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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D5BF it is the complementary color #CC2A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D5BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D5BF shade: #38D5BA, #49E7CD, #5AF9E0, #6BFFF3 and #7CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D5BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D5BF shade: #33D5BF, #22C3AC, #11B199, #009F86 and #008D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D5BF shade: #33D5BF, #33D593, #33D568, #33D53C and #56D533

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D5BF shade: #33D5BF, #33BFD5, #3394D5, #3368D5 and #333DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D5BF shade matches the following richer shades: #33D5BF, #20E9CD and #0CFCDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D5BF shade: #33D5BF, #47C1B1, #5BADA2, #6F9994 and #838685

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D5BF shade: #33D566, #33D592, #33D5BD, #33C2D5 and #3397D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D5BF shade: #1F9787, #26B9A5, #33D5BF, #56DCCA and #78E3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D5BF shade: #33D5BF, #3B33D5 and #D57C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D5BF shade: #33D5BF, #BD33D5 and #D5BD33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D5BF shade: #33D5BF, #3B33D5, #D5334C and #CDD533

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D5BF shade: #33D5BF, #6C33D5, #D5334C and #9CD533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

Complementary color

CMYK 0 / 79 / 69 / 20

HEX #CC2A40

RGB 204 42 64

HSL 351.85, 0.66%, 0.48%

LAB 45.45, 62.42, 28.53

 

CMYK 74 / 0 / 13 / 16

HEX #38D5BA

RGB 56 213 186

HSL 169.68, 0.65%, 0.53%

LAB 77.27, -46.07, 1.83

 

CMYK 68 / 0 / 11 / 9

HEX #49E7CD

RGB 73 231 205

HSL 170.13, 0.77%, 0.6%

LAB 83.43, -46.7, 0.74

 

CMYK 64 / 0 / 10 / 2

HEX #5AF9E0

RGB 90 249 224

HSL 170.57, 0.93%, 0.66%

LAB 89.54, -47.15, -0.25

 

CMYK 58 / 0 / 5 / 0

HEX #6BFFF3

RGB 107 255 243

HSL 175.14, 1%, 0.71%

LAB 92.18, -42.21, -6.18

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 83 / 0 / 12 / 24

HEX #22C3AC

RGB 34 195 172

HSL 171.43, 0.7%, 0.45%

LAB 71.11, -44.29, 0.39

 

CMYK 90 / 0 / 14 / 31

HEX #11B199

RGB 17 177 153

HSL 171, 0.82%, 0.38%

LAB 64.85, -42.9, 1.71

 

CMYK 100 / 0 / 16 / 38

HEX #009F86

RGB 0 159 134

HSL 170.57, 1%, 0.31%

LAB 58.53, -41.18, 3.16

 

CMYK 100 / 0 / 18 / 45

HEX #008D73

RGB 0 141 115

HSL 168.94, 1%, 0.28%

LAB 52.16, -38.72, 4.84

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 76 / 0 / 31 / 16

HEX #33D593

RGB 51 213 147

HSL 155.56, 0.66%, 0.52%

LAB 76.31, -55.87, 21.21

 

CMYK 76 / 0 / 51 / 16

HEX #33D568

RGB 51 213 104

HSL 139.63, 0.66%, 0.52%

LAB 75.63, -63.63, 42.15

 

CMYK 76 / 0 / 72 / 16

HEX #33D53C

RGB 51 213 60

HSL 123.33, 0.66%, 0.52%

LAB 75.21, -68.69, 60.61

 

CMYK 60 / 0 / 76 / 16

HEX #56D533

RGB 86 213 51

HSL 107.04, 0.66%, 0.52%

LAB 75.95, -62.74, 64.66

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 76 / 10 / 0 / 16

HEX #33BFD5

RGB 51 191 213

HSL 188.15, 0.66%, 0.52%

LAB 71.4, -28.86, -21.53

 

CMYK 76 / 31 / 0 / 16

HEX #3394D5

RGB 51 148 213

HSL 204.07, 0.66%, 0.52%

LAB 58.68, -6.04, -41.21

 

CMYK 76 / 51 / 0 / 16

HEX #3368D5

RGB 51 104 213

HSL 220.37, 0.66%, 0.52%

LAB 46.19, 20.8, -61.14

 

CMYK 76 / 71 / 0 / 16

HEX #333DD5

RGB 51 61 213

HSL 236.3, 0.66%, 0.52%

LAB 35.68, 47.69, -78.3

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 86 / 0 / 12 / 9

HEX #20E9CD

RGB 32 233 205

HSL 171.64, 0.82%, 0.52%

LAB 83.44, -51.58, 0.69

 

CMYK 95 / 0 / 13 / 1

HEX #0CFCDC

RGB 12 252 220

HSL 172, 0.98%, 0.52%

LAB 89.33, -56.17, 1.41

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 63 / 0 / 8 / 24

HEX #47C1B1

RGB 71 193 177

HSL 172.13, 0.5%, 0.52%

LAB 71.32, -37.45, -1.95

 

CMYK 47 / 0 / 6 / 32

HEX #5BADA2

RGB 91 173 162

HSL 171.95, 0.33%, 0.52%

LAB 65.53, -27.77, -2.1

 

CMYK 27 / 0 / 3 / 40

HEX #6F9994

RGB 111 153 148

HSL 172.86, 0.17%, 0.52%

LAB 60.16, -15.38, -2.01

 

CMYK 2 / 0 / 1 / 47

HEX #838685

RGB 131 134 133

HSL 160, 0.01%, 0.52%

LAB 55.65, -1.31, 0.14

 

CMYK 76 / 0 / 52 / 16

HEX #33D566

RGB 51 213 102

HSL 138.89, 0.66%, 0.52%

LAB 75.61, -63.93, 43.08

 

CMYK 76 / 0 / 31 / 16

HEX #33D592

RGB 51 213 146

HSL 155.19, 0.66%, 0.52%

LAB 76.29, -56.08, 21.71

 

CMYK 76 / 0 / 11 / 16

HEX #33D5BD

RGB 51 213 189

HSL 171.11, 0.66%, 0.52%

LAB 77.26, -45.85, 0.21

 

CMYK 76 / 9 / 0 / 16

HEX #33C2D5

RGB 51 194 213

HSL 187.04, 0.66%, 0.52%

LAB 72.29, -30.32, -20.18

 

CMYK 76 / 29 / 0 / 16

HEX #3397D5

RGB 51 151 213

HSL 202.96, 0.66%, 0.52%

LAB 59.56, -7.74, -39.83

 

CMYK 79 / 0 / 11 / 41

HEX #1F9787

RGB 31 151 135

HSL 172, 0.66%, 0.36%

LAB 56.26, -35.37, -0.66

 

CMYK 79 / 0 / 11 / 27

HEX #26B9A5

RGB 38 185 165

HSL 171.84, 0.66%, 0.44%

LAB 67.89, -41.5, -0.46

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 61 / 0 / 8 / 14

HEX #56DCCA

RGB 86 220 202

HSL 171.94, 0.66%, 0.6%

LAB 80.42, -40.62, -2.03

 

CMYK 47 / 0 / 7 / 11

HEX #78E3D4

RGB 120 227 212

HSL 171.59, 0.66%, 0.68%

LAB 83.8, -34.51, -2.25

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 72 / 76 / 0 / 16

HEX #3B33D5

RGB 59 51 213

HSL 242.96, 0.66%, 0.52%

LAB 34.19, 53.84, -80.75

 

CMYK 0 / 42 / 76 / 16

HEX #D57C33

RGB 213 124 51

HSL 27.04, 0.66%, 0.52%

LAB 60.61, 29.02, 52.6

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 11 / 76 / 0 / 16

HEX #BD33D5

RGB 189 51 213

HSL 291.11, 0.66%, 0.52%

LAB 49.48, 73.3, -55.17

 

CMYK 0 / 11 / 76 / 16

HEX #D5BD33

RGB 213 189 51

HSL 51.11, 0.66%, 0.52%

LAB 76.55, -5.67, 67.86

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 72 / 76 / 0 / 16

HEX #3B33D5

RGB 59 51 213

HSL 242.96, 0.66%, 0.52%

LAB 34.19, 53.84, -80.75

 

CMYK 0 / 76 / 64 / 16

HEX #D5334C

RGB 213 51 76

HSL 350.74, 0.66%, 0.52%

LAB 48.3, 62.99, 25.23

 

CMYK 4 / 0 / 76 / 16

HEX #CDD533

RGB 205 213 51

HSL 62.96, 0.66%, 0.52%

LAB 82.27, -21.13, 72.87

 

CMYK 76 / 0 / 10 / 16

HEX #33D5BF

RGB 51 213 191

HSL 171.85, 0.66%, 0.52%

LAB 77.31, -45.33, -0.79

 

CMYK 49 / 76 / 0 / 16

HEX #6C33D5

RGB 108 51 213

HSL 261.11, 0.66%, 0.52%

LAB 38.48, 59.45, -73.54

 

CMYK 0 / 76 / 64 / 16

HEX #D5334C

RGB 213 51 76

HSL 350.74, 0.66%, 0.52%

LAB 48.3, 62.99, 25.23

 

CMYK 27 / 0 / 76 / 16

HEX #9CD533

RGB 156 213 51

HSL 81.11, 0.66%, 0.52%

LAB 78.98, -40.73, 68.62

 

Description

Color code: HEX #33D5BF | qconv.com Color code: HEX #33D5BF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 213 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 213 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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