HEX #23C416

RGB 35 196 22

HSL 115.52, 0.8%, 0.43%

LAB 69.39, -67.85, 65.71

 

CMYK 91 / 0 / 98 / 16

HEX #14D605

RGB 20 214 5

HSL 115.69, 0.95%, 0.43%

LAB 74.98, -74.56, 72.5

 

CMYK 72 / 0 / 78 / 30

HEX #32B228

RGB 50 178 40

HSL 115.65, 0.63%, 0.43%

LAB 63.89, -59.28, 56.19

 

CMYK 59 / 0 / 64 / 37

HEX #41A03A

RGB 65 160 58

HSL 115.88, 0.47%, 0.43%

LAB 58.58, -48.19, 43.73

 

CMYK 44 / 0 / 47 / 44

HEX #508F4C

RGB 80 143 76

HSL 116.42, 0.31%, 0.43%

LAB 53.89, -34.49, 29.38

 

CMYK 23 / 0 / 26 / 51

HEX #607D5D

RGB 96 125 93

HSL 114.38, 0.15%, 0.43%

LAB 49.43, -17.13, 14.14

 

CMYK 0 / 4 / 0 / 56

HEX #6F6B6F

RGB 111 107 111

HSL 300, 0.02%, 0.43%

LAB 45.69, 2.37, -1.68

 

CMYK 30 / 0 / 78 / 30

HEX #7DB228

RGB 125 178 40

HSL 83.04, 0.63%, 0.43%

LAB 66.79, -37.52, 59.96

 

CMYK 51 / 0 / 78 / 30

HEX #58B228

RGB 88 178 40

HSL 99.13, 0.63%, 0.43%

LAB 65.02, -50.2, 57.66

 

CMYK 71 / 0 / 78 / 30

HEX #34B228

RGB 52 178 40

HSL 114.78, 0.63%, 0.43%

LAB 63.94, -58.92, 56.24

 

CMYK 78 / 0 / 63 / 30

HEX #28B241

RGB 40 178 65

HSL 130.87, 0.63%, 0.43%

LAB 63.9, -58.58, 46.41

 

CMYK 78 / 0 / 43 / 30

HEX #28B266

RGB 40 178 102

HSL 146.96, 0.63%, 0.43%

LAB 64.36, -53.05, 28.84

 

CMYK 72 / 0 / 77 / 56

HEX #1F6F19

RGB 31 111 25

HSL 115.81, 0.63%, 0.27%

LAB 40.78, -41.08, 38.55

 

CMYK 72 / 0 / 78 / 43

HEX #299120

RGB 41 145 32

HSL 115.22, 0.64%, 0.35%

LAB 52.76, -50.51, 47.94

 

CMYK 72 / 0 / 78 / 30

HEX #32B228

RGB 50 178 40

HSL 115.65, 0.63%, 0.43%

LAB 63.89, -59.28, 56.19

 

CMYK 70 / 0 / 75 / 18

HEX #3FD033

RGB 63 208 51

HSL 115.41, 0.63%, 0.51%

LAB 73.81, -65.88, 62.37

 

CMYK 56 / 0 / 61 / 15

HEX #5ED855

RGB 94 216 85

HSL 115.88, 0.63%, 0.59%

LAB 77.37, -58.98, 53.21

 

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

CMYK 78 / 9 / 0 / 30

HEX #28A2B2

RGB 40 162 178

HSL 186.96, 0.63%, 0.43%

LAB 61.23, -26.66, -17.64

 

CMYK 0 / 78 / 40 / 30

HEX #B2286B

RGB 178 40 107

HSL 330.87, 0.63%, 0.43%

LAB 41.29, 59.01, -4.72

 

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

CMYK 78 / 71 / 0 / 30

HEX #2834B2

RGB 40 52 178

HSL 234.78, 0.63%, 0.43%

LAB 29.72, 40.08, -67.65

 

CMYK 0 / 78 / 71 / 30

HEX #B22834

RGB 178 40 52

HSL 354.78, 0.63%, 0.43%

LAB 39.97, 54.86, 27.99

 

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

CMYK 78 / 9 / 0 / 30

HEX #28A2B2

RGB 40 162 178

HSL 186.96, 0.63%, 0.43%

LAB 61.23, -26.66, -17.64

 

CMYK 6 / 78 / 0 / 30

HEX #A728B2

RGB 167 40 178

HSL 295.22, 0.63%, 0.43%

LAB 42.68, 66.26, -45.91

 

CMYK 0 / 69 / 78 / 30

HEX #B23828

RGB 178 56 40

HSL 6.96, 0.63%, 0.43%

LAB 41.92, 48.53, 37.2

 

CMYK 71 / 0 / 77 / 30

HEX #33B229

RGB 51 178 41

HSL 115.62, 0.63%, 0.43%

LAB 63.92, -59.04, 55.89

 

CMYK 78 / 32 / 0 / 30

HEX #2879B2

RGB 40 121 178

HSL 204.78, 0.63%, 0.43%

LAB 48.69, -4.2, -37.05

 

CMYK 6 / 78 / 0 / 30

HEX #A728B2

RGB 167 40 178

HSL 295.22, 0.63%, 0.43%

LAB 42.68, 66.26, -45.91

 

CMYK 0 / 45 / 78 / 30

HEX #B26228

RGB 178 98 40

HSL 25.22, 0.63%, 0.43%

LAB 49.92, 27.93, 45.38

 

Description

Color code: HEX #33B229 | qconv.com Color code: HEX #33B229 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 178 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 178 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 77 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 77% 30% C M Y K

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Provide designers and agencies with accurate color values.

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