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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #302630 it is the complementary color #CFD9CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #302630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #302630 shade: #35262B, #46383E, #574A51, #685C64 and #796E77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #302630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #302630 shade: #302630, #1F141D and #0E020A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #302630 shade: #302630, #30262D, #30262A, #302628 and #302626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #302630 shade: #302630, #2D2630, #2A2630, #282630 and #262630

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #302630 shade matches the following richer shades: #302630, #371F37, #3E183E, #451145 and #4C0A4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #302630 shade: #302630, #292D29, #223422, #1B3B1B and #144214

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #302630 shade: #2B2630, #2D2630, #302630, #30262D and #30262B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #302630 shade: #020102, #191319, #302630, #473847 and #5E4A5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #302630 shade: #302630, #302826 and #26302C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #302630 shade: #302630, #303026 and #263030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #302630 shade: #302630, #302826, #263026 and #262E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #302630 shade: #302630, #302B26, #263026 and #262B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

Complementary color

CMYK 5 / 0 / 5 / 15

HEX #CFD9CF

RGB 207 217 207

HSL 120, 0.12%, 0.83%

LAB 85.7, -5.2, 3.74

 

CMYK 0 / 28 / 19 / 79

HEX #35262B

RGB 53 38 43

HSL 340, 0.16%, 0.18%

LAB 17.07, 8.05, -0.54

 

CMYK 0 / 20 / 11 / 73

HEX #46383E

RGB 70 56 62

HSL 334.29, 0.11%, 0.25%

LAB 25.19, 7.38, -1.39

 

CMYK 0 / 15 / 7 / 66

HEX #574A51

RGB 87 74 81

HSL 327.69, 0.08%, 0.32%

LAB 32.96, 6.85, -2.13

 

CMYK 0 / 12 / 4 / 59

HEX #685C64

RGB 104 92 100

HSL 320, 0.06%, 0.38%

LAB 40.44, 6.42, -2.8

 

CMYK 0 / 9 / 2 / 53

HEX #796E77

RGB 121 110 119

HSL 310.91, 0.05%, 0.45%

LAB 47.69, 6.04, -3.43

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 35 / 6 / 88

HEX #1F141D

RGB 31 20 29

HSL 310.91, 0.22%, 0.1%

LAB 7.95, 7.66, -4.15

 

CMYK 0 / 86 / 29 / 95

HEX #0E020A

RGB 14 2 10

HSL 320, 0.75%, 0.03%

LAB 1.43, 4.37, -1.88

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 21 / 6 / 81

HEX #30262D

RGB 48 38 45

HSL 318, 0.12%, 0.17%

LAB 16.52, 6.21, -2.83

 

CMYK 0 / 21 / 13 / 81

HEX #30262A

RGB 48 38 42

HSL 336, 0.12%, 0.17%

LAB 16.41, 5.53, -0.87

 

CMYK 0 / 21 / 17 / 81

HEX #302628

RGB 48 38 40

HSL 348, 0.12%, 0.17%

LAB 16.34, 5.1, 0.44

 

CMYK 0 / 21 / 21 / 81

HEX #302626

RGB 48 38 38

HSL 0, 0.12%, 0.17%

LAB 16.28, 4.69, 1.76

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 6 / 21 / 0 / 81

HEX #2D2630

RGB 45 38 48

HSL 282, 0.12%, 0.17%

LAB 16.29, 5.61, -5.33

 

CMYK 13 / 21 / 0 / 81

HEX #2A2630

RGB 42 38 48

HSL 264, 0.12%, 0.17%

LAB 15.96, 4.33, -5.87

 

CMYK 17 / 21 / 0 / 81

HEX #282630

RGB 40 38 48

HSL 252, 0.12%, 0.17%

LAB 15.75, 3.48, -6.2

 

CMYK 21 / 21 / 0 / 81

HEX #262630

RGB 38 38 48

HSL 240, 0.12%, 0.17%

LAB 15.55, 2.65, -6.53

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 44 / 0 / 78

HEX #371F37

RGB 55 31 55

HSL 300, 0.28%, 0.17%

LAB 15.84, 16.35, -10.85

 

CMYK 0 / 61 / 0 / 76

HEX #3E183E

RGB 62 24 62

HSL 300, 0.44%, 0.17%

LAB 15.62, 24.87, -16.04

 

CMYK 0 / 75 / 0 / 73

HEX #451145

RGB 69 17 69

HSL 300, 0.6%, 0.17%

LAB 15.98, 32.04, -20.28

 

CMYK 0 / 87 / 0 / 70

HEX #4C0A4C

RGB 76 10 76

HSL 300, 0.77%, 0.17%

LAB 16.87, 37.76, -23.62

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 9 / 0 / 9 / 82

HEX #292D29

RGB 41 45 41

HSL 120, 0.05%, 0.17%

LAB 17.96, -2.73, 1.98

 

CMYK 35 / 0 / 35 / 80

HEX #223422

RGB 34 52 34

HSL 120, 0.21%, 0.17%

LAB 19.69, -11.84, 9.11

 

CMYK 54 / 0 / 54 / 77

HEX #1B3B1B

RGB 27 59 27

HSL 120, 0.37%, 0.17%

LAB 21.73, -19.82, 16.22

 

CMYK 70 / 0 / 70 / 74

HEX #144214

RGB 20 66 20

HSL 120, 0.53%, 0.17%

LAB 23.99, -26.42, 22.9

 

CMYK 10 / 21 / 0 / 81

HEX #2B2630

RGB 43 38 48

HSL 270, 0.12%, 0.17%

LAB 16.07, 4.75, -5.69

 

CMYK 6 / 21 / 0 / 81

HEX #2D2630

RGB 45 38 48

HSL 282, 0.12%, 0.17%

LAB 16.29, 5.61, -5.33

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 21 / 6 / 81

HEX #30262D

RGB 48 38 45

HSL 318, 0.12%, 0.17%

LAB 16.52, 6.21, -2.83

 

CMYK 0 / 21 / 10 / 81

HEX #30262B

RGB 48 38 43

HSL 330, 0.12%, 0.17%

LAB 16.45, 5.75, -1.53

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 0 / 24 / 0 / 90

HEX #191319

RGB 25 19 25

HSL 300, 0.14%, 0.09%

LAB 6.71, 4.24, -3.01

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 21 / 0 / 72

HEX #473847

RGB 71 56 71

HSL 300, 0.12%, 0.25%

LAB 25.63, 9.75, -6.71

 

CMYK 0 / 21 / 0 / 63

HEX #5E4A5E

RGB 94 74 94

HSL 300, 0.12%, 0.33%

LAB 34.16, 12.41, -8.52

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 17 / 21 / 81

HEX #302826

RGB 48 40 38

HSL 12, 0.12%, 0.17%

LAB 16.92, 3.29, 2.68

 

CMYK 21 / 0 / 8 / 81

HEX #26302C

RGB 38 48 44

HSL 156, 0.12%, 0.17%

LAB 18.83, -5.29, 1.14

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 0 / 21 / 81

HEX #303026

RGB 48 48 38

HSL 60, 0.12%, 0.17%

LAB 19.57, -2.15, 6.42

 

CMYK 21 / 0 / 0 / 81

HEX #263030

RGB 38 48 48

HSL 180, 0.12%, 0.17%

LAB 18.97, -4.25, -1.42

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 17 / 21 / 81

HEX #302826

RGB 48 40 38

HSL 12, 0.12%, 0.17%

LAB 16.92, 3.29, 2.68

 

CMYK 21 / 0 / 21 / 81

HEX #263026

RGB 38 48 38

HSL 120, 0.12%, 0.17%

LAB 18.65, -6.74, 5.01

 

CMYK 21 / 4 / 0 / 81

HEX #262E30

RGB 38 46 48

HSL 192, 0.12%, 0.17%

LAB 18.27, -2.91, -2.45

 

CMYK 0 / 21 / 0 / 81

HEX #302630

RGB 48 38 48

HSL 300, 0.12%, 0.17%

LAB 16.64, 6.92, -4.78

 

CMYK 0 / 10 / 21 / 81

HEX #302B26

RGB 48 43 38

HSL 30, 0.12%, 0.17%

LAB 17.9, 1.23, 4.08

 

CMYK 21 / 0 / 21 / 81

HEX #263026

RGB 38 48 38

HSL 120, 0.12%, 0.17%

LAB 18.65, -6.74, 5.01

 

CMYK 21 / 10 / 0 / 81

HEX #262B30

RGB 38 43 48

HSL 210, 0.12%, 0.17%

LAB 17.24, -0.86, -3.98

 

Description

Color code: HEX #302630 | qconv.com Color code: HEX #302630 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 38 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 38 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, none yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 0% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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