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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C499 it is the complementary color #CC3B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C499 shade: #38C494, #49D6A7, #5AE8BA, #6BFACD and #7CFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C499 shade: #33C499, #22B286, #11A073, #008E60 and #007C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C499 shade: #32C297, #32C270, #32C249, #41C232 and #68C232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C499 shade: #32C297, #32C2BE, #329FC2, #3278C2 and #3251C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C499 shade matches the following richer shades: #32C297, #1ED69F and #0AEAA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C499 shade: #32C297, #45AE8F, #599B87, #6D877F and #817377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C499 shade: #32C24A, #32C270, #32C297, #32C2BD and #32A0C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C499 shade: #218164, #29A17E, #32C297, #4CD1A9 and #6DD9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C499 shade: #33C499, #3240C2 and #C25D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C499 shade: #33C499, #9732C2 and #C29732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C499 shade: #33C499, #3240C2, #C2325D and #C2B432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C499 shade: #33C499, #4F32C2, #C2325D and #A5C232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

Complementary color

CMYK 0 / 71 / 50 / 20

HEX #CC3B66

RGB 204 59 102

HSL 342.21, 0.59%, 0.52%

LAB 48.16, 59.51, 8.93

 

CMYK 71 / 0 / 24 / 23

HEX #38C494

RGB 56 196 148

HSL 159.43, 0.56%, 0.49%

LAB 71.19, -48.27, 13.57

 

CMYK 66 / 0 / 22 / 16

HEX #49D6A7

RGB 73 214 167

HSL 160, 0.63%, 0.56%

LAB 77.46, -48.71, 12.3

 

CMYK 61 / 0 / 20 / 9

HEX #5AE8BA

RGB 90 232 186

HSL 160.56, 0.76%, 0.63%

LAB 83.67, -48.96, 11.14

 

CMYK 57 / 0 / 18 / 2

HEX #6BFACD

RGB 107 250 205

HSL 161.12, 0.93%, 0.7%

LAB 89.82, -49.09, 10.07

 

CMYK 51 / 0 / 12 / 0

HEX #7CFFE0

RGB 124 255 224

HSL 165.8, 1%, 0.74%

LAB 92.21, -43.5, 3.76

 

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

CMYK 81 / 0 / 25 / 30

HEX #22B286

RGB 34 178 134

HSL 161.67, 0.68%, 0.42%

LAB 64.88, -46.93, 12.28

 

CMYK 89 / 0 / 28 / 37

HEX #11A073

RGB 17 160 115

HSL 161.12, 0.81%, 0.35%

LAB 58.51, -45.67, 13.84

 

CMYK 100 / 0 / 32 / 44

HEX #008E60

RGB 0 142 96

HSL 160.56, 1%, 0.28%

LAB 52.05, -44.01, 15.57

 

CMYK 100 / 0 / 38 / 51

HEX #007C4D

RGB 0 124 77

HSL 157.26, 1%, 0.24%

LAB 45.57, -41.37, 17.58

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 74 / 0 / 42 / 24

HEX #32C270

RGB 50 194 112

HSL 145.83, 0.59%, 0.48%

LAB 69.78, -55.76, 30.72

 

CMYK 74 / 0 / 62 / 24

HEX #32C249

RGB 50 194 73

HSL 129.58, 0.59%, 0.48%

LAB 69.29, -61.5, 49.01

 

CMYK 66 / 0 / 74 / 24

HEX #41C232

RGB 65 194 50

HSL 113.75, 0.59%, 0.48%

LAB 69.43, -61, 58.38

 

CMYK 46 / 0 / 74 / 24

HEX #68C232

RGB 104 194 50

HSL 97.5, 0.59%, 0.48%

LAB 70.7, -50.92, 60.07

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 74 / 0 / 2 / 24

HEX #32C2BE

RGB 50 194 190

HSL 178.33, 0.59%, 0.48%

LAB 71.54, -37.27, -8.77

 

CMYK 74 / 18 / 0 / 24

HEX #329FC2

RGB 50 159 194

HSL 194.58, 0.59%, 0.48%

LAB 61.11, -18.75, -26.79

 

CMYK 74 / 38 / 0 / 24

HEX #3278C2

RGB 50 120 194

HSL 210.83, 0.59%, 0.48%

LAB 49.5, 3.56, -44.96

 

CMYK 74 / 58 / 0 / 24

HEX #3251C2

RGB 50 81 194

HSL 227.08, 0.59%, 0.48%

LAB 38.65, 28.46, -62.42

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 86 / 0 / 26 / 16

HEX #1ED69F

RGB 30 214 159

HSL 162.07, 0.75%, 0.48%

LAB 76.6, -55.56, 15.24

 

CMYK 96 / 0 / 29 / 8

HEX #0AEAA7

RGB 10 234 167

HSL 162.05, 0.92%, 0.48%

LAB 82.75, -62.16, 19.61

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 60 / 0 / 18 / 32

HEX #45AE8F

RGB 69 174 143

HSL 162.29, 0.43%, 0.48%

LAB 64.58, -37.8, 6.98

 

CMYK 43 / 0 / 13 / 39

HEX #599B87

RGB 89 155 135

HSL 161.82, 0.27%, 0.48%

LAB 59.27, -25.97, 3.92

 

CMYK 19 / 0 / 6 / 47

HEX #6D877F

RGB 109 135 127

HSL 161.54, 0.11%, 0.48%

LAB 54.15, -11.02, 1.22

 

CMYK 0 / 11 / 8 / 49

HEX #817377

RGB 129 115 119

HSL 342.86, 0.06%, 0.48%

LAB 49.81, 6.17, -0.23

 

CMYK 74 / 0 / 62 / 24

HEX #32C24A

RGB 50 194 74

HSL 130, 0.59%, 0.48%

LAB 69.3, -61.39, 48.58

 

CMYK 74 / 0 / 42 / 24

HEX #32C270

RGB 50 194 112

HSL 145.83, 0.59%, 0.48%

LAB 69.78, -55.76, 30.72

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 74 / 0 / 3 / 24

HEX #32C2BD

RGB 50 194 189

HSL 177.92, 0.59%, 0.48%

LAB 71.51, -37.56, -8.27

 

CMYK 74 / 18 / 0 / 24

HEX #32A0C2

RGB 50 160 194

HSL 194.17, 0.59%, 0.48%

LAB 61.41, -19.28, -26.33

 

CMYK 74 / 0 / 22 / 49

HEX #218164

RGB 33 129 100

HSL 161.88, 0.59%, 0.32%

LAB 48.19, -34.67, 7.93

 

CMYK 75 / 0 / 22 / 37

HEX #29A17E

RGB 41 161 126

HSL 162.5, 0.59%, 0.4%

LAB 59.4, -40.98, 8.99

 

CMYK 74 / 0 / 22 / 24

HEX #32C297

RGB 50 194 151

HSL 162.08, 0.59%, 0.48%

LAB 70.52, -47.56, 11

 

CMYK 64 / 0 / 19 / 18

HEX #4CD1A9

RGB 76 209 169

HSL 161.95, 0.59%, 0.56%

LAB 76.07, -45.64, 9.27

 

CMYK 50 / 0 / 15 / 15

HEX #6DD9B9

RGB 109 217 185

HSL 162.22, 0.59%, 0.64%

LAB 79.83, -38.75, 6.25

 

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

CMYK 74 / 67 / 0 / 24

HEX #3240C2

RGB 50 64 194

HSL 234.17, 0.59%, 0.48%

LAB 34.48, 39.29, -69.25

 

CMYK 0 / 52 / 74 / 24

HEX #C25D32

RGB 194 93 50

HSL 17.92, 0.59%, 0.48%

LAB 51.3, 37.53, 42.65

 

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

CMYK 22 / 74 / 0 / 24

HEX #9732C2

RGB 151 50 194

HSL 282.08, 0.59%, 0.48%

LAB 42.39, 62.75, -55.91

 

CMYK 0 / 22 / 74 / 24

HEX #C29732

RGB 194 151 50

HSL 42.08, 0.59%, 0.48%

LAB 64.83, 6.15, 56.43

 

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

CMYK 74 / 67 / 0 / 24

HEX #3240C2

RGB 50 64 194

HSL 234.17, 0.59%, 0.48%

LAB 34.48, 39.29, -69.25

 

CMYK 0 / 74 / 52 / 24

HEX #C2325D

RGB 194 50 93

HSL 342.08, 0.59%, 0.48%

LAB 45, 58.98, 9.75

 

CMYK 0 / 7 / 74 / 24

HEX #C2B432

RGB 194 180 50

HSL 54.17, 0.59%, 0.48%

LAB 72.46, -9.27, 63.76

 

CMYK 74 / 0 / 22 / 23

HEX #33C499

RGB 51 196 153

HSL 162.21, 0.59%, 0.48%

LAB 71.2, -47.78, 10.88

 

CMYK 59 / 74 / 0 / 24

HEX #4F32C2

RGB 79 50 194

HSL 252.08, 0.59%, 0.48%

LAB 33.64, 50.72, -70.55

 

CMYK 0 / 74 / 52 / 24

HEX #C2325D

RGB 194 50 93

HSL 342.08, 0.59%, 0.48%

LAB 45, 58.98, 9.75

 

CMYK 15 / 0 / 74 / 24

HEX #A5C232

RGB 165 194 50

HSL 72.08, 0.59%, 0.48%

LAB 74.07, -28.54, 64.49

 

Description

Color code: HEX #33C499 | qconv.com Color code: HEX #33C499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 196 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 196 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 22 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 22% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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