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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304DBA it is the complementary color #CFB245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304DBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304DBA shade: #354DB5, #465FC8, #5771DB, #6883EE and #7995FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304DBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304DBA shade: #304DBA, #1F3BA7, #0E2994, #001781 and #00056E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304DBA shade: #304DBA, #3830BA, #5D30BA, #8230BA and #A830BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304DBA shade: #304DBA and #3030BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304DBA shade matches the following richer shades: #304DBA, #1D42CD and #0A37E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304DBA shade: #304DBA, #4358A7, #566394, #696E81 and #7C796E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304DBA shade: #3097BA, #3072BA, #304EBA, #3730BA and #5B30BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304DBA shade: #1F3278, #273F99, #304DBA, #4461CF and #657DD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304DBA shade: #304DBA, #B830BA and #85BA30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304DBA shade: #304DBA, #BA304E and #4EBA30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304DBA shade: #304DBA, #B830BA, #BA9C30 and #32BA30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304DBA shade: #304DBA, #BA3093, #BA9C30 and #30BA57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

Complementary color

CMYK 0 / 14 / 67 / 19

HEX #CFB245

RGB 207 178 69

HSL 47.39, 0.59%, 0.54%

LAB 73.24, -1.65, 57.53

 

CMYK 71 / 57 / 0 / 29

HEX #354DB5

RGB 53 77 181

HSL 228.75, 0.55%, 0.46%

LAB 36.74, 26.67, -57.9

 

CMYK 65 / 53 / 0 / 22

HEX #465FC8

RGB 70 95 200

HSL 228.46, 0.54%, 0.53%

LAB 43.74, 24.47, -57.61

 

CMYK 60 / 48 / 0 / 14

HEX #5771DB

RGB 87 113 219

HSL 228.18, 0.65%, 0.6%

LAB 50.63, 22.66, -57.31

 

CMYK 56 / 45 / 0 / 7

HEX #6883EE

RGB 104 131 238

HSL 227.91, 0.8%, 0.67%

LAB 57.41, 21.16, -57.03

 

CMYK 53 / 42 / 0 / 0

HEX #7995FF

RGB 121 149 255

HSL 227.46, 1%, 0.74%

LAB 63.98, 19.28, -55.86

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 81 / 65 / 0 / 35

HEX #1F3BA7

RGB 31 59 167

HSL 227.65, 0.69%, 0.39%

LAB 29.93, 30.78, -60.72

 

CMYK 91 / 72 / 0 / 42

HEX #0E2994

RGB 14 41 148

HSL 227.91, 0.83%, 0.32%

LAB 23.06, 34.2, -60.48

 

CMYK 100 / 82 / 0 / 49

HEX #001781

RGB 0 23 129

HSL 229.3, 1%, 0.25%

LAB 16.49, 37.68, -59.47

 

CMYK 100 / 95 / 0 / 57

HEX #00056E

RGB 0 5 110

HSL 237.27, 1%, 0.22%

LAB 10.81, 40.12, -56.7

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 70 / 74 / 0 / 27

HEX #3830BA

RGB 56 48 186

HSL 243.48, 0.59%, 0.46%

LAB 30.64, 46.63, -70.84

 

CMYK 50 / 74 / 0 / 27

HEX #5D30BA

RGB 93 48 186

HSL 259.57, 0.59%, 0.46%

LAB 33.95, 51.44, -65.27

 

CMYK 30 / 74 / 0 / 27

HEX #8230BA

RGB 130 48 186

HSL 275.65, 0.59%, 0.46%

LAB 38.56, 57.83, -57.57

 

CMYK 10 / 74 / 0 / 27

HEX #A830BA

RGB 168 48 186

HSL 292.17, 0.59%, 0.46%

LAB 44.21, 65.33, -48.17

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 74 / 74 / 0 / 27

HEX #3030BA

RGB 48 48 186

HSL 240, 0.59%, 0.46%

LAB 30.13, 45.86, -71.71

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 86 / 68 / 0 / 20

HEX #1D42CD

RGB 29 66 205

HSL 227.39, 0.75%, 0.46%

LAB 35.13, 40.31, -74.61

 

CMYK 96 / 75 / 0 / 12

HEX #0A37E0

RGB 10 55 224

HSL 227.38, 0.91%, 0.46%

LAB 34.35, 52.84, -86.87

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 60 / 47 / 0 / 35

HEX #4358A7

RGB 67 88 167

HSL 227.4, 0.43%, 0.46%

LAB 39.52, 16.85, -45.09

 

CMYK 42 / 33 / 0 / 42

HEX #566394

RGB 86 99 148

HSL 227.42, 0.26%, 0.46%

LAB 42.82, 8.26, -28.45

 

CMYK 19 / 15 / 0 / 49

HEX #696E81

RGB 105 110 129

HSL 227.5, 0.1%, 0.46%

LAB 46.63, 2.41, -11.12

 

CMYK 0 / 2 / 11 / 51

HEX #7C796E

RGB 124 121 110

HSL 47.14, 0.06%, 0.46%

LAB 50.79, -0.94, 6.43

 

CMYK 74 / 19 / 0 / 27

HEX #3097BA

RGB 48 151 186

HSL 195.22, 0.59%, 0.46%

LAB 58.33, -17.39, -26.58

 

CMYK 74 / 39 / 0 / 27

HEX #3072BA

RGB 48 114 186

HSL 211.3, 0.59%, 0.46%

LAB 47.25, 4.03, -43.94

 

CMYK 74 / 58 / 0 / 27

HEX #304EBA

RGB 48 78 186

HSL 226.96, 0.59%, 0.46%

LAB 37.16, 27.21, -60.18

 

CMYK 70 / 74 / 0 / 27

HEX #3730BA

RGB 55 48 186

HSL 243.04, 0.59%, 0.46%

LAB 30.57, 46.53, -70.96

 

CMYK 51 / 74 / 0 / 27

HEX #5B30BA

RGB 91 48 186

HSL 258.7, 0.59%, 0.46%

LAB 33.74, 51.13, -65.64

 

CMYK 74 / 58 / 0 / 53

HEX #1F3278

RGB 31 50 120

HSL 227.19, 0.59%, 0.3%

LAB 23.43, 18.56, -42.3

 

CMYK 75 / 59 / 0 / 40

HEX #273F99

RGB 39 63 153

HSL 227.37, 0.59%, 0.38%

LAB 30.12, 23.59, -51.92

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 67 / 53 / 0 / 19

HEX #4461CF

RGB 68 97 207

HSL 227.48, 0.59%, 0.54%

LAB 44.64, 25.35, -60.19

 

CMYK 53 / 42 / 0 / 16

HEX #657DD7

RGB 101 125 215

HSL 227.37, 0.59%, 0.62%

LAB 54.39, 16.83, -49

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 1 / 74 / 0 / 27

HEX #B830BA

RGB 184 48 186

HSL 299.13, 0.59%, 0.46%

LAB 46.78, 68.66, -43.93

 

CMYK 28 / 0 / 74 / 27

HEX #85BA30

RGB 133 186 48

HSL 83.04, 0.59%, 0.46%

LAB 69.7, -37.62, 60.26

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 0 / 74 / 58 / 27

HEX #BA304E

RGB 186 48 78

HSL 346.96, 0.59%, 0.46%

LAB 42.92, 56.18, 15.97

 

CMYK 58 / 0 / 74 / 27

HEX #4EBA30

RGB 78 186 48

HSL 106.96, 0.59%, 0.46%

LAB 67.24, -55.4, 57.02

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 1 / 74 / 0 / 27

HEX #B830BA

RGB 184 48 186

HSL 299.13, 0.59%, 0.46%

LAB 46.78, 68.66, -43.93

 

CMYK 0 / 16 / 74 / 27

HEX #BA9C30

RGB 186 156 48

HSL 46.96, 0.59%, 0.46%

LAB 65.3, -0.19, 57.4

 

CMYK 73 / 0 / 74 / 27

HEX #32BA30

RGB 50 186 48

HSL 119.13, 0.59%, 0.46%

LAB 66.53, -61.29, 56.07

 

CMYK 74 / 59 / 0 / 27

HEX #304DBA

RGB 48 77 186

HSL 227.39, 0.59%, 0.46%

LAB 36.89, 27.86, -60.61

 

CMYK 0 / 74 / 21 / 27

HEX #BA3093

RGB 186 48 147

HSL 316.96, 0.59%, 0.46%

LAB 45.16, 63.3, -23.27

 

CMYK 0 / 16 / 74 / 27

HEX #BA9C30

RGB 186 156 48

HSL 46.96, 0.59%, 0.46%

LAB 65.3, -0.19, 57.4

 

CMYK 74 / 0 / 53 / 27

HEX #30BA57

RGB 48 186 87

HSL 136.96, 0.59%, 0.46%

LAB 66.85, -57.27, 39.62

 

Description

Color code: HEX #304DBA | qconv.com Color code: HEX #304DBA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 77 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 77 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 59 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 59% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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