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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #303827 it is the complementary color #CFC7D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #303827. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #303827 shade: #353822, #464A35, #575C48, #686E5B and #79806E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #303827. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #303827 shade: #303827, #1F2614, #0E1401 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #303827 shade: #303927, #353927, #393727, #393327 and #392E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #303827 shade: #303927, #2C3927, #273927, #27392C and #273931

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #303827 shade matches the following richer shades: #303927, #31411F, #314818, #325010 and #325808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #303827 shade: #303927, #30312F, #302937, #2F213F and #2F1947

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #303827 shade: #393827, #353927, #313927, #2C3927 and #273927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #303827 shade: #070805, #1C2016, #303927, #455138 and #5A6949

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #303827 shade: #303827, #273933 and #392738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #303827 shade: #303827, #273139 and #392731

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #303827 shade: #303827, #273933, #2F2739 and #39272D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #303827 shade: #303827, #273938, #2F2739 and #392728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

Complementary color

CMYK 4 / 8 / 0 / 15

HEX #CFC7D8

RGB 207 199 216

HSL 268.24, 0.18%, 0.81%

LAB 81.33, 5.91, -7.46

 

CMYK 5 / 0 / 39 / 78

HEX #353822

RGB 53 56 34

HSL 68.18, 0.24%, 0.18%

LAB 22.66, -5.66, 13.35

 

CMYK 5 / 0 / 28 / 71

HEX #464A35

RGB 70 74 53

HSL 71.43, 0.17%, 0.25%

LAB 30.54, -5.83, 12.03

 

CMYK 5 / 0 / 22 / 64

HEX #575C48

RGB 87 92 72

HSL 75, 0.12%, 0.32%

LAB 38.11, -5.94, 10.87

 

CMYK 5 / 0 / 17 / 57

HEX #686E5B

RGB 104 110 91

HSL 78.95, 0.09%, 0.39%

LAB 45.43, -6.02, 9.84

 

CMYK 5 / 0 / 14 / 50

HEX #79806E

RGB 121 128 110

HSL 83.33, 0.08%, 0.47%

LAB 52.54, -6.09, 8.89

 

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

CMYK 18 / 0 / 47 / 85

HEX #1F2614

RGB 31 38 20

HSL 83.33, 0.31%, 0.11%

LAB 13.99, -7.16, 10.93

 

CMYK 30 / 0 / 95 / 92

HEX #0E1401

RGB 14 20 1

HSL 78.95, 0.9%, 0.04%

LAB 5.38, -5.31, 7.55

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 16 / 0 / 32 / 78

HEX #303927

RGB 48 57 39

HSL 90, 0.19%, 0.19%

LAB 22.66, -7.77, 10.01

 

CMYK 7 / 0 / 32 / 78

HEX #353927

RGB 53 57 39

HSL 73.33, 0.19%, 0.19%

LAB 23.1, -5.46, 10.68

 

CMYK 0 / 4 / 32 / 78

HEX #393727

RGB 57 55 39

HSL 53.33, 0.19%, 0.19%

LAB 22.82, -2.27, 10.37

 

CMYK 0 / 11 / 32 / 78

HEX #393327

RGB 57 51 39

HSL 40, 0.19%, 0.19%

LAB 21.52, 0.35, 8.6

 

CMYK 0 / 19 / 32 / 78

HEX #392E27

RGB 57 46 39

HSL 23.33, 0.19%, 0.19%

LAB 19.92, 3.7, 6.39

 

CMYK 16 / 0 / 32 / 78

HEX #303927

RGB 48 57 39

HSL 90, 0.19%, 0.19%

LAB 22.66, -7.77, 10.01

 

CMYK 23 / 0 / 32 / 78

HEX #2C3927

RGB 44 57 39

HSL 103.33, 0.19%, 0.19%

LAB 22.33, -9.56, 9.51

 

CMYK 32 / 0 / 32 / 78

HEX #273927

RGB 39 57 39

HSL 120, 0.19%, 0.19%

LAB 21.96, -11.7, 8.94

 

CMYK 32 / 0 / 23 / 78

HEX #27392C

RGB 39 57 44

HSL 136.67, 0.19%, 0.19%

LAB 22.09, -10.59, 5.8

 

CMYK 32 / 0 / 14 / 78

HEX #273931

RGB 39 57 49

HSL 153.33, 0.19%, 0.19%

LAB 22.23, -9.37, 2.65

 

CMYK 16 / 0 / 32 / 78

HEX #303927

RGB 48 57 39

HSL 90, 0.19%, 0.19%

LAB 22.66, -7.77, 10.01

 

CMYK 25 / 0 / 52 / 75

HEX #31411F

RGB 49 65 31

HSL 88.24, 0.35%, 0.19%

LAB 25.36, -13.46, 18.61

 

CMYK 32 / 0 / 67 / 72

HEX #314818

RGB 49 72 24

HSL 88.75, 0.5%, 0.19%

LAB 27.72, -18.25, 25.39

 

CMYK 38 / 0 / 80 / 69

HEX #325010

RGB 50 80 16

HSL 88.13, 0.67%, 0.19%

LAB 30.53, -22.7, 32.17

 

CMYK 43 / 0 / 91 / 65

HEX #325808

RGB 50 88 8

HSL 88.5, 0.83%, 0.19%

LAB 33.3, -27.05, 37.53

 

CMYK 16 / 0 / 32 / 78

HEX #303927

RGB 48 57 39

HSL 90, 0.19%, 0.19%

LAB 22.66, -7.77, 10.01

 

CMYK 2 / 0 / 4 / 81

HEX #30312F

RGB 48 49 47

HSL 90, 0.02%, 0.19%

LAB 20.16, -0.9, 1.12

 

CMYK 13 / 25 / 0 / 78

HEX #302937

RGB 48 41 55

HSL 270, 0.15%, 0.19%

LAB 17.87, 6.58, -7.82

 

CMYK 25 / 48 / 0 / 75

HEX #2F213F

RGB 47 33 63

HSL 268, 0.31%, 0.19%

LAB 15.75, 14.05, -16.69

 

CMYK 34 / 65 / 0 / 72

HEX #2F1947

RGB 47 25 71

HSL 268.7, 0.48%, 0.19%

LAB 14.14, 21.83, -24.81

 

CMYK 0 / 2 / 32 / 78

HEX #393827

RGB 57 56 39

HSL 56.67, 0.19%, 0.19%

LAB 23.15, -2.92, 10.82

 

CMYK 7 / 0 / 32 / 78

HEX #353927

RGB 53 57 39

HSL 73.33, 0.19%, 0.19%

LAB 23.1, -5.46, 10.68

 

CMYK 14 / 0 / 32 / 78

HEX #313927

RGB 49 57 39

HSL 86.67, 0.19%, 0.19%

LAB 22.74, -7.31, 10.14

 

CMYK 23 / 0 / 32 / 78

HEX #2C3927

RGB 44 57 39

HSL 103.33, 0.19%, 0.19%

LAB 22.33, -9.56, 9.51

 

CMYK 32 / 0 / 32 / 78

HEX #273927

RGB 39 57 39

HSL 120, 0.19%, 0.19%

LAB 21.96, -11.7, 8.94

 

CMYK 13 / 0 / 37 / 97

HEX #070805

RGB 7 8 5

HSL 80, 0.23%, 0.03%

LAB 2.08, -0.68, 1.04

 

CMYK 13 / 0 / 31 / 87

HEX #1C2016

RGB 28 32 22

HSL 84, 0.19%, 0.11%

LAB 11.54, -4.24, 6.2

 

CMYK 16 / 0 / 32 / 78

HEX #303927

RGB 48 57 39

HSL 90, 0.19%, 0.19%

LAB 22.66, -7.77, 10.01

 

CMYK 15 / 0 / 31 / 68

HEX #455138

RGB 69 81 56

HSL 88.8, 0.18%, 0.27%

LAB 32.78, -9.95, 13.18

 

CMYK 14 / 0 / 30 / 59

HEX #5A6949

RGB 90 105 73

HSL 88.13, 0.18%, 0.35%

LAB 42.4, -12.02, 16.18

 

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

CMYK 32 / 0 / 11 / 78

HEX #273933

RGB 39 57 51

HSL 160, 0.19%, 0.19%

LAB 22.29, -8.85, 1.39

 

CMYK 0 / 32 / 2 / 78

HEX #392738

RGB 57 39 56

HSL 303.33, 0.19%, 0.19%

LAB 18.39, 11.96, -7.63

 

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

CMYK 32 / 14 / 0 / 78

HEX #273139

RGB 39 49 57

HSL 206.67, 0.19%, 0.19%

LAB 19.73, -1.97, -6.47

 

CMYK 0 / 32 / 14 / 78

HEX #392731

RGB 57 39 49

HSL 326.67, 0.19%, 0.19%

LAB 18.11, 10.41, -3.17

 

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

CMYK 32 / 0 / 11 / 78

HEX #273933

RGB 39 57 51

HSL 160, 0.19%, 0.19%

LAB 22.29, -8.85, 1.39

 

CMYK 18 / 32 / 0 / 78

HEX #2F2739

RGB 47 39 57

HSL 266.67, 0.19%, 0.19%

LAB 17.23, 8.12, -10.21

 

CMYK 0 / 32 / 21 / 78

HEX #39272D

RGB 57 39 45

HSL 340, 0.19%, 0.19%

LAB 17.97, 9.59, -0.58

 

CMYK 14 / 0 / 30 / 78

HEX #303827

RGB 48 56 39

HSL 88.24, 0.18%, 0.19%

LAB 22.31, -7.14, 9.54

 

CMYK 32 / 0 / 2 / 78

HEX #273938

RGB 39 57 56

HSL 176.67, 0.19%, 0.19%

LAB 22.45, -7.5, -1.73

 

CMYK 18 / 32 / 0 / 78

HEX #2F2739

RGB 47 39 57

HSL 266.67, 0.19%, 0.19%

LAB 17.23, 8.12, -10.21

 

CMYK 0 / 32 / 30 / 78

HEX #392728

RGB 57 39 40

HSL 356.67, 0.19%, 0.19%

LAB 17.8, 8.65, 2.69

 

Description

Color code: HEX #303827 | qconv.com Color code: HEX #303827 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 56 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 56 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 30 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 30% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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