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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33E486 it is the complementary color #CC1B79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33E486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33E486 shade: #38E481, #49F694, #5AFFA7, #6BFFBA and #7CFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33E486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33E486 shade: #33E486, #22D273, #11C060, #00AE4D and #009C3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33E486 shade: #33E486, #33E457, #40E433, #6FE433 and #9FE433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33E486 shade: #33E486, #33E4B6, #33E3E4, #33B3E4 and #3383E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33E486 shade matches the following richer shades: #33E486 and #21F785

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33E486 shade: #33E486, #46D287, #59BF89, #6BAC8A and #7E9A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33E486 shade: #3FE433, #33E457, #33E486, #33E4B5 and #33E4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33E486 shade: #16AF5E, #1BD371, #33E486, #58E99C and #7CEEB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33E486 shade: #33E486, #336EE4 and #E43F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33E486 shade: #33E486, #8633E4 and #E48633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33E486 shade: #33E486, #336EE4, #E43392 and #E4A933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33E486 shade: #33E486, #3339E4, #E43392 and #E4DE33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

Complementary color

CMYK 0 / 87 / 41 / 20

HEX #CC1B79

RGB 204 27 121

HSL 328.14, 0.77%, 0.45%

LAB 45.64, 69.94, -6.41

 

CMYK 75 / 0 / 43 / 11

HEX #38E481

RGB 56 228 129

HSL 145.47, 0.76%, 0.56%

LAB 80.69, -64.15, 36.29

 

CMYK 70 / 0 / 40 / 4

HEX #49F694

RGB 73 246 148

HSL 146.01, 0.91%, 0.63%

LAB 86.73, -64.88, 34.78

 

CMYK 65 / 0 / 35 / 0

HEX #5AFFA7

RGB 90 255 167

HSL 148, 1%, 0.68%

LAB 90.08, -62, 29.8

 

CMYK 58 / 0 / 27 / 0

HEX #6BFFBA

RGB 107 255 186

HSL 152.03, 1%, 0.71%

LAB 90.87, -55.17, 21.32

 

CMYK 51 / 0 / 20 / 0

HEX #7CFFCD

RGB 124 255 205

HSL 157.1, 1%, 0.74%

LAB 91.78, -47.68, 12.94

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 84 / 0 / 45 / 18

HEX #22D273

RGB 34 210 115

HSL 147.61, 0.72%, 0.48%

LAB 74.62, -62.72, 35.41

 

CMYK 91 / 0 / 50 / 25

HEX #11C060

RGB 17 192 96

HSL 147.09, 0.84%, 0.41%

LAB 68.51, -61.06, 37.14

 

CMYK 100 / 0 / 56 / 32

HEX #00AE4D

RGB 0 174 77

HSL 146.55, 1%, 0.34%

LAB 62.35, -58.91, 38.92

 

CMYK 100 / 0 / 63 / 39

HEX #009C3A

RGB 0 156 58

HSL 142.31, 1%, 0.31%

LAB 56.17, -55.78, 40.72

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 0 / 62 / 11

HEX #33E457

RGB 51 228 87

HSL 132.2, 0.77%, 0.55%

LAB 80.11, -70.73, 55.19

 

CMYK 72 / 0 / 78 / 11

HEX #40E433

RGB 64 228 51

HSL 115.59, 0.77%, 0.55%

LAB 80.08, -71.97, 68.46

 

CMYK 51 / 0 / 78 / 11

HEX #6FE433

RGB 111 228 51

HSL 99.66, 0.77%, 0.55%

LAB 81.35, -61.58, 70.12

 

CMYK 30 / 0 / 78 / 11

HEX #9FE433

RGB 159 228 51

HSL 83.39, 0.77%, 0.55%

LAB 83.49, -46.09, 72.9

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 0 / 20 / 11

HEX #33E4B6

RGB 51 228 182

HSL 164.41, 0.77%, 0.55%

LAB 81.6, -53.81, 10.19

 

CMYK 78 / 0 / 0 / 11

HEX #33E3E4

RGB 51 227 228

HSL 180.34, 0.77%, 0.55%

LAB 82.51, -41.26, -12.83

 

CMYK 78 / 21 / 0 / 11

HEX #33B3E4

RGB 51 179 228

HSL 196.61, 0.77%, 0.55%

LAB 68.42, -17.91, -34.3

 

CMYK 78 / 43 / 0 / 11

HEX #3383E4

RGB 51 131 228

HSL 212.88, 0.77%, 0.55%

LAB 54.59, 9.47, -56.1

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 87 / 0 / 46 / 3

HEX #21F785

RGB 33 247 133

HSL 148.04, 0.93%, 0.55%

LAB 86.27, -72.11, 41.44

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 67 / 0 / 36 / 18

HEX #46D287

RGB 70 210 135

HSL 147.86, 0.61%, 0.55%

LAB 75.54, -54.35, 26.5

 

CMYK 53 / 0 / 28 / 25

HEX #59BF89

RGB 89 191 137

HSL 148.24, 0.44%, 0.55%

LAB 70.31, -42.27, 18.41

 

CMYK 38 / 0 / 20 / 33

HEX #6BAC8A

RGB 107 172 138

HSL 148.62, 0.28%, 0.55%

LAB 65.33, -28.49, 11.02

 

CMYK 18 / 0 / 10 / 40

HEX #7E9A8B

RGB 126 154 139

HSL 147.86, 0.12%, 0.55%

LAB 61.14, -12.92, 4.63

 

CMYK 72 / 0 / 78 / 11

HEX #3FE433

RGB 63 228 51

HSL 115.93, 0.77%, 0.55%

LAB 80.06, -72.13, 68.44

 

CMYK 78 / 0 / 62 / 11

HEX #33E457

RGB 51 228 87

HSL 132.2, 0.77%, 0.55%

LAB 80.11, -70.73, 55.19

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 0 / 21 / 11

HEX #33E4B5

RGB 51 228 181

HSL 164.07, 0.77%, 0.55%

LAB 81.58, -54.05, 10.69

 

CMYK 78 / 0 / 0 / 11

HEX #33E4E4

RGB 51 228 228

HSL 180, 0.77%, 0.55%

LAB 82.8, -41.7, -12.39

 

CMYK 87 / 0 / 46 / 31

HEX #16AF5E

RGB 22 175 94

HSL 148.24, 0.78%, 0.39%

LAB 63.04, -55.28, 31.26

 

CMYK 87 / 0 / 46 / 17

HEX #1BD371

RGB 27 211 113

HSL 148.04, 0.77%, 0.47%

LAB 74.83, -63.95, 36.67

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 62 / 0 / 33 / 9

HEX #58E99C

RGB 88 233 156

HSL 148.14, 0.77%, 0.63%

LAB 83.31, -56, 26.22

 

CMYK 48 / 0 / 25 / 7

HEX #7CEEB2

RGB 124 238 178

HSL 148.42, 0.77%, 0.71%

LAB 86.33, -45.91, 19.21

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 52 / 0 / 11

HEX #336EE4

RGB 51 110 228

HSL 220, 0.77%, 0.55%

LAB 48.83, 22.56, -65.37

 

CMYK 0 / 72 / 78 / 11

HEX #E43F33

RGB 228 63 51

HSL 4.07, 0.77%, 0.55%

LAB 52.16, 62.42, 44.79

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 41 / 78 / 0 / 11

HEX #8633E4

RGB 134 51 228

HSL 268.14, 0.77%, 0.55%

LAB 42.82, 66.91, -74.9

 

CMYK 0 / 41 / 78 / 11

HEX #E48633

RGB 228 134 51

HSL 28.14, 0.77%, 0.55%

LAB 64.79, 29.92, 57.36

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 52 / 0 / 11

HEX #336EE4

RGB 51 110 228

HSL 220, 0.77%, 0.55%

LAB 48.83, 22.56, -65.37

 

CMYK 0 / 78 / 36 / 11

HEX #E43392

RGB 228 51 146

HSL 327.8, 0.77%, 0.55%

LAB 52.88, 72.63, -10.23

 

CMYK 0 / 26 / 78 / 11

HEX #E4A933

RGB 228 169 51

HSL 40, 0.77%, 0.55%

LAB 72.96, 11.31, 65.08

 

CMYK 78 / 0 / 41 / 11

HEX #33E486

RGB 51 228 134

HSL 148.14, 0.77%, 0.55%

LAB 80.69, -63.89, 33.77

 

CMYK 78 / 75 / 0 / 11

HEX #3339E4

RGB 51 57 228

HSL 237.97, 0.77%, 0.55%

LAB 36.43, 54.81, -85.68

 

CMYK 0 / 78 / 36 / 11

HEX #E43392

RGB 228 51 146

HSL 327.8, 0.77%, 0.55%

LAB 52.88, 72.63, -10.23

 

CMYK 0 / 3 / 78 / 11

HEX #E4DE33

RGB 228 222 51

HSL 57.97, 0.77%, 0.55%

LAB 86.49, -15.94, 77.35

 

Description

Color code: HEX #33E486 | qconv.com Color code: HEX #33E486 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 228 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 228 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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