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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304A73 it is the complementary color #CFB58C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304A73 shade: #354A6E, #465C81, #576E94, #6880A7 and #7992BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304A73 shade: #304A73, #1F3860, #0E264D, #00143A and #000227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304A73 shade: #304A73, #303873, #3A3073, #4C3073 and #5E3073

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304A73 shade: #304A73, #303873 and #303073

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304A73 shade matches the following richer shades: #304A73, #224780, #15448D and #08419A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304A73 shade: #304A73, #3D4D65, #4A5058, #57524B and #64553E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304A73 shade: #306E73, #305C73, #304A73, #303973 and #393073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304A73 shade: #172438, #233755, #304A73, #3C5C90 and #486FAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304A73 shade: #304A73, #653073 and #657330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304A73 shade: #304A73, #73304A and #4A7330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304A73 shade: #304A73, #653073, #735830 and #3D7330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304A73 shade: #304A73, #73306C, #735830 and #307336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

Complementary color

CMYK 0 / 13 / 32 / 19

HEX #CFB58C

RGB 207 181 140

HSL 36.72, 0.41%, 0.68%

LAB 74.96, 3.31, 24.35

 

CMYK 52 / 33 / 0 / 57

HEX #354A6E

RGB 53 74 110

HSL 217.89, 0.35%, 0.32%

LAB 31.3, 2.98, -23.34

 

CMYK 46 / 29 / 0 / 49

HEX #465C81

RGB 70 92 129

HSL 217.63, 0.3%, 0.39%

LAB 38.8, 2.3, -23.34

 

CMYK 41 / 26 / 0 / 42

HEX #576E94

RGB 87 110 148

HSL 217.38, 0.26%, 0.46%

LAB 46.06, 1.79, -23.41

 

CMYK 38 / 23 / 0 / 35

HEX #6880A7

RGB 104 128 167

HSL 217.14, 0.26%, 0.53%

LAB 53.14, 1.38, -23.52

 

CMYK 35 / 22 / 0 / 27

HEX #7992BA

RGB 121 146 186

HSL 216.92, 0.32%, 0.6%

LAB 60.04, 1.03, -23.68

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 68 / 42 / 0 / 62

HEX #1F3860

RGB 31 56 96

HSL 216.92, 0.51%, 0.25%

LAB 23.55, 4.73, -26.66

 

CMYK 82 / 51 / 0 / 70

HEX #0E264D

RGB 14 38 77

HSL 217.14, 0.69%, 0.18%

LAB 15.57, 6.72, -26.8

 

CMYK 100 / 66 / 0 / 77

HEX #00143A

RGB 0 20 58

HSL 219.31, 1%, 0.11%

LAB 7.28, 9.73, -26.93

 

CMYK 100 / 95 / 0 / 85

HEX #000227

RGB 0 2 39

HSL 236.92, 1%, 0.08%

LAB 1.72, 8.5, -21.65

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 58 / 51 / 0 / 55

HEX #303873

RGB 48 56 115

HSL 232.84, 0.41%, 0.32%

LAB 25.85, 15.66, -35.17

 

CMYK 50 / 58 / 0 / 55

HEX #3A3073

RGB 58 48 115

HSL 248.96, 0.41%, 0.32%

LAB 24.49, 23.43, -37.32

 

CMYK 34 / 58 / 0 / 55

HEX #4C3073

RGB 76 48 115

HSL 265.07, 0.41%, 0.32%

LAB 26.41, 28.07, -34.12

 

CMYK 18 / 58 / 0 / 55

HEX #5E3073

RGB 94 48 115

HSL 281.19, 0.41%, 0.32%

LAB 28.72, 33.14, -30.29

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 58 / 51 / 0 / 55

HEX #303873

RGB 48 56 115

HSL 232.84, 0.41%, 0.32%

LAB 25.85, 15.66, -35.17

 

CMYK 58 / 58 / 0 / 55

HEX #303073

RGB 48 48 115

HSL 240, 0.41%, 0.32%

LAB 23.61, 21.15, -38.78

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 73 / 45 / 0 / 50

HEX #224780

RGB 34 71 128

HSL 216.38, 0.58%, 0.32%

LAB 30.41, 7.61, -36.08

 

CMYK 85 / 52 / 0 / 45

HEX #15448D

RGB 21 68 141

HSL 216.5, 0.74%, 0.32%

LAB 29.95, 13.33, -44.88

 

CMYK 95 / 58 / 0 / 40

HEX #08419A

RGB 8 65 154

HSL 216.58, 0.9%, 0.32%

LAB 29.83, 19.97, -53.05

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 40 / 24 / 0 / 60

HEX #3D4D65

RGB 61 77 101

HSL 216, 0.25%, 0.32%

LAB 32.35, 0.47, -15.99

 

CMYK 16 / 9 / 0 / 65

HEX #4A5058

RGB 74 80 88

HSL 214.29, 0.09%, 0.32%

LAB 33.77, -0.5, -5.51

 

CMYK 0 / 6 / 14 / 66

HEX #57524B

RGB 87 82 75

HSL 35, 0.07%, 0.32%

LAB 35.14, 0.66, 4.84

 

CMYK 0 / 15 / 38 / 61

HEX #64553E

RGB 100 85 62

HSL 36.32, 0.23%, 0.32%

LAB 37.03, 2.43, 15.72

 

CMYK 58 / 4 / 0 / 55

HEX #306E73

RGB 48 110 115

HSL 184.48, 0.41%, 0.32%

LAB 42.79, -18.24, -8.83

 

CMYK 58 / 20 / 0 / 55

HEX #305C73

RGB 48 92 115

HSL 200.6, 0.41%, 0.32%

LAB 36.97, -7.91, -17.68

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 58 / 50 / 0 / 55

HEX #303973

RGB 48 57 115

HSL 231.94, 0.41%, 0.32%

LAB 26.14, 14.97, -34.71

 

CMYK 50 / 58 / 0 / 55

HEX #393073

RGB 57 48 115

HSL 248.06, 0.41%, 0.32%

LAB 24.39, 23.19, -37.47

 

CMYK 59 / 36 / 0 / 78

HEX #172438

RGB 23 36 56

HSL 216.36, 0.42%, 0.15%

LAB 14, 1.41, -14.69

 

CMYK 59 / 35 / 0 / 67

HEX #233755

RGB 35 55 85

HSL 216, 0.42%, 0.24%

LAB 22.81, 2.15, -20.6

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 58 / 36 / 0 / 44

HEX #3C5C90

RGB 60 92 144

HSL 217.14, 0.41%, 0.4%

LAB 38.95, 4.77, -32.25

 

CMYK 58 / 36 / 0 / 32

HEX #486FAD

RGB 72 111 173

HSL 216.83, 0.41%, 0.48%

LAB 46.66, 5.4, -37.25

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 12 / 58 / 0 / 55

HEX #653073

RGB 101 48 115

HSL 287.46, 0.41%, 0.32%

LAB 29.71, 35.17, -28.67

 

CMYK 12 / 0 / 58 / 55

HEX #657330

RGB 101 115 48

HSL 72.54, 0.41%, 0.32%

LAB 45.96, -16.03, 34.72

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 0 / 58 / 36 / 55

HEX #73304A

RGB 115 48 74

HSL 336.72, 0.41%, 0.32%

LAB 30.04, 32.46, -1.46

 

CMYK 36 / 0 / 58 / 55

HEX #4A7330

RGB 74 115 48

HSL 96.72, 0.41%, 0.32%

LAB 44.13, -27.25, 32.13

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 12 / 58 / 0 / 55

HEX #653073

RGB 101 48 115

HSL 287.46, 0.41%, 0.32%

LAB 29.71, 35.17, -28.67

 

CMYK 0 / 23 / 58 / 55

HEX #735830

RGB 115 88 48

HSL 35.82, 0.41%, 0.32%

LAB 39.31, 5.96, 27.23

 

CMYK 47 / 0 / 58 / 55

HEX #3D7330

RGB 61 115 48

HSL 108.36, 0.41%, 0.32%

LAB 43.46, -31.92, 31.17

 

CMYK 58 / 36 / 0 / 55

HEX #304A73

RGB 48 74 115

HSL 216.72, 0.41%, 0.32%

LAB 31.26, 3.46, -26.56

 

CMYK 0 / 58 / 6 / 55

HEX #73306C

RGB 115 48 108

HSL 306.27, 0.41%, 0.32%

LAB 31.44, 37.93, -21.35

 

CMYK 0 / 23 / 58 / 55

HEX #735830

RGB 115 88 48

HSL 35.82, 0.41%, 0.32%

LAB 39.31, 5.96, 27.23

 

CMYK 58 / 0 / 53 / 55

HEX #307336

RGB 48 115 54

HSL 125.37, 0.41%, 0.32%

LAB 43, -35.04, 27.31

 

Description

Color code: HEX #304A73 | qconv.com Color code: HEX #304A73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 74 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 74 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 36 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 36% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Slon.ru - Деловые но...
Link: http://slon.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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