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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #302893 it is the complementary color #CFD76C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #302893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #302893 shade: #35288E, #463AA1, #574CB4, #685EC7 and #7970DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #302893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #302893 shade: #302893, #1F1680, #0E046D, #00005A and #000047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #302893 shade: #302894, #4D2894, #6A2894, #872894 and #942883

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #302893 shade: #302894 and #282894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #302893 shade matches the following richer shades: #302894, #2319A3 and #160AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #302893 shade: #302894, #3D3784, #4A4775, #575666 and #646557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #302893 shade: #285A94, #283E94, #2F2894, #4C2894 and #692894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #302893 shade: #1B1653, #251F73, #302894, #3B31B4 and #4D43CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #302893 shade: #302893, #942877 and #4C9428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #302893 shade: #302893, #942F28 and #28942F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #302893 shade: #302893, #942877, #8C9428 and #289445

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #302893 shade: #302893, #942857, #8C9428 and #289465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

Complementary color

CMYK 4 / 0 / 50 / 16

HEX #CFD76C

RGB 207 215 108

HSL 64.49, 0.57%, 0.63%

LAB 83.42, -17.65, 51.34

 

CMYK 63 / 72 / 0 / 44

HEX #35288E

RGB 53 40 142

HSL 247.65, 0.56%, 0.36%

LAB 24.41, 36.49, -54.46

 

CMYK 57 / 64 / 0 / 37

HEX #463AA1

RGB 70 58 161

HSL 246.99, 0.47%, 0.43%

LAB 31.58, 34.61, -54.31

 

CMYK 52 / 58 / 0 / 29

HEX #574CB4

RGB 87 76 180

HSL 246.35, 0.41%, 0.5%

LAB 38.71, 32.9, -54.02

 

CMYK 48 / 53 / 0 / 22

HEX #685EC7

RGB 104 94 199

HSL 245.71, 0.48%, 0.57%

LAB 45.73, 31.41, -53.7

 

CMYK 44 / 49 / 0 / 15

HEX #7970DA

RGB 121 112 218

HSL 245.09, 0.59%, 0.65%

LAB 52.64, 30.11, -53.4

 

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

CMYK 76 / 83 / 0 / 50

HEX #1F1680

RGB 31 22 128

HSL 245.09, 0.71%, 0.29%

LAB 17.57, 39.45, -57.01

 

CMYK 87 / 96 / 0 / 57

HEX #0E046D

RGB 14 4 109

HSL 245.71, 0.93%, 0.22%

LAB 11.17, 40.66, -55.43

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 68 / 73 / 0 / 42

HEX #302894

RGB 48 40 148

HSL 244.44, 0.57%, 0.37%

LAB 24.59, 37.81, -57.89

 

CMYK 48 / 73 / 0 / 42

HEX #4D2894

RGB 77 40 148

HSL 260.56, 0.57%, 0.37%

LAB 27.39, 42.25, -53.19

 

CMYK 28 / 73 / 0 / 42

HEX #6A2894

RGB 106 40 148

HSL 276.67, 0.57%, 0.37%

LAB 31.16, 47.89, -46.89

 

CMYK 9 / 73 / 0 / 42

HEX #872894

RGB 135 40 148

HSL 292.78, 0.57%, 0.37%

LAB 35.61, 54.17, -39.5

 

CMYK 0 / 73 / 11 / 42

HEX #942883

RGB 148 40 131

HSL 309.44, 0.57%, 0.37%

LAB 36.84, 54.33, -26.96

 

CMYK 68 / 73 / 0 / 42

HEX #302894

RGB 48 40 148

HSL 244.44, 0.57%, 0.37%

LAB 24.59, 37.81, -57.89

 

CMYK 73 / 73 / 0 / 42

HEX #282894

RGB 40 40 148

HSL 240, 0.57%, 0.37%

LAB 24.02, 36.87, -58.85

 

CMYK 68 / 73 / 0 / 42

HEX #302894

RGB 48 40 148

HSL 244.44, 0.57%, 0.37%

LAB 24.59, 37.81, -57.89

 

CMYK 79 / 85 / 0 / 36

HEX #2319A3

RGB 35 25 163

HSL 244.35, 0.73%, 0.37%

LAB 22.64, 49.33, -70.33

 

CMYK 88 / 94 / 0 / 30

HEX #160AB2

RGB 22 10 178

HSL 244.29, 0.89%, 0.37%

LAB 22.31, 58.25, -79.96

 

CMYK 68 / 73 / 0 / 42

HEX #302894

RGB 48 40 148

HSL 244.44, 0.57%, 0.37%

LAB 24.59, 37.81, -57.89

 

CMYK 54 / 58 / 0 / 48

HEX #3D3784

RGB 61 55 132

HSL 244.68, 0.41%, 0.37%

LAB 27.82, 25.16, -42.65

 

CMYK 37 / 39 / 0 / 54

HEX #4A4775

RGB 74 71 117

HSL 243.91, 0.24%, 0.37%

LAB 32.36, 13.27, -25.96

 

CMYK 15 / 16 / 0 / 60

HEX #575666

RGB 87 86 102

HSL 243.75, 0.09%, 0.37%

LAB 37.19, 4.04, -9.05

 

CMYK 1 / 0 / 14 / 60

HEX #646557

RGB 100 101 87

HSL 64.29, 0.07%, 0.37%

LAB 42.32, -3.13, 7.8

 

CMYK 73 / 39 / 0 / 42

HEX #285A94

RGB 40 90 148

HSL 212.22, 0.57%, 0.37%

LAB 37.67, 3.75, -36.75

 

CMYK 73 / 58 / 0 / 42

HEX #283E94

RGB 40 62 148

HSL 227.78, 0.57%, 0.37%

LAB 29.5, 22.48, -49.88

 

CMYK 68 / 73 / 0 / 42

HEX #2F2894

RGB 47 40 148

HSL 243.89, 0.57%, 0.37%

LAB 24.51, 37.68, -58.02

 

CMYK 49 / 73 / 0 / 42

HEX #4C2894

RGB 76 40 148

HSL 260, 0.57%, 0.37%

LAB 27.28, 42.08, -53.38

 

CMYK 29 / 73 / 0 / 42

HEX #692894

RGB 105 40 148

HSL 276.11, 0.57%, 0.37%

LAB 31.02, 47.68, -47.13

 

CMYK 67 / 73 / 0 / 67

HEX #1B1653

RGB 27 22 83

HSL 244.92, 0.58%, 0.21%

LAB 12.16, 23.23, -36.37

 

CMYK 68 / 73 / 0 / 55

HEX #251F73

RGB 37 31 115

HSL 244.29, 0.58%, 0.29%

LAB 18.41, 30.48, -47.28

 

CMYK 68 / 73 / 0 / 42

HEX #302894

RGB 48 40 148

HSL 244.44, 0.57%, 0.37%

LAB 24.59, 37.81, -57.89

 

CMYK 67 / 73 / 0 / 29

HEX #3B31B4

RGB 59 49 180

HSL 244.58, 0.57%, 0.45%

LAB 30.45, 44.47, -67.59

 

CMYK 62 / 67 / 0 / 20

HEX #4D43CB

RGB 77 67 203

HSL 244.41, 0.57%, 0.53%

LAB 37.67, 43.86, -69.2

 

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

CMYK 0 / 73 / 20 / 42

HEX #942877

RGB 148 40 119

HSL 316.11, 0.57%, 0.37%

LAB 36.26, 52.53, -20.38

 

CMYK 49 / 0 / 73 / 42

HEX #4C9428

RGB 76 148 40

HSL 100, 0.57%, 0.37%

LAB 54.94, -42, 47.55

 

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

CMYK 0 / 68 / 73 / 42

HEX #942F28

RGB 148 47 40

HSL 3.89, 0.57%, 0.37%

LAB 34.97, 41.91, 27.96

 

CMYK 73 / 0 / 68 / 42

HEX #28942F

RGB 40 148 47

HSL 123.89, 0.57%, 0.37%

LAB 53.85, -50.41, 43.19

 

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

CMYK 0 / 73 / 20 / 42

HEX #942877

RGB 148 40 119

HSL 316.11, 0.57%, 0.37%

LAB 36.26, 52.53, -20.38

 

CMYK 5 / 0 / 73 / 42

HEX #8C9428

RGB 140 148 40

HSL 64.44, 0.57%, 0.37%

LAB 58.89, -16.79, 52.79

 

CMYK 73 / 0 / 53 / 42

HEX #289445

RGB 40 148 69

HSL 136.11, 0.57%, 0.37%

LAB 54.09, -47.58, 33

 

CMYK 67 / 73 / 0 / 42

HEX #302893

RGB 48 40 147

HSL 244.49, 0.57%, 0.37%

LAB 24.49, 37.47, -57.44

 

CMYK 0 / 73 / 41 / 42

HEX #942857

RGB 148 40 87

HSL 333.89, 0.57%, 0.37%

LAB 35.01, 48.48, -1.94

 

CMYK 5 / 0 / 73 / 42

HEX #8C9428

RGB 140 148 40

HSL 64.44, 0.57%, 0.37%

LAB 58.89, -16.79, 52.79

 

CMYK 73 / 0 / 32 / 42

HEX #289465

RGB 40 148 101

HSL 153.89, 0.57%, 0.37%

LAB 54.63, -41.54, 16.36

 

Description

Color code: HEX #302893 | qconv.com Color code: HEX #302893 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 40 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 40 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 73 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 73% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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