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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33EF60 it is the complementary color #CC109F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33EF60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33EF60 shade: #38EF5B, #49FF6E, #5AFF81, #6BFF94 and #7CFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33EF60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33EF60 shade: #33EF60, #22DD4D, #11CB3A, #00B927 and #00A714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33EF60 shade: #34EE60, #39EE34, #6CEE34, #9EEE34 and #D0EE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33EF60 shade: #34EE60, #34EE93, #34EEC5, #34E5EE and #34B3EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33EF60 shade matches the following richer shades: #34EE60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33EF60 shade: #34EE60, #45DC6A, #57CB73, #69B97C and #7BA785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33EF60 shade: #6CEE34, #3AEE34, #34EE5F, #34EE91 and #34EEC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33EF60 shade: #0FC039, #12E645, #34EE60, #5AF17E and #80F49C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33EF60 shade: #33EF60, #349DEE and #EE3453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33EF60 shade: #33EF60, #5F34EE and #EE5F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33EF60 shade: #33EF60, #349DEE, #EE34C3 and #EE8434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33EF60 shade: #33EF60, #3465EE, #EE34C3 and #EEBC34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

Complementary color

CMYK 0 / 92 / 22 / 20

HEX #CC109F

RGB 204 16 159

HSL 314.36, 0.85%, 0.43%

LAB 46.59, 75.65, -28.01

 

CMYK 77 / 0 / 62 / 6

HEX #38EF5B

RGB 56 239 91

HSL 131.48, 0.85%, 0.58%

LAB 83.62, -73.1, 57.48

 

CMYK 71 / 0 / 57 / 0

HEX #49FF6E

RGB 73 255 110

HSL 132.2, 1%, 0.64%

LAB 88.95, -73.6, 55.5

 

CMYK 65 / 0 / 49 / 0

HEX #5AFF81

RGB 90 255 129

HSL 134.18, 1%, 0.68%

LAB 89.52, -68.23, 47.62

 

CMYK 58 / 0 / 42 / 0

HEX #6BFF94

RGB 107 255 148

HSL 136.62, 1%, 0.71%

LAB 90.22, -61.99, 39.48

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA7

RGB 124 255 167

HSL 139.69, 1%, 0.74%

LAB 91.05, -55, 31.26

 

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

CMYK 85 / 0 / 65 / 13

HEX #22DD4D

RGB 34 221 77

HSL 133.8, 0.73%, 0.5%

LAB 77.63, -71.46, 56.55

 

CMYK 92 / 0 / 71 / 20

HEX #11CB3A

RGB 17 203 58

HSL 133.23, 0.85%, 0.43%

LAB 71.65, -69.17, 57.54

 

CMYK 100 / 0 / 79 / 27

HEX #00B927

RGB 0 185 39

HSL 132.65, 1%, 0.36%

LAB 65.63, -66.23, 57.99

 

CMYK 100 / 0 / 88 / 35

HEX #00A714

RGB 0 167 20

HSL 127.19, 1%, 0.33%

LAB 59.61, -62.17, 57.46

 

CMYK 78 / 0 / 60 / 7

HEX #34EE60

RGB 52 238 96

HSL 134.19, 0.85%, 0.57%

LAB 83.3, -72.71, 54.96

 

CMYK 76 / 0 / 78 / 7

HEX #39EE34

RGB 57 238 52

HSL 118.39, 0.85%, 0.57%

LAB 83.06, -75.96, 70.97

 

CMYK 55 / 0 / 78 / 7

HEX #6CEE34

RGB 108 238 52

HSL 101.94, 0.85%, 0.57%

LAB 84.27, -65.87, 72.55

 

CMYK 34 / 0 / 78 / 7

HEX #9EEE34

RGB 158 238 52

HSL 85.81, 0.85%, 0.57%

LAB 86.34, -50.57, 75.22

 

CMYK 13 / 0 / 78 / 7

HEX #D0EE34

RGB 208 238 52

HSL 69.68, 0.85%, 0.57%

LAB 89.3, -31.73, 79.02

 

CMYK 78 / 0 / 60 / 7

HEX #34EE60

RGB 52 238 96

HSL 134.19, 0.85%, 0.57%

LAB 83.3, -72.71, 54.96

 

CMYK 78 / 0 / 38 / 7

HEX #34EE93

RGB 52 238 147

HSL 150.65, 0.85%, 0.57%

LAB 83.96, -64.93, 31.54

 

CMYK 78 / 0 / 17 / 7

HEX #34EEC5

RGB 52 238 197

HSL 166.77, 0.85%, 0.57%

LAB 84.95, -54.09, 7.11

 

CMYK 78 / 4 / 0 / 7

HEX #34E5EE

RGB 52 229 238

HSL 182.9, 0.85%, 0.57%

LAB 83.41, -39.18, -16.76

 

CMYK 78 / 25 / 0 / 7

HEX #34B3EE

RGB 52 179 238

HSL 199.03, 0.85%, 0.57%

LAB 68.85, -14.44, -39.08

 

CMYK 78 / 0 / 60 / 7

HEX #34EE60

RGB 52 238 96

HSL 134.19, 0.85%, 0.57%

LAB 83.3, -72.71, 54.96

 

CMYK 78 / 0 / 60 / 7

HEX #34EE60

RGB 52 238 96

HSL 134.19, 0.85%, 0.57%

LAB 83.3, -72.71, 54.96

 

CMYK 69 / 0 / 52 / 14

HEX #45DC6A

RGB 69 220 106

HSL 134.7, 0.68%, 0.57%

LAB 78.16, -63.01, 44.38

 

CMYK 57 / 0 / 43 / 20

HEX #57CB73

RGB 87 203 115

HSL 134.48, 0.53%, 0.57%

LAB 73.53, -51.71, 34.23

 

CMYK 43 / 0 / 33 / 27

HEX #69B97C

RGB 105 185 124

HSL 134.25, 0.36%, 0.57%

LAB 68.86, -37.87, 23.5

 

CMYK 26 / 0 / 20 / 35

HEX #7BA785

RGB 123 167 133

HSL 133.64, 0.2%, 0.57%

LAB 64.6, -21.91, 12.87

 

CMYK 55 / 0 / 78 / 7

HEX #6CEE34

RGB 108 238 52

HSL 101.94, 0.85%, 0.57%

LAB 84.27, -65.87, 72.55

 

CMYK 76 / 0 / 78 / 7

HEX #3AEE34

RGB 58 238 52

HSL 118.06, 0.85%, 0.57%

LAB 83.07, -75.82, 70.99

 

CMYK 78 / 0 / 60 / 7

HEX #34EE5F

RGB 52 238 95

HSL 133.87, 0.85%, 0.57%

LAB 83.29, -72.83, 55.38

 

CMYK 78 / 0 / 39 / 7

HEX #34EE91

RGB 52 238 145

HSL 150, 0.85%, 0.57%

LAB 83.93, -65.3, 32.51

 

CMYK 78 / 0 / 18 / 7

HEX #34EEC3

RGB 52 238 195

HSL 166.13, 0.85%, 0.57%

LAB 84.9, -54.57, 8.09

 

CMYK 92 / 0 / 70 / 25

HEX #0FC039

RGB 15 192 57

HSL 134.24, 0.86%, 0.41%

LAB 68.09, -66.14, 54.21

 

CMYK 92 / 0 / 70 / 10

HEX #12E645

RGB 18 230 69

HSL 134.43, 0.85%, 0.49%

LAB 80.26, -75.94, 62.45

 

CMYK 78 / 0 / 60 / 7

HEX #34EE60

RGB 52 238 96

HSL 134.19, 0.85%, 0.57%

LAB 83.3, -72.71, 54.96

 

CMYK 63 / 0 / 48 / 5

HEX #5AF17E

RGB 90 241 126

HSL 134.3, 0.84%, 0.65%

LAB 85.3, -63.69, 43.77

 

CMYK 48 / 0 / 36 / 4

HEX #80F49C

RGB 128 244 156

HSL 134.48, 0.84%, 0.73%

LAB 87.82, -51.4, 32.49

 

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

CMYK 78 / 34 / 0 / 7

HEX #349DEE

RGB 52 157 238

HSL 206.13, 0.85%, 0.57%

LAB 62.52, -2.21, -49.03

 

CMYK 0 / 78 / 65 / 7

HEX #EE3453

RGB 238 52 83

HSL 350, 0.85%, 0.57%

LAB 53.23, 70.09, 28.29

 

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

CMYK 60 / 78 / 0 / 7

HEX #5F34EE

RGB 95 52 238

HSL 253.87, 0.85%, 0.57%

LAB 39.68, 64.06, -85.88

 

CMYK 0 / 60 / 78 / 7

HEX #EE5F34

RGB 238 95 52

HSL 13.87, 0.85%, 0.57%

LAB 58.61, 53.01, 51.37

 

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

CMYK 78 / 34 / 0 / 7

HEX #349DEE

RGB 52 157 238

HSL 206.13, 0.85%, 0.57%

LAB 62.52, -2.21, -49.03

 

CMYK 0 / 78 / 18 / 7

HEX #EE34C3

RGB 238 52 195

HSL 313.87, 0.85%, 0.57%

LAB 56.66, 80.35, -32.97

 

CMYK 0 / 45 / 78 / 7

HEX #EE8434

RGB 238 132 52

HSL 25.81, 0.85%, 0.57%

LAB 65.69, 35.05, 58.27

 

CMYK 79 / 0 / 60 / 6

HEX #33EF60

RGB 51 239 96

HSL 134.36, 0.85%, 0.57%

LAB 83.59, -73.14, 55.3

 

CMYK 78 / 58 / 0 / 7

HEX #3465EE

RGB 52 101 238

HSL 224.19, 0.85%, 0.57%

LAB 47.25, 32.04, -73.56

 

CMYK 0 / 78 / 18 / 7

HEX #EE34C3

RGB 238 52 195

HSL 313.87, 0.85%, 0.57%

LAB 56.66, 80.35, -32.97

 

CMYK 0 / 21 / 78 / 7

HEX #EEBC34

RGB 238 188 52

HSL 43.87, 0.85%, 0.57%

LAB 78.69, 5.62, 70.37

 

Description

Color code: HEX #33EF60 | qconv.com Color code: HEX #33EF60 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 239 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 239 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 60 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 60% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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