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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #303B76 it is the complementary color #CFC489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #303B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #303B76 shade: #353B71, #464D84, #575F97, #6871AA and #7983BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #303B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #303B76 shade: #303B76, #1F2963, #0E1750, #00053D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #303B76 shade: #303B77, #383077, #4B3077, #5E3077 and #713077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #303B76 shade: #303B77 and #303077

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #303B76 shade matches the following richer shades: #303B77, #233285, #152992 and #071FA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #303B76 shade: #303B77, #3E4569, #4C4E5C, #59574E and #676141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #303B76 shade: #306277, #304F77, #303C77, #373077 and #4A3077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #303B76 shade: #181E3C, #242D5A, #303B77, #3C4A94 and #4859B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #303B76 shade: #303B76, #773075 and #587730

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #303B76 shade: #303B76, #77303C and #3C7730

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #303B76 shade: #303B76, #773075, #776B30 and #307733

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #303B76 shade: #303B76, #77305F, #776B30 and #307748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

Complementary color

CMYK 0 / 5 / 34 / 19

HEX #CFC489

RGB 207 196 137

HSL 50.57, 0.42%, 0.67%

LAB 78.78, -4.95, 31.06

 

CMYK 53 / 48 / 0 / 56

HEX #353B71

RGB 53 59 113

HSL 234, 0.36%, 0.33%

LAB 26.95, 14.08, -32.11

 

CMYK 47 / 42 / 0 / 48

HEX #464D84

RGB 70 77 132

HSL 233.23, 0.31%, 0.4%

LAB 34.55, 12.88, -31.84

 

CMYK 42 / 37 / 0 / 41

HEX #575F97

RGB 87 95 151

HSL 232.5, 0.27%, 0.47%

LAB 41.91, 11.94, -31.67

 

CMYK 39 / 34 / 0 / 33

HEX #6871AA

RGB 104 113 170

HSL 231.82, 0.28%, 0.54%

LAB 49.08, 11.19, -31.57

 

CMYK 36 / 31 / 0 / 26

HEX #7983BD

RGB 121 131 189

HSL 231.18, 0.34%, 0.61%

LAB 56.06, 10.55, -31.53

 

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

CMYK 69 / 59 / 0 / 61

HEX #1F2963

RGB 31 41 99

HSL 231.18, 0.52%, 0.25%

LAB 19.13, 16.64, -35.72

 

CMYK 83 / 71 / 0 / 69

HEX #0E1750

RGB 14 23 80

HSL 231.82, 0.7%, 0.18%

LAB 11.17, 19.41, -35.98

 

CMYK 100 / 92 / 0 / 76

HEX #00053D

RGB 0 5 61

HSL 235.08, 1%, 0.12%

LAB 4.02, 19.34, -34.39

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 60 / 50 / 0 / 53

HEX #303B77

RGB 48 59 119

HSL 230.7, 0.43%, 0.33%

LAB 26.98, 15.05, -35.88

 

CMYK 53 / 60 / 0 / 53

HEX #383077

RGB 56 48 119

HSL 246.76, 0.43%, 0.33%

LAB 24.6, 24.29, -39.7

 

CMYK 37 / 60 / 0 / 53

HEX #4B3077

RGB 75 48 119

HSL 262.82, 0.43%, 0.33%

LAB 26.57, 28.94, -36.42

 

CMYK 21 / 60 / 0 / 53

HEX #5E3077

RGB 94 48 119

HSL 278.87, 0.43%, 0.33%

LAB 28.97, 34.09, -32.44

 

CMYK 5 / 60 / 0 / 53

HEX #713077

RGB 113 48 119

HSL 294.93, 0.43%, 0.33%

LAB 31.71, 39.47, -27.93

 

CMYK 60 / 50 / 0 / 53

HEX #303B77

RGB 48 59 119

HSL 230.7, 0.43%, 0.33%

LAB 26.98, 15.05, -35.88

 

CMYK 60 / 60 / 0 / 53

HEX #303077

RGB 48 48 119

HSL 240, 0.43%, 0.33%

LAB 23.92, 22.58, -40.83

 

CMYK 60 / 50 / 0 / 53

HEX #303B77

RGB 48 59 119

HSL 230.7, 0.43%, 0.33%

LAB 26.98, 15.05, -35.88

 

CMYK 74 / 62 / 0 / 48

HEX #233285

RGB 35 50 133

HSL 230.82, 0.58%, 0.33%

LAB 24.74, 24.23, -48.36

 

CMYK 86 / 72 / 0 / 43

HEX #152992

RGB 21 41 146

HSL 230.4, 0.75%, 0.33%

LAB 23.07, 33.85, -59.21

 

CMYK 96 / 81 / 0 / 37

HEX #071FA0

RGB 7 31 160

HSL 230.59, 0.92%, 0.33%

LAB 22.17, 44.28, -69.31

 

CMYK 60 / 50 / 0 / 53

HEX #303B77

RGB 48 59 119

HSL 230.7, 0.43%, 0.33%

LAB 26.98, 15.05, -35.88

 

CMYK 41 / 34 / 0 / 59

HEX #3E4569

RGB 62 69 105

HSL 230.23, 0.26%, 0.33%

LAB 30.16, 7.22, -21.91

 

CMYK 17 / 15 / 0 / 64

HEX #4C4E5C

RGB 76 78 92

HSL 232.5, 0.1%, 0.33%

LAB 33.47, 2.5, -8.47

 

CMYK 0 / 2 / 12 / 65

HEX #59574E

RGB 89 87 78

HSL 49.09, 0.07%, 0.33%

LAB 36.91, -0.99, 5.51

 

CMYK 0 / 6 / 37 / 60

HEX #676141

RGB 103 97 65

HSL 50.53, 0.23%, 0.33%

LAB 40.92, -3, 19.14

 

CMYK 60 / 18 / 0 / 53

HEX #306277

RGB 48 98 119

HSL 197.75, 0.43%, 0.33%

LAB 39.06, -10.15, -16.92

 

CMYK 60 / 34 / 0 / 53

HEX #304F77

RGB 48 79 119

HSL 213.8, 0.43%, 0.33%

LAB 33.03, 1.62, -26.28

 

CMYK 60 / 50 / 0 / 53

HEX #303C77

RGB 48 60 119

HSL 229.86, 0.43%, 0.33%

LAB 27.27, 14.36, -35.42

 

CMYK 54 / 60 / 0 / 53

HEX #373077

RGB 55 48 119

HSL 245.92, 0.43%, 0.33%

LAB 24.51, 24.07, -39.85

 

CMYK 38 / 60 / 0 / 53

HEX #4A3077

RGB 74 48 119

HSL 261.97, 0.43%, 0.33%

LAB 26.45, 28.68, -36.61

 

CMYK 60 / 50 / 0 / 76

HEX #181E3C

RGB 24 30 60

HSL 230, 0.43%, 0.16%

LAB 12.28, 7.74, -20.22

 

CMYK 60 / 50 / 0 / 65

HEX #242D5A

RGB 36 45 90

HSL 230, 0.43%, 0.25%

LAB 20, 11.34, -28.35

 

CMYK 60 / 50 / 0 / 53

HEX #303B77

RGB 48 59 119

HSL 230.7, 0.43%, 0.33%

LAB 26.98, 15.05, -35.88

 

CMYK 59 / 50 / 0 / 42

HEX #3C4A94

RGB 60 74 148

HSL 230.45, 0.42%, 0.41%

LAB 33.98, 17.91, -42.59

 

CMYK 60 / 50 / 0 / 30

HEX #4859B2

RGB 72 89 178

HSL 230.38, 0.42%, 0.49%

LAB 40.79, 21.01, -49.53

 

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

CMYK 0 / 60 / 2 / 53

HEX #773075

RGB 119 48 117

HSL 301.69, 0.43%, 0.33%

LAB 32.53, 40.8, -25.32

 

CMYK 26 / 0 / 60 / 53

HEX #587730

RGB 88 119 48

HSL 86.2, 0.43%, 0.33%

LAB 46.29, -23.68, 34.84

 

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

CMYK 0 / 60 / 50 / 53

HEX #77303C

RGB 119 48 60

HSL 349.86, 0.43%, 0.33%

LAB 30.31, 32.28, 8.21

 

CMYK 50 / 0 / 60 / 53

HEX #3C7730

RGB 60 119 48

HSL 109.86, 0.43%, 0.33%

LAB 44.76, -34.03, 32.68

 

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

CMYK 0 / 60 / 2 / 53

HEX #773075

RGB 119 48 117

HSL 301.69, 0.43%, 0.33%

LAB 32.53, 40.8, -25.32

 

CMYK 0 / 10 / 60 / 53

HEX #776B30

RGB 119 107 48

HSL 49.86, 0.43%, 0.33%

LAB 45.15, -3.36, 34.21

 

CMYK 60 / 0 / 57 / 53

HEX #307733

RGB 48 119 51

HSL 122.54, 0.43%, 0.33%

LAB 44.32, -37.17, 30.51

 

CMYK 59 / 50 / 0 / 54

HEX #303B76

RGB 48 59 118

HSL 230.57, 0.42%, 0.33%

LAB 26.92, 14.68, -35.36

 

CMYK 0 / 60 / 20 / 53

HEX #77305F

RGB 119 48 95

HSL 320.28, 0.43%, 0.33%

LAB 31.49, 36.95, -12.89

 

CMYK 0 / 10 / 60 / 53

HEX #776B30

RGB 119 107 48

HSL 49.86, 0.43%, 0.33%

LAB 45.15, -3.36, 34.21

 

CMYK 60 / 0 / 39 / 53

HEX #307748

RGB 48 119 72

HSL 140.28, 0.43%, 0.33%

LAB 44.65, -33.63, 19.37

 

Description

Color code: HEX #303B76 | qconv.com Color code: HEX #303B76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 59 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 59 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 50 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 50% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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