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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B29B it is the complementary color #CC4D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B29B shade: #38B296, #49C4A9, #5AD6BC, #6BE8CF and #7CFAE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B29B shade: #33B29B, #22A088, #118E75, #007C62 and #006A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B29B shade: #33B19A, #33B178, #33B156, #33B134 and #54B133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B29B shade: #33B19A, #33A6B1, #3384B1, #3362B1 and #3340B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B29B shade matches the following richer shades: #33B19A, #21C4A6 and #0ED6B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B29B shade: #33B19A, #469F8F, #588C83, #6B7A77 and #7D676B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B29B shade: #33B157, #33B179, #33B19A, #33A7B1 and #3385B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B29B shade: #217163, #2A917F, #33B19A, #45C9B1 and #65D2BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B29B shade: #33B29B, #3533B1 and #B16833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B29B shade: #33B29B, #9A33B1 and #B19A33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B29B shade: #33B29B, #3533B1, #B1334A and #AFB133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B29B shade: #33B29B, #5B33B1, #B1334A and #89B133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

Complementary color

CMYK 0 / 62 / 51 / 20

HEX #CC4D64

RGB 204 77 100

HSL 349.13, 0.55%, 0.55%

LAB 50.76, 52.11, 13.77

 

CMYK 69 / 0 / 16 / 30

HEX #38B296

RGB 56 178 150

HSL 166.23, 0.52%, 0.46%

LAB 65.66, -40.14, 4.61

 

CMYK 63 / 0 / 14 / 23

HEX #49C4A9

RGB 73 196 169

HSL 166.83, 0.51%, 0.53%

LAB 72.07, -40.51, 3.51

 

CMYK 58 / 0 / 12 / 16

HEX #5AD6BC

RGB 90 214 188

HSL 167.42, 0.6%, 0.6%

LAB 78.4, -40.71, 2.51

 

CMYK 54 / 0 / 11 / 9

HEX #6BE8CF

RGB 107 232 207

HSL 168, 0.73%, 0.66%

LAB 84.66, -40.8, 1.59

 

CMYK 50 / 0 / 10 / 2

HEX #7CFAE2

RGB 124 250 226

HSL 168.57, 0.93%, 0.73%

LAB 90.85, -40.82, 0.74

 

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

CMYK 79 / 0 / 15 / 37

HEX #22A088

RGB 34 160 136

HSL 168.57, 0.65%, 0.38%

LAB 59.21, -38.81, 3.07

 

CMYK 88 / 0 / 18 / 44

HEX #118E75

RGB 17 142 117

HSL 168, 0.79%, 0.31%

LAB 52.67, -37.64, 4.44

 

CMYK 100 / 0 / 21 / 51

HEX #007C62

RGB 0 124 98

HSL 167.42, 1%, 0.24%

LAB 46.04, -36.08, 5.99

 

CMYK 100 / 0 / 25 / 58

HEX #006A4F

RGB 0 106 79

HSL 164.72, 1%, 0.21%

LAB 39.37, -33.49, 7.86

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 71 / 0 / 32 / 31

HEX #33B178

RGB 51 177 120

HSL 152.86, 0.55%, 0.45%

LAB 64.57, -47.53, 19.53

 

CMYK 71 / 0 / 51 / 31

HEX #33B156

RGB 51 177 86

HSL 136.67, 0.55%, 0.45%

LAB 64.01, -53.74, 36.65

 

CMYK 71 / 0 / 71 / 31

HEX #33B134

RGB 51 177 52

HSL 120.48, 0.55%, 0.45%

LAB 63.67, -57.83, 51.65

 

CMYK 53 / 0 / 71 / 31

HEX #54B133

RGB 84 177 51

HSL 104.29, 0.55%, 0.45%

LAB 64.62, -50.22, 53.32

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 71 / 6 / 0 / 31

HEX #33A6B1

RGB 51 166 177

HSL 185.24, 0.55%, 0.45%

LAB 62.63, -27.65, -14.93

 

CMYK 71 / 25 / 0 / 31

HEX #3384B1

RGB 51 132 177

HSL 201.43, 0.55%, 0.45%

LAB 52.26, -9.51, -30.84

 

CMYK 71 / 45 / 0 / 31

HEX #3362B1

RGB 51 98 177

HSL 217.62, 0.55%, 0.45%

LAB 42.18, 11.2, -46.78

 

CMYK 71 / 64 / 0 / 31

HEX #3340B1

RGB 51 64 177

HSL 233.81, 0.55%, 0.45%

LAB 33.02, 33.37, -61.61

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 83 / 0 / 15 / 23

HEX #21C4A6

RGB 33 196 166

HSL 168.96, 0.71%, 0.45%

LAB 71.25, -46.39, 3.87

 

CMYK 93 / 0 / 17 / 16

HEX #0ED6B2

RGB 14 214 178

HSL 169.2, 0.88%, 0.45%

LAB 76.92, -51.73, 5.56

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 56 / 0 / 10 / 38

HEX #469F8F

RGB 70 159 143

HSL 169.21, 0.39%, 0.45%

LAB 59.96, -30.62, 0.31

 

CMYK 37 / 0 / 6 / 45

HEX #588C83

RGB 88 140 131

HSL 169.62, 0.23%, 0.45%

LAB 54.52, -19.53, -0.7

 

CMYK 12 / 0 / 2 / 52

HEX #6B7A77

RGB 107 122 119

HSL 168, 0.07%, 0.45%

LAB 49.95, -6.18, -0.24

 

CMYK 0 / 18 / 14 / 51

HEX #7D676B

RGB 125 103 107

HSL 349.09, 0.1%, 0.45%

LAB 45.8, 9.47, 1.04

 

CMYK 71 / 0 / 51 / 31

HEX #33B157

RGB 51 177 87

HSL 137.14, 0.55%, 0.45%

LAB 64.03, -53.58, 36.17

 

CMYK 71 / 0 / 32 / 31

HEX #33B179

RGB 51 177 121

HSL 153.33, 0.55%, 0.45%

LAB 64.59, -47.32, 19.01

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 71 / 6 / 0 / 31

HEX #33A7B1

RGB 51 167 177

HSL 184.76, 0.55%, 0.45%

LAB 62.94, -28.14, -14.46

 

CMYK 71 / 25 / 0 / 31

HEX #3385B1

RGB 51 133 177

HSL 200.95, 0.55%, 0.45%

LAB 52.57, -10.08, -30.37

 

CMYK 71 / 0 / 12 / 56

HEX #217163

RGB 33 113 99

HSL 169.5, 0.55%, 0.29%

LAB 42.82, -27.45, 0.8

 

CMYK 71 / 0 / 12 / 43

HEX #2A917F

RGB 42 145 127

HSL 169.51, 0.55%, 0.37%

LAB 54.32, -33.43, 1.11

 

CMYK 71 / 0 / 13 / 31

HEX #33B19A

RGB 51 177 154

HSL 169.05, 0.55%, 0.45%

LAB 65.34, -39.4, 1.92

 

CMYK 66 / 0 / 12 / 21

HEX #45C9B1

RGB 69 201 177

HSL 169.09, 0.55%, 0.53%

LAB 73.68, -41.37, 1.5

 

CMYK 52 / 0 / 10 / 18

HEX #65D2BE

RGB 101 210 190

HSL 168.99, 0.55%, 0.61%

LAB 77.62, -36.16, 0.35

 

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

CMYK 70 / 71 / 0 / 31

HEX #3533B1

RGB 53 51 177

HSL 240.95, 0.55%, 0.45%

LAB 30.15, 41.64, -66.3

 

CMYK 0 / 41 / 71 / 31

HEX #B16833

RGB 177 104 51

HSL 25.24, 0.55%, 0.45%

LAB 51.25, 24.74, 41.37

 

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

CMYK 13 / 71 / 0 / 31

HEX #9A33B1

RGB 154 51 177

HSL 289.05, 0.55%, 0.45%

LAB 41.86, 59.64, -46.75

 

CMYK 0 / 13 / 71 / 31

HEX #B19A33

RGB 177 154 51

HSL 49.05, 0.55%, 0.45%

LAB 63.92, -2.96, 54.55

 

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

CMYK 70 / 71 / 0 / 31

HEX #3533B1

RGB 53 51 177

HSL 240.95, 0.55%, 0.45%

LAB 30.15, 41.64, -66.3

 

CMYK 0 / 71 / 58 / 31

HEX #B1334A

RGB 177 51 74

HSL 349.05, 0.55%, 0.45%

LAB 41.55, 52.06, 16.33

 

CMYK 1 / 0 / 71 / 31

HEX #AFB133

RGB 175 177 51

HSL 60.95, 0.55%, 0.45%

LAB 70.03, -15.9, 60.53

 

CMYK 71 / 0 / 13 / 30

HEX #33B29B

RGB 51 178 155

HSL 169.13, 0.55%, 0.45%

LAB 65.68, -39.58, 1.86

 

CMYK 49 / 71 / 0 / 31

HEX #5B33B1

RGB 91 51 177

HSL 259.05, 0.55%, 0.45%

LAB 33.49, 47.13, -60.7

 

CMYK 0 / 71 / 58 / 31

HEX #B1334A

RGB 177 51 74

HSL 349.05, 0.55%, 0.45%

LAB 41.55, 52.06, 16.33

 

CMYK 23 / 0 / 71 / 31

HEX #89B133

RGB 137 177 51

HSL 79.05, 0.55%, 0.45%

LAB 67.28, -31.76, 56.88

 

Description

Color code: HEX #33B29B | qconv.com Color code: HEX #33B29B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 178 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 178 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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