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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304749 it is the complementary color #CFB8B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304749 shade: #354744, #465957, #576B6A, #687D7D and #798F90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304749 shade: #304749, #1F3536, #0E2323 and #001110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304749 shade: #30474A, #30414A, #303A4A, #30334A and #34304A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304749 shade: #30474A, #30414A, #303A4A, #30334A and #30304A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304749 shade matches the following richer shades: #30474A, #265053, #1C585D, #126067 and #086971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304749 shade: #30474A, #3A3F40, #443736, #4E2F2C and #572622

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304749 shade: #304A3E, #304A44, #30484A, #30414A and #303A4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304749 shade: #0F1718, #202F31, #30474A, #406063 and #50787B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304749 shade: #304749, #37304A and #4A4130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304749 shade: #304749, #4A3048 and #484A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304749 shade: #304749, #37304A, #4A3230 and #434A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304749 shade: #304749, #3E304A, #4A3230 and #3B4A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

Complementary color

CMYK 0 / 11 / 12 / 19

HEX #CFB8B6

RGB 207 184 182

HSL 4.8, 0.21%, 0.76%

LAB 76.63, 7.86, 4

 

CMYK 25 / 0 / 4 / 72

HEX #354744

RGB 53 71 68

HSL 170, 0.15%, 0.24%

LAB 28.59, -7.85, -0.53

 

CMYK 21 / 0 / 2 / 65

HEX #465957

RGB 70 89 87

HSL 173.68, 0.12%, 0.31%

LAB 36.24, -7.73, -1.25

 

CMYK 19 / 0 / 1 / 58

HEX #576B6A

RGB 87 107 106

HSL 177, 0.1%, 0.38%

LAB 43.63, -7.66, -1.93

 

CMYK 17 / 0 / 0 / 51

HEX #687D7D

RGB 104 125 125

HSL 180, 0.09%, 0.45%

LAB 50.79, -7.61, -2.56

 

CMYK 16 / 1 / 0 / 44

HEX #798F90

RGB 121 143 144

HSL 182.61, 0.09%, 0.52%

LAB 57.77, -7.58, -3.17

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 43 / 2 / 0 / 79

HEX #1F3536

RGB 31 53 54

HSL 182.61, 0.27%, 0.17%

LAB 20.46, -8.36, -3.39

 

CMYK 60 / 0 / 0 / 86

HEX #0E2323

RGB 14 35 35

HSL 180, 0.43%, 0.1%

LAB 12.07, -8.39, -2.61

 

CMYK 100 / 0 / 6 / 93

HEX #001110

RGB 0 17 16

HSL 176.47, 1%, 0.03%

LAB 3.96, -5.02, -1.17

 

CMYK 35 / 4 / 0 / 71

HEX #30474A

RGB 48 71 74

HSL 186.92, 0.21%, 0.24%

LAB 28.46, -8, -4.66

 

CMYK 35 / 12 / 0 / 71

HEX #30414A

RGB 48 65 74

HSL 200.77, 0.21%, 0.24%

LAB 26.46, -4.22, -7.66

 

CMYK 35 / 22 / 0 / 71

HEX #303A4A

RGB 48 58 74

HSL 216.92, 0.21%, 0.24%

LAB 24.16, 0.36, -11.15

 

CMYK 35 / 31 / 0 / 71

HEX #30334A

RGB 48 51 74

HSL 233.08, 0.21%, 0.24%

LAB 21.91, 5.11, -14.61

 

CMYK 30 / 35 / 0 / 71

HEX #34304A

RGB 52 48 74

HSL 249.23, 0.21%, 0.24%

LAB 21.35, 8.6, -15.44

 

CMYK 35 / 4 / 0 / 71

HEX #30474A

RGB 48 71 74

HSL 186.92, 0.21%, 0.24%

LAB 28.46, -8, -4.66

 

CMYK 35 / 12 / 0 / 71

HEX #30414A

RGB 48 65 74

HSL 200.77, 0.21%, 0.24%

LAB 26.46, -4.22, -7.66

 

CMYK 35 / 22 / 0 / 71

HEX #303A4A

RGB 48 58 74

HSL 216.92, 0.21%, 0.24%

LAB 24.16, 0.36, -11.15

 

CMYK 35 / 31 / 0 / 71

HEX #30334A

RGB 48 51 74

HSL 233.08, 0.21%, 0.24%

LAB 21.91, 5.11, -14.61

 

CMYK 35 / 35 / 0 / 71

HEX #30304A

RGB 48 48 74

HSL 240, 0.21%, 0.24%

LAB 20.97, 7.19, -16.07

 

CMYK 35 / 4 / 0 / 71

HEX #30474A

RGB 48 71 74

HSL 186.92, 0.21%, 0.24%

LAB 28.46, -8, -4.66

 

CMYK 54 / 4 / 0 / 67

HEX #265053

RGB 38 80 83

HSL 184, 0.37%, 0.24%

LAB 31.29, -13.65, -6.28

 

CMYK 70 / 5 / 0 / 64

HEX #1C585D

RGB 28 88 93

HSL 184.62, 0.54%, 0.24%

LAB 34.02, -17.12, -8.55

 

CMYK 83 / 7 / 0 / 60

HEX #126067

RGB 18 96 103

HSL 184.94, 0.7%, 0.24%

LAB 36.88, -19.55, -10.48

 

CMYK 93 / 7 / 0 / 56

HEX #086971

RGB 8 105 113

HSL 184.57, 0.87%, 0.24%

LAB 40.16, -21.74, -11.67

 

CMYK 35 / 4 / 0 / 71

HEX #30474A

RGB 48 71 74

HSL 186.92, 0.21%, 0.24%

LAB 28.46, -8, -4.66

 

CMYK 9 / 2 / 0 / 75

HEX #3A3F40

RGB 58 63 64

HSL 190, 0.05%, 0.24%

LAB 26.23, -1.84, -1.33

 

CMYK 0 / 19 / 21 / 73

HEX #443736

RGB 68 55 54

HSL 4.29, 0.11%, 0.24%

LAB 24.41, 5.57, 2.78

 

CMYK 0 / 40 / 44 / 69

HEX #4E2F2C

RGB 78 47 44

HSL 5.29, 0.28%, 0.24%

LAB 23.12, 13.78, 7.85

 

CMYK 0 / 56 / 61 / 66

HEX #572622

RGB 87 38 34

HSL 4.53, 0.44%, 0.24%

LAB 22.05, 22.26, 13.4

 

CMYK 35 / 0 / 16 / 71

HEX #304A3E

RGB 48 74 62

HSL 152.31, 0.21%, 0.24%

LAB 29.09, -12.98, 4.03

 

CMYK 35 / 0 / 8 / 71

HEX #304A44

RGB 48 74 68

HSL 166.15, 0.21%, 0.24%

LAB 29.27, -11.46, 0.42

 

CMYK 35 / 3 / 0 / 71

HEX #30484A

RGB 48 72 74

HSL 184.62, 0.21%, 0.24%

LAB 28.79, -8.61, -4.16

 

CMYK 35 / 12 / 0 / 71

HEX #30414A

RGB 48 65 74

HSL 200.77, 0.21%, 0.24%

LAB 26.46, -4.22, -7.66

 

CMYK 35 / 22 / 0 / 71

HEX #303A4A

RGB 48 58 74

HSL 216.92, 0.21%, 0.24%

LAB 24.16, 0.36, -11.15

 

CMYK 38 / 4 / 0 / 91

HEX #0F1718

RGB 15 23 24

HSL 186.67, 0.23%, 0.08%

LAB 7.05, -3.01, -1.86

 

CMYK 35 / 4 / 0 / 81

HEX #202F31

RGB 32 47 49

HSL 187.06, 0.21%, 0.16%

LAB 18.2, -5.63, -3.31

 

CMYK 35 / 4 / 0 / 71

HEX #30474A

RGB 48 71 74

HSL 186.92, 0.21%, 0.24%

LAB 28.46, -8, -4.66

 

CMYK 35 / 3 / 0 / 61

HEX #406063

RGB 64 96 99

HSL 185.14, 0.21%, 0.32%

LAB 38.47, -10.78, -5.44

 

CMYK 35 / 2 / 0 / 52

HEX #50787B

RGB 80 120 123

HSL 184.19, 0.21%, 0.4%

LAB 47.71, -13.1, -6.11

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 26 / 35 / 0 / 71

HEX #37304A

RGB 55 48 74

HSL 256.15, 0.21%, 0.24%

LAB 21.66, 9.68, -14.95

 

CMYK 0 / 12 / 35 / 71

HEX #4A4130

RGB 74 65 48

HSL 39.23, 0.21%, 0.24%

LAB 27.98, 0.83, 11.8

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 0 / 35 / 3 / 71

HEX #4A3048

RGB 74 48 72

HSL 304.62, 0.21%, 0.24%

LAB 23.8, 16.45, -10.13

 

CMYK 3 / 0 / 35 / 71

HEX #484A30

RGB 72 74 48

HSL 64.62, 0.21%, 0.24%

LAB 30.61, -5.73, 15.29

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 26 / 35 / 0 / 71

HEX #37304A

RGB 55 48 74

HSL 256.15, 0.21%, 0.24%

LAB 21.66, 9.68, -14.95

 

CMYK 0 / 32 / 35 / 71

HEX #4A3230

RGB 74 50 48

HSL 4.62, 0.21%, 0.24%

LAB 23.51, 10.57, 5.62

 

CMYK 9 / 0 / 35 / 71

HEX #434A30

RGB 67 74 48

HSL 76.15, 0.21%, 0.24%

LAB 30.17, -8.01, 14.62

 

CMYK 34 / 3 / 0 / 71

HEX #304749

RGB 48 71 73

HSL 184.8, 0.21%, 0.24%

LAB 28.42, -8.28, -4.06

 

CMYK 16 / 35 / 0 / 71

HEX #3E304A

RGB 62 48 74

HSL 272.31, 0.21%, 0.24%

LAB 22.42, 12.29, -13.71

 

CMYK 0 / 32 / 35 / 71

HEX #4A3230

RGB 74 50 48

HSL 4.62, 0.21%, 0.24%

LAB 23.51, 10.57, 5.62

 

CMYK 20 / 0 / 35 / 71

HEX #3B4A30

RGB 59 74 48

HSL 94.62, 0.21%, 0.24%

LAB 29.52, -11.55, 13.64

 

Description

Color code: HEX #304749 | qconv.com Color code: HEX #304749 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 71 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 71 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 3 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 3% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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