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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D55E it is the complementary color #CC2AA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D55E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D55E shade: #38D559, #49E76C, #5AF97F, #6BFF92 and #7CFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D55E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D55E shade: #33D55E, #22C34B, #11B138, #009F25 and #008D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D55E shade: #33D55E, #34D533, #60D533, #8BD533 and #B7D533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D55E shade: #33D55E, #33D58A, #33D5B5, #33C9D5 and #339DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D55E shade matches the following richer shades: #33D55E, #20E955 and #0CFC4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D55E shade: #33D55E, #47C168, #5BAD71, #6F997A and #838683

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D55E shade: #61D533, #36D533, #33D55C, #33D587 and #33D5B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D55E shade: #1F973F, #26B94D, #33D55E, #56DC79 and #78E394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D55E shade: #33D55E, #338CD5 and #D5334C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D55E shade: #33D55E, #5C33D5 and #D55C33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D55E shade: #33D55E, #338CD5, #D533AC and #D57C33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D55E shade: #33D55E, #335CD5, #D533AC and #D5AC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

Complementary color

CMYK 0 / 79 / 21 / 20

HEX #CC2AA1

RGB 204 42 161

HSL 315.93, 0.66%, 0.48%

LAB 48.34, 71.08, -26.48

 

CMYK 74 / 0 / 58 / 16

HEX #38D559

RGB 56 213 89

HSL 132.61, 0.65%, 0.53%

LAB 75.54, -64.98, 49.09

 

CMYK 68 / 0 / 53 / 9

HEX #49E76C

RGB 73 231 108

HSL 133.29, 0.77%, 0.6%

LAB 81.65, -65.86, 47.7

 

CMYK 64 / 0 / 49 / 2

HEX #5AF97F

RGB 90 249 127

HSL 133.96, 0.93%, 0.66%

LAB 87.71, -66.41, 46.3

 

CMYK 58 / 0 / 43 / 0

HEX #6BFF92

RGB 107 255 146

HSL 135.81, 1%, 0.71%

LAB 90.19, -62.31, 40.42

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA5

RGB 124 255 165

HSL 138.78, 1%, 0.74%

LAB 91.02, -55.34, 32.22

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 83 / 0 / 62 / 24

HEX #22C34B

RGB 34 195 75

HSL 135.28, 0.7%, 0.45%

LAB 69.38, -63.64, 48.17

 

CMYK 90 / 0 / 68 / 31

HEX #11B138

RGB 17 177 56

HSL 134.63, 0.82%, 0.38%

LAB 63.22, -61.59, 49.43

 

CMYK 100 / 0 / 77 / 38

HEX #009F25

RGB 0 159 37

HSL 133.96, 1%, 0.31%

LAB 57.01, -58.85, 50.23

 

CMYK 100 / 0 / 87 / 45

HEX #008D12

RGB 0 141 18

HSL 127.66, 1%, 0.28%

LAB 50.8, -54.79, 50.1

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 0 / 76 / 16

HEX #34D533

RGB 52 213 51

HSL 119.63, 0.66%, 0.52%

LAB 75.18, -69.22, 63.65

 

CMYK 55 / 0 / 76 / 16

HEX #60D533

RGB 96 213 51

HSL 103.33, 0.66%, 0.52%

LAB 76.26, -60.24, 65.07

 

CMYK 35 / 0 / 76 / 16

HEX #8BD533

RGB 139 213 51

HSL 87.41, 0.66%, 0.52%

LAB 78.06, -46.92, 67.43

 

CMYK 14 / 0 / 76 / 16

HEX #B7D533

RGB 183 213 51

HSL 71.11, 0.66%, 0.52%

LAB 80.68, -30.17, 70.82

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 0 / 35 / 16

HEX #33D58A

RGB 51 213 138

HSL 152.22, 0.66%, 0.52%

LAB 76.15, -57.71, 25.69

 

CMYK 76 / 0 / 15 / 16

HEX #33D5B5

RGB 51 213 181

HSL 168.15, 0.66%, 0.52%

LAB 77.06, -47.93, 4.2

 

CMYK 76 / 6 / 0 / 16

HEX #33C9D5

RGB 51 201 213

HSL 184.44, 0.66%, 0.52%

LAB 74.37, -33.68, -17.03

 

CMYK 76 / 26 / 0 / 16

HEX #339DD5

RGB 51 157 213

HSL 200.74, 0.66%, 0.52%

LAB 61.33, -11.11, -37.07

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 86 / 0 / 64 / 9

HEX #20E955

RGB 32 233 85

HSL 135.82, 0.82%, 0.52%

LAB 81.42, -74.38, 57.45

 

CMYK 95 / 0 / 70 / 1

HEX #0CFC4C

RGB 12 252 76

HSL 136, 0.98%, 0.52%

LAB 87.11, -81.76, 67.03

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 63 / 0 / 46 / 24

HEX #47C168

RGB 71 193 104

HSL 136.23, 0.5%, 0.52%

LAB 69.81, -53.11, 34.95

 

CMYK 47 / 0 / 35 / 32

HEX #5BAD71

RGB 91 173 113

HSL 136.1, 0.33%, 0.52%

LAB 64.41, -38.48, 23.3

 

CMYK 27 / 0 / 20 / 40

HEX #6F997A

RGB 111 153 122

HSL 135.71, 0.17%, 0.52%

LAB 59.5, -20.95, 11.74

 

CMYK 2 / 0 / 2 / 47

HEX #838683

RGB 131 134 131

HSL 120, 0.01%, 0.52%

LAB 55.6, -1.7, 1.22

 

CMYK 54 / 0 / 76 / 16

HEX #61D533

RGB 97 213 51

HSL 102.96, 0.66%, 0.52%

LAB 76.3, -59.98, 65.12

 

CMYK 75 / 0 / 76 / 16

HEX #36D533

RGB 54 213 51

HSL 118.89, 0.66%, 0.52%

LAB 75.21, -68.93, 63.69

 

CMYK 76 / 0 / 57 / 16

HEX #33D55C

RGB 51 213 92

HSL 135.19, 0.66%, 0.52%

LAB 75.49, -65.31, 47.64

 

CMYK 76 / 0 / 37 / 16

HEX #33D587

RGB 51 213 135

HSL 151.11, 0.66%, 0.52%

LAB 76.09, -58.3, 27.18

 

CMYK 76 / 0 / 16 / 16

HEX #33D5B2

RGB 51 213 178

HSL 167.04, 0.66%, 0.52%

LAB 76.98, -48.68, 5.7

 

CMYK 79 / 0 / 58 / 41

HEX #1F973F

RGB 31 151 63

HSL 136, 0.66%, 0.36%

LAB 54.85, -50.92, 36.88

 

CMYK 79 / 0 / 58 / 27

HEX #26B94D

RGB 38 185 77

HSL 135.92, 0.66%, 0.44%

LAB 66.25, -59.68, 43.64

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 61 / 0 / 45 / 14

HEX #56DC79

RGB 86 220 121

HSL 135.67, 0.66%, 0.6%

LAB 78.78, -57.53, 37.94

 

CMYK 47 / 0 / 35 / 11

HEX #78E394

RGB 120 227 148

HSL 135.7, 0.66%, 0.68%

LAB 82.42, -47.77, 29.28

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 34 / 0 / 16

HEX #338CD5

RGB 51 140 213

HSL 207.04, 0.66%, 0.52%

LAB 56.35, -1.4, -44.89

 

CMYK 0 / 76 / 64 / 16

HEX #D5334C

RGB 213 51 76

HSL 350.74, 0.66%, 0.52%

LAB 48.3, 62.99, 25.23

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 57 / 76 / 0 / 16

HEX #5C33D5

RGB 92 51 213

HSL 255.19, 0.66%, 0.52%

LAB 36.83, 57.31, -76.31

 

CMYK 0 / 57 / 76 / 16

HEX #D55C33

RGB 213 92 51

HSL 15.19, 0.66%, 0.52%

LAB 54.07, 45.33, 45.96

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 34 / 0 / 16

HEX #338CD5

RGB 51 140 213

HSL 207.04, 0.66%, 0.52%

LAB 56.35, -1.4, -44.89

 

CMYK 0 / 76 / 19 / 16

HEX #D533AC

RGB 213 51 172

HSL 315.19, 0.66%, 0.52%

LAB 51.26, 72.09, -28.33

 

CMYK 0 / 42 / 76 / 16

HEX #D57C33

RGB 213 124 51

HSL 27.04, 0.66%, 0.52%

LAB 60.61, 29.02, 52.6

 

CMYK 76 / 0 / 56 / 16

HEX #33D55E

RGB 51 213 94

HSL 135.93, 0.66%, 0.52%

LAB 75.51, -65.04, 46.74

 

CMYK 76 / 57 / 0 / 16

HEX #335CD5

RGB 51 92 213

HSL 224.81, 0.66%, 0.52%

LAB 43.01, 28.49, -66.31

 

CMYK 0 / 76 / 19 / 16

HEX #D533AC

RGB 213 51 172

HSL 315.19, 0.66%, 0.52%

LAB 51.26, 72.09, -28.33

 

CMYK 0 / 19 / 76 / 16

HEX #D5AC33

RGB 213 172 51

HSL 44.81, 0.66%, 0.52%

LAB 72.16, 3.23, 63.76

 

Description

Color code: HEX #33D55E | qconv.com Color code: HEX #33D55E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 213 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 213 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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