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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304563 it is the complementary color #CFBA9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304563 shade: #35455E, #465771, #576984, #687B97 and #798DAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304563 shade: #304563, #1F3350, #0E213D, #000F2A and #000017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304563 shade: #304563, #303763, #363063, #443063 and #523063

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304563 shade: #304563, #303763 and #303063

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304563 shade matches the following richer shades: #304563, #24436F, #18417B, #0C3F87 and #003C93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304563 shade: #304563, #3C4757, #47494B, #534B3F and #5F4D33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304563 shade: #306163, #305363, #304563, #303763 and #363063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304563 shade: #151E2C, #223247, #304563, #3D587F and #4A6C9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304563 shade: #304563, #583063 and #5A6330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304563 shade: #304563, #633045 and #456330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304563 shade: #304563, #583063, #634E30 and #3B6330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304563 shade: #304563, #63305F, #634E30 and #306334

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

Complementary color

CMYK 0 / 10 / 25 / 19

HEX #CFBA9C

RGB 207 186 156

HSL 35.29, 0.35%, 0.71%

LAB 76.55, 2.8, 17.95

 

CMYK 44 / 27 / 0 / 63

HEX #35455E

RGB 53 69 94

HSL 216.59, 0.28%, 0.29%

LAB 28.96, 0.97, -16.8

 

CMYK 38 / 23 / 0 / 56

HEX #465771

RGB 70 87 113

HSL 216.28, 0.23%, 0.36%

LAB 36.58, 0.55, -16.94

 

CMYK 34 / 20 / 0 / 48

HEX #576984

RGB 87 105 132

HSL 216, 0.21%, 0.43%

LAB 43.94, 0.23, -17.13

 

CMYK 31 / 19 / 0 / 41

HEX #687B97

RGB 104 123 151

HSL 215.74, 0.18%, 0.5%

LAB 51.09, -0.04, -17.37

 

CMYK 29 / 17 / 0 / 33

HEX #798DAA

RGB 121 141 170

HSL 215.51, 0.22%, 0.57%

LAB 58.05, -0.27, -17.62

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 61 / 36 / 0 / 69

HEX #1F3350

RGB 31 51 80

HSL 215.51, 0.44%, 0.22%

LAB 20.97, 2.03, -20.18

 

CMYK 77 / 46 / 0 / 76

HEX #0E213D

RGB 14 33 61

HSL 215.74, 0.63%, 0.15%

LAB 12.72, 3.46, -20.26

 

CMYK 100 / 64 / 0 / 84

HEX #000F2A

RGB 0 15 42

HSL 218.57, 1%, 0.08%

LAB 4.6, 4.31, -19.43

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 52 / 44 / 0 / 61

HEX #303763

RGB 48 55 99

HSL 231.76, 0.35%, 0.29%

LAB 24.52, 10.64, -27.01

 

CMYK 45 / 52 / 0 / 61

HEX #363063

RGB 54 48 99

HSL 247.06, 0.35%, 0.29%

LAB 23, 17.12, -29.4

 

CMYK 31 / 52 / 0 / 61

HEX #443063

RGB 68 48 99

HSL 263.53, 0.35%, 0.29%

LAB 24.46, 21.23, -26.98

 

CMYK 17 / 52 / 0 / 61

HEX #523063

RGB 82 48 99

HSL 280, 0.35%, 0.29%

LAB 26.18, 25.63, -24.15

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 52 / 44 / 0 / 61

HEX #303763

RGB 48 55 99

HSL 231.76, 0.35%, 0.29%

LAB 24.52, 10.64, -27.01

 

CMYK 52 / 52 / 0 / 61

HEX #303063

RGB 48 48 99

HSL 240, 0.35%, 0.29%

LAB 22.45, 15.5, -30.3

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 68 / 40 / 0 / 56

HEX #24436F

RGB 36 67 111

HSL 215.2, 0.51%, 0.29%

LAB 28.21, 4.03, -28.9

 

CMYK 80 / 47 / 0 / 52

HEX #18417B

RGB 24 65 123

HSL 215.15, 0.67%, 0.29%

LAB 27.86, 8.28, -37.07

 

CMYK 91 / 53 / 0 / 47

HEX #0C3F87

RGB 12 63 135

HSL 215.12, 0.84%, 0.29%

LAB 27.8, 13.59, -44.67

 

CMYK 100 / 59 / 0 / 42

HEX #003C93

RGB 0 60 147

HSL 215.51, 1%, 0.29%

LAB 27.68, 20.14, -52.29

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 31 / 18 / 0 / 66

HEX #3C4757

RGB 60 71 87

HSL 215.56, 0.18%, 0.29%

LAB 29.8, -0.15, -10.96

 

CMYK 5 / 3 / 0 / 71

HEX #47494B

RGB 71 73 75

HSL 210, 0.03%, 0.29%

LAB 30.91, -0.37, -1.48

 

CMYK 0 / 10 / 24 / 67

HEX #534B3F

RGB 83 75 63

HSL 36, 0.14%, 0.29%

LAB 32.32, 1.09, 8.37

 

CMYK 0 / 19 / 46 / 63

HEX #5F4D33

RGB 95 77 51

HSL 35.45, 0.3%, 0.29%

LAB 33.94, 3.59, 18.25

 

CMYK 52 / 2 / 0 / 61

HEX #306163

RGB 48 97 99

HSL 182.35, 0.35%, 0.29%

LAB 37.98, -15.91, -6.26

 

CMYK 52 / 16 / 0 / 61

HEX #305363

RGB 48 83 99

HSL 198.82, 0.35%, 0.29%

LAB 33.38, -7.72, -13.21

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 52 / 44 / 0 / 61

HEX #303763

RGB 48 55 99

HSL 231.76, 0.35%, 0.29%

LAB 24.52, 10.64, -27.01

 

CMYK 45 / 52 / 0 / 61

HEX #363063

RGB 54 48 99

HSL 247.06, 0.35%, 0.29%

LAB 23, 17.12, -29.4

 

CMYK 52 / 32 / 0 / 83

HEX #151E2C

RGB 21 30 44

HSL 216.52, 0.35%, 0.13%

LAB 11.06, 0.68, -10.66

 

CMYK 52 / 30 / 0 / 72

HEX #223247

RGB 34 50 71

HSL 214.05, 0.35%, 0.21%

LAB 20.35, 0.25, -15.1

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 52 / 31 / 0 / 50

HEX #3D587F

RGB 61 88 127

HSL 215.45, 0.35%, 0.37%

LAB 36.94, 1.77, -25.06

 

CMYK 52 / 30 / 0 / 39

HEX #4A6C9B

RGB 74 108 155

HSL 214.81, 0.35%, 0.45%

LAB 45.01, 1.74, -29.26

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 11 / 52 / 0 / 61

HEX #583063

RGB 88 48 99

HSL 287.06, 0.35%, 0.29%

LAB 26.99, 27.57, -22.83

 

CMYK 9 / 0 / 52 / 61

HEX #5A6330

RGB 90 99 48

HSL 70.59, 0.35%, 0.29%

LAB 40.1, -12.14, 27.61

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 0 / 52 / 30 / 61

HEX #633045

RGB 99 48 69

HSL 335.29, 0.35%, 0.29%

LAB 27.29, 25.73, -2.52

 

CMYK 30 / 0 / 52 / 61

HEX #456330

RGB 69 99 48

HSL 95.29, 0.35%, 0.29%

LAB 38.55, -21.17, 25.37

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 11 / 52 / 0 / 61

HEX #583063

RGB 88 48 99

HSL 287.06, 0.35%, 0.29%

LAB 26.99, 27.57, -22.83

 

CMYK 0 / 21 / 52 / 61

HEX #634E30

RGB 99 78 48

HSL 35.29, 0.35%, 0.29%

LAB 34.63, 4.51, 21.04

 

CMYK 40 / 0 / 52 / 61

HEX #3B6330

RGB 59 99 48

HSL 107.06, 0.35%, 0.29%

LAB 37.96, -25.04, 24.5

 

CMYK 52 / 30 / 0 / 61

HEX #304563

RGB 48 69 99

HSL 215.29, 0.35%, 0.29%

LAB 28.86, 1.17, -20.18

 

CMYK 0 / 52 / 4 / 61

HEX #63305F

RGB 99 48 95

HSL 304.71, 0.35%, 0.29%

LAB 28.36, 30.33, -17.97

 

CMYK 0 / 21 / 52 / 61

HEX #634E30

RGB 99 78 48

HSL 35.29, 0.35%, 0.29%

LAB 34.63, 4.51, 21.04

 

CMYK 52 / 0 / 47 / 61

HEX #306334

RGB 48 99 52

HSL 124.71, 0.35%, 0.29%

LAB 37.48, -28.16, 21.52

 

Description

Color code: HEX #304563 | qconv.com Color code: HEX #304563 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 69 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 69 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 30 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 30% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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