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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #303F52 it is the complementary color #CFC0AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #303F52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #303F52 shade: #353F4D, #465160, #576373, #687586 and #798799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #303F52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #303F52 shade: #303F52, #1F2D3F, #0E1B2C, #000919 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #303F52 shade: #2F3D50, #2F3450, #322F50, #3B2F50 and #442F50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #303F52 shade: #2F3D50, #2F3450 and #2F2F50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #303F52 shade matches the following richer shades: #2F3D50, #243C5A, #1A3B64, #103A6F and #053879

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #303F52 shade: #2F3D50, #393F46, #43403B, #4E4131 and #584227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #303F52 shade: #2F4F50, #2F4650, #2F3E50, #2F3550 and #312F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #303F52 shade: #10151C, #1F2936, #2F3D50, #3E516A and #4D6584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #303F52 shade: #303F52, #482F50 and #4B502F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #303F52 shade: #303F52, #502F3E and #3E502F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #303F52 shade: #303F52, #482F50, #50412F and #37502F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #303F52 shade: #303F52, #502F4E, #50412F and #2F5030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

Complementary color

CMYK 0 / 7 / 16 / 19

HEX #CFC0AD

RGB 207 192 173

HSL 33.53, 0.26%, 0.75%

LAB 78.45, 2.15, 11.47

 

CMYK 31 / 18 / 0 / 70

HEX #353F4D

RGB 53 63 77

HSL 215, 0.18%, 0.25%

LAB 26.3, -0.3, -9.84

 

CMYK 27 / 16 / 0 / 62

HEX #465160

RGB 70 81 96

HSL 214.62, 0.16%, 0.33%

LAB 34.05, -0.51, -10.17

 

CMYK 24 / 14 / 0 / 55

HEX #576373

RGB 87 99 115

HSL 214.29, 0.14%, 0.4%

LAB 41.51, -0.7, -10.54

 

CMYK 22 / 13 / 0 / 47

HEX #687586

RGB 104 117 134

HSL 214, 0.13%, 0.47%

LAB 48.74, -0.86, -10.92

 

CMYK 21 / 12 / 0 / 40

HEX #798799

RGB 121 135 153

HSL 213.75, 0.14%, 0.54%

LAB 55.78, -1.01, -11.31

 

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

CMYK 51 / 29 / 0 / 75

HEX #1F2D3F

RGB 31 45 63

HSL 213.75, 0.34%, 0.18%

LAB 18.04, -0.02, -13.23

 

CMYK 68 / 39 / 0 / 83

HEX #0E1B2C

RGB 14 27 44

HSL 214, 0.52%, 0.11%

LAB 9.47, 0.76, -13.17

 

CMYK 100 / 64 / 0 / 90

HEX #000919

RGB 0 9 25

HSL 218.4, 1%, 0.05%

LAB 2.4, 0.85, -9.55

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 41 / 24 / 0 / 69

HEX #2F3D50

RGB 47 61 80

HSL 214.55, 0.26%, 0.25%

LAB 25.32, -0.11, -13.33

 

CMYK 41 / 35 / 0 / 69

HEX #2F3450

RGB 47 52 80

HSL 230.91, 0.26%, 0.25%

LAB 22.44, 5.99, -17.8

 

CMYK 38 / 41 / 0 / 69

HEX #322F50

RGB 50 47 80

HSL 245.45, 0.26%, 0.25%

LAB 21.17, 10.45, -19.77

 

CMYK 26 / 41 / 0 / 69

HEX #3B2F50

RGB 59 47 80

HSL 261.82, 0.26%, 0.25%

LAB 22.1, 13.51, -18.25

 

CMYK 15 / 41 / 0 / 69

HEX #442F50

RGB 68 47 80

HSL 278.18, 0.26%, 0.25%

LAB 23.14, 16.73, -16.55

 

CMYK 41 / 24 / 0 / 69

HEX #2F3D50

RGB 47 61 80

HSL 214.55, 0.26%, 0.25%

LAB 25.32, -0.11, -13.33

 

CMYK 41 / 35 / 0 / 69

HEX #2F3450

RGB 47 52 80

HSL 230.91, 0.26%, 0.25%

LAB 22.44, 5.99, -17.8

 

CMYK 41 / 41 / 0 / 69

HEX #2F2F50

RGB 47 47 80

HSL 240, 0.26%, 0.25%

LAB 20.89, 9.47, -20.23

 

CMYK 41 / 24 / 0 / 69

HEX #2F3D50

RGB 47 61 80

HSL 214.55, 0.26%, 0.25%

LAB 25.32, -0.11, -13.33

 

CMYK 60 / 33 / 0 / 65

HEX #243C5A

RGB 36 60 90

HSL 213.33, 0.43%, 0.25%

LAB 24.78, 0.83, -20.79

 

CMYK 74 / 41 / 0 / 61

HEX #1A3B64

RGB 26 59 100

HSL 213.24, 0.59%, 0.25%

LAB 24.54, 3.3, -27.71

 

CMYK 86 / 48 / 0 / 56

HEX #103A6F

RGB 16 58 111

HSL 213.47, 0.75%, 0.25%

LAB 24.59, 7.21, -34.72

 

CMYK 96 / 54 / 0 / 53

HEX #053879

RGB 5 56 121

HSL 213.62, 0.92%, 0.25%

LAB 24.45, 12.08, -41.32

 

CMYK 41 / 24 / 0 / 69

HEX #2F3D50

RGB 47 61 80

HSL 214.55, 0.26%, 0.25%

LAB 25.32, -0.11, -13.33

 

CMYK 19 / 10 / 0 / 73

HEX #393F46

RGB 57 63 70

HSL 212.31, 0.1%, 0.25%

LAB 26.35, -0.74, -5.12

 

CMYK 0 / 4 / 12 / 74

HEX #43403B

RGB 67 64 59

HSL 37.5, 0.06%, 0.25%

LAB 27.23, 0.23, 3.51

 

CMYK 0 / 17 / 37 / 69

HEX #4E4131

RGB 78 65 49

HSL 33.1, 0.23%, 0.25%

LAB 28.44, 2.86, 11.86

 

CMYK 0 / 25 / 56 / 65

HEX #584227

RGB 88 66 39

HSL 33.06, 0.39%, 0.25%

LAB 29.71, 5.75, 20.01

 

CMYK 41 / 1 / 0 / 69

HEX #2F4F50

RGB 47 79 80

HSL 181.82, 0.26%, 0.25%

LAB 31.29, -11.43, -4.32

 

CMYK 41 / 13 / 0 / 69

HEX #2F4650

RGB 47 70 80

HSL 198.18, 0.26%, 0.25%

LAB 28.28, -5.93, -8.82

 

CMYK 41 / 23 / 0 / 69

HEX #2F3E50

RGB 47 62 80

HSL 212.73, 0.26%, 0.25%

LAB 25.65, -0.77, -12.83

 

CMYK 41 / 34 / 0 / 69

HEX #2F3550

RGB 47 53 80

HSL 229.09, 0.26%, 0.25%

LAB 22.76, 5.3, -17.31

 

CMYK 39 / 41 / 0 / 69

HEX #312F50

RGB 49 47 80

HSL 243.64, 0.26%, 0.25%

LAB 21.08, 10.12, -19.92

 

CMYK 43 / 25 / 0 / 89

HEX #10151C

RGB 16 21 28

HSL 215, 0.27%, 0.09%

LAB 6.6, -0.11, -5.59

 

CMYK 43 / 24 / 0 / 79

HEX #1F2936

RGB 31 41 54

HSL 213.91, 0.27%, 0.17%

LAB 16.22, -0.31, -9.79

 

CMYK 41 / 24 / 0 / 69

HEX #2F3D50

RGB 47 61 80

HSL 214.55, 0.26%, 0.25%

LAB 25.32, -0.11, -13.33

 

CMYK 42 / 24 / 0 / 58

HEX #3E516A

RGB 62 81 106

HSL 214.09, 0.26%, 0.33%

LAB 33.88, -0.24, -16.77

 

CMYK 42 / 23 / 0 / 48

HEX #4D6584

RGB 77 101 132

HSL 213.82, 0.26%, 0.41%

LAB 42.08, -0.35, -20.05

 

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

CMYK 10 / 41 / 0 / 69

HEX #482F50

RGB 72 47 80

HSL 285.45, 0.26%, 0.25%

LAB 23.64, 18.19, -15.73

 

CMYK 6 / 0 / 41 / 69

HEX #4B502F

RGB 75 80 47

HSL 69.09, 0.26%, 0.25%

LAB 32.78, -8.11, 18.79

 

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

CMYK 0 / 41 / 23 / 69

HEX #502F3E

RGB 80 47 62

HSL 332.73, 0.26%, 0.25%

LAB 23.95, 17.52, -3.08

 

CMYK 23 / 0 / 41 / 69

HEX #3E502F

RGB 62 80 47

HSL 92.73, 0.26%, 0.25%

LAB 31.73, -13.9, 17.22

 

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

CMYK 10 / 41 / 0 / 69

HEX #482F50

RGB 72 47 80

HSL 285.45, 0.26%, 0.25%

LAB 23.64, 18.19, -15.73

 

CMYK 0 / 19 / 41 / 69

HEX #50412F

RGB 80 65 47

HSL 32.73, 0.26%, 0.25%

LAB 28.62, 3.52, 13.42

 

CMYK 31 / 0 / 41 / 69

HEX #37502F

RGB 55 80 47

HSL 105.45, 0.26%, 0.25%

LAB 31.24, -16.82, 16.49

 

CMYK 41 / 23 / 0 / 68

HEX #303F52

RGB 48 63 82

HSL 213.53, 0.26%, 0.25%

LAB 26.14, -0.48, -13.39

 

CMYK 0 / 41 / 2 / 69

HEX #502F4E

RGB 80 47 78

HSL 303.64, 0.26%, 0.25%

LAB 24.6, 20.7, -12.83

 

CMYK 0 / 19 / 41 / 69

HEX #50412F

RGB 80 65 47

HSL 32.73, 0.26%, 0.25%

LAB 28.62, 3.52, 13.42

 

CMYK 41 / 0 / 40 / 69

HEX #2F5030

RGB 47 80 48

HSL 121.82, 0.26%, 0.25%

LAB 30.77, -19.73, 15.16

 

Description

Color code: HEX #303F52 | qconv.com Color code: HEX #303F52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 63 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 63 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 23 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 23% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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