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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #302C25 it is the complementary color #CFD3DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #302C25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #302C25 shade: #352C20, #463E33, #575046, #686259 and #79746C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #302C25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #302C25 shade: #302C25, #1F1A12 and #0E0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #302C25 shade: #302C25, #302925, #302625 and #302525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #302C25 shade: #302C25, #302F25, #2F3025, #2B3025 and #283025

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #302C25 shade matches the following richer shades: #302C25, #372E1E, #3F3017, #463210 and #4D3409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #302C25 shade: #302C25, #292A2C, #222933, #1B273A and #142541

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #302C25 shade: #302625, #302925, #302C25, #302F25 and #2F3025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #302C25 shade: #020201, #191713, #302C25, #484237 and #5F5749

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #302C25 shade: #302C25, #273025 and #282530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #302C25 shade: #302C25, #25302C and #2C2530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #302C25 shade: #302C25, #273025, #252930 and #2F2530

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #302C25 shade: #302C25, #253027, #252930 and #30252F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

Complementary color

CMYK 5 / 3 / 0 / 15

HEX #CFD3DA

RGB 207 211 218

HSL 218.18, 0.13%, 0.83%

LAB 84.44, -0.05, -3.93

 

CMYK 0 / 17 / 40 / 79

HEX #352C20

RGB 53 44 32

HSL 34.29, 0.25%, 0.17%

LAB 18.64, 1.92, 9.33

 

CMYK 0 / 11 / 27 / 73

HEX #463E33

RGB 70 62 51

HSL 34.74, 0.16%, 0.24%

LAB 26.7, 1.37, 8.03

 

CMYK 0 / 8 / 20 / 66

HEX #575046

RGB 87 80 70

HSL 35.29, 0.11%, 0.31%

LAB 34.41, 0.97, 6.94

 

CMYK 0 / 6 / 14 / 59

HEX #686259

RGB 104 98 89

HSL 36, 0.08%, 0.38%

LAB 41.84, 0.66, 5.97

 

CMYK 0 / 4 / 11 / 53

HEX #79746C

RGB 121 116 108

HSL 36.92, 0.06%, 0.45%

LAB 49.05, 0.4, 5.1

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 16 / 42 / 88

HEX #1F1A12

RGB 31 26 18

HSL 36.92, 0.27%, 0.1%

LAB 9.59, 0.82, 6.17

 

CMYK 0 / 43 / 100 / 95

HEX #0E0800

RGB 14 8 0

HSL 34.29, 1%, 0.03%

LAB 2.41, 0.58, 3.62

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 15 / 23 / 81

HEX #302925

RGB 48 41 37

HSL 21.82, 0.13%, 0.17%

LAB 17.22, 2.4, 3.81

 

CMYK 0 / 21 / 23 / 81

HEX #302625

RGB 48 38 37

HSL 5.45, 0.13%, 0.17%

LAB 16.25, 4.49, 2.42

 

CMYK 0 / 23 / 23 / 81

HEX #302525

RGB 48 37 37

HSL 0, 0.13%, 0.17%

LAB 15.93, 5.19, 1.96

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 2 / 23 / 81

HEX #302F25

RGB 48 47 37

HSL 54.55, 0.13%, 0.17%

LAB 19.2, -1.68, 6.6

 

CMYK 2 / 0 / 23 / 81

HEX #2F3025

RGB 47 48 37

HSL 65.45, 0.13%, 0.17%

LAB 19.44, -2.82, 6.92

 

CMYK 10 / 0 / 23 / 81

HEX #2B3025

RGB 43 48 37

HSL 87.27, 0.13%, 0.17%

LAB 19.06, -4.7, 6.33

 

CMYK 17 / 0 / 23 / 81

HEX #283025

RGB 40 48 37

HSL 103.64, 0.13%, 0.17%

LAB 18.79, -6.07, 5.92

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 16 / 45 / 78

HEX #372E1E

RGB 55 46 30

HSL 38.4, 0.29%, 0.17%

LAB 19.47, 1.28, 11.84

 

CMYK 0 / 24 / 63 / 75

HEX #3F3017

RGB 63 48 23

HSL 37.5, 0.47%, 0.17%

LAB 20.95, 3.2, 18.44

 

CMYK 0 / 29 / 77 / 73

HEX #463210

RGB 70 50 16

HSL 37.78, 0.63%, 0.17%

LAB 22.38, 4.95, 24.41

 

CMYK 0 / 32 / 88 / 70

HEX #4D3409

RGB 77 52 9

HSL 37.94, 0.79%, 0.17%

LAB 23.85, 6.93, 29.5

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 7 / 5 / 0 / 83

HEX #292A2C

RGB 41 42 44

HSL 220, 0.04%, 0.17%

LAB 17.03, 0.05, -1.46

 

CMYK 33 / 20 / 0 / 80

HEX #222933

RGB 34 41 51

HSL 215.29, 0.2%, 0.17%

LAB 16.33, -0.17, -7.5

 

CMYK 53 / 33 / 0 / 77

HEX #1B273A

RGB 27 39 58

HSL 216.77, 0.36%, 0.17%

LAB 15.43, 1.19, -13.83

 

CMYK 69 / 43 / 0 / 75

HEX #142541

RGB 20 37 65

HSL 217.33, 0.53%, 0.17%

LAB 14.7, 3.48, -19.9

 

CMYK 0 / 21 / 23 / 81

HEX #302625

RGB 48 38 37

HSL 5.45, 0.13%, 0.17%

LAB 16.25, 4.49, 2.42

 

CMYK 0 / 15 / 23 / 81

HEX #302925

RGB 48 41 37

HSL 21.82, 0.13%, 0.17%

LAB 17.22, 2.4, 3.81

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 2 / 23 / 81

HEX #302F25

RGB 48 47 37

HSL 54.55, 0.13%, 0.17%

LAB 19.2, -1.68, 6.6

 

CMYK 2 / 0 / 23 / 81

HEX #2F3025

RGB 47 48 37

HSL 65.45, 0.13%, 0.17%

LAB 19.44, -2.82, 6.92

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 8 / 24 / 90

HEX #191713

RGB 25 23 19

HSL 40, 0.14%, 0.09%

LAB 7.83, 0.05, 2.91

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 0 / 8 / 24 / 72

HEX #484237

RGB 72 66 55

HSL 38.82, 0.13%, 0.25%

LAB 28.25, 0.42, 7.63

 

CMYK 0 / 8 / 23 / 63

HEX #5F5749

RGB 95 87 73

HSL 38.18, 0.13%, 0.33%

LAB 37.35, 0.68, 9.32

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 19 / 0 / 23 / 81

HEX #273025

RGB 39 48 37

HSL 109.09, 0.13%, 0.17%

LAB 18.71, -6.52, 5.79

 

CMYK 17 / 23 / 0 / 81

HEX #282530

RGB 40 37 48

HSL 256.36, 0.13%, 0.17%

LAB 15.42, 4.19, -6.7

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 23 / 0 / 8 / 81

HEX #25302C

RGB 37 48 44

HSL 158.18, 0.13%, 0.17%

LAB 18.75, -5.71, 1.01

 

CMYK 8 / 23 / 0 / 81

HEX #2C2530

RGB 44 37 48

HSL 278.18, 0.13%, 0.17%

LAB 15.86, 5.89, -6

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 19 / 0 / 23 / 81

HEX #273025

RGB 39 48 37

HSL 109.09, 0.13%, 0.17%

LAB 18.71, -6.52, 5.79

 

CMYK 23 / 15 / 0 / 81

HEX #252930

RGB 37 41 48

HSL 218.18, 0.13%, 0.17%

LAB 16.47, 0.12, -5.15

 

CMYK 2 / 23 / 0 / 81

HEX #2F2530

RGB 47 37 48

HSL 294.55, 0.13%, 0.17%

LAB 16.21, 7.18, -5.44

 

CMYK 0 / 8 / 23 / 81

HEX #302C25

RGB 48 44 37

HSL 38.18, 0.13%, 0.17%

LAB 18.2, 0.35, 5.2

 

CMYK 23 / 0 / 19 / 81

HEX #253027

RGB 37 48 39

HSL 130.91, 0.13%, 0.17%

LAB 18.6, -6.94, 4.24

 

CMYK 23 / 15 / 0 / 81

HEX #252930

RGB 37 41 48

HSL 218.18, 0.13%, 0.17%

LAB 16.47, 0.12, -5.15

 

CMYK 0 / 23 / 2 / 81

HEX #30252F

RGB 48 37 47

HSL 305.45, 0.13%, 0.17%

LAB 16.29, 7.38, -4.6

 

Description

Color code: HEX #302C25 | qconv.com Color code: HEX #302C25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 44 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 44 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 23 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 23% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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