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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304EC3 it is the complementary color #CFB13C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304EC3 shade: #354EBE, #4660D1, #5772E4, #6884F7 and #7996FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304EC3 shade: #304EC3, #1F3CB0, #0E2A9D, #00188A and #000677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304EC3 shade: #304EC3, #3A30C3, #6230C3, #8930C3 and #B130C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304EC3 shade: #304EC3 and #3030C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304EC3 shade matches the following richer shades: #304EC3, #1D43D7 and #0937EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304EC3 shade: #304EC3, #445AB0, #58669C, #6C7288 and #807D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304EC3 shade: #309FC3, #3077C3, #3050C3, #3830C3 and #5F30C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304EC3 shade: #203481, #2841A2, #304EC3, #4B67D2 and #6C83DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304EC3 shade: #304EC3, #C130C3 and #8BC330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304EC3 shade: #304EC3, #C33050 and #50C330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304EC3 shade: #304EC3, #C130C3, #C3A430 and #33C330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304EC3 shade: #304EC3, #C3309A, #C3A430 and #30C35A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

Complementary color

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 72 / 59 / 0 / 25

HEX #354EBE

RGB 53 78 190

HSL 229.05, 0.56%, 0.48%

LAB 37.7, 29.31, -61.62

 

CMYK 67 / 54 / 0 / 18

HEX #4660D1

RGB 70 96 209

HSL 228.78, 0.6%, 0.55%

LAB 44.62, 26.99, -61.36

 

CMYK 62 / 50 / 0 / 11

HEX #5772E4

RGB 87 114 228

HSL 228.51, 0.72%, 0.62%

LAB 51.45, 25.07, -61.06

 

CMYK 58 / 47 / 0 / 3

HEX #6884F7

RGB 104 132 247

HSL 228.25, 0.9%, 0.69%

LAB 58.19, 23.46, -60.77

 

CMYK 53 / 41 / 0 / 0

HEX #7996FF

RGB 121 150 255

HSL 227.01, 1%, 0.74%

LAB 64.24, 18.7, -55.45

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 82 / 66 / 0 / 31

HEX #1F3CB0

RGB 31 60 176

HSL 228, 0.7%, 0.41%

LAB 31.01, 33.53, -64.33

 

CMYK 91 / 73 / 0 / 38

HEX #0E2A9D

RGB 14 42 157

HSL 228.25, 0.84%, 0.34%

LAB 24.27, 36.95, -64

 

CMYK 100 / 83 / 0 / 46

HEX #00188A

RGB 0 24 138

HSL 229.57, 1%, 0.27%

LAB 17.87, 40.3, -62.87

 

CMYK 100 / 95 / 0 / 53

HEX #000677

RGB 0 6 119

HSL 236.97, 1%, 0.23%

LAB 12.37, 42.4, -59.95

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 70 / 75 / 0 / 24

HEX #3A30C3

RGB 58 48 195

HSL 244.08, 0.6%, 0.48%

LAB 31.7, 49.69, -74.39

 

CMYK 50 / 75 / 0 / 24

HEX #6230C3

RGB 98 48 195

HSL 260.41, 0.6%, 0.48%

LAB 35.3, 54.62, -68.34

 

CMYK 30 / 75 / 0 / 24

HEX #8930C3

RGB 137 48 195

HSL 276.33, 0.6%, 0.48%

LAB 40.2, 61.1, -60.14

 

CMYK 9 / 75 / 0 / 24

HEX #B130C3

RGB 177 48 195

HSL 292.65, 0.6%, 0.48%

LAB 46.18, 68.74, -50.19

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 87 / 69 / 0 / 16

HEX #1D43D7

RGB 29 67 215

HSL 227.74, 0.76%, 0.48%

LAB 36.33, 43.3, -78.42

 

CMYK 96 / 77 / 0 / 8

HEX #0937EB

RGB 9 55 235

HSL 227.79, 0.93%, 0.48%

LAB 35.57, 56.48, -91.12

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 61 / 49 / 0 / 31

HEX #445AB0

RGB 68 90 176

HSL 227.78, 0.44%, 0.48%

LAB 40.7, 18.9, -48.52

 

CMYK 44 / 35 / 0 / 39

HEX #58669C

RGB 88 102 156

HSL 227.65, 0.28%, 0.48%

LAB 44.2, 9.37, -31.05

 

CMYK 21 / 16 / 0 / 47

HEX #6C7288

RGB 108 114 136

HSL 227.14, 0.11%, 0.48%

LAB 48.26, 2.76, -12.8

 

CMYK 0 / 2 / 9 / 50

HEX #807D74

RGB 128 125 116

HSL 45, 0.05%, 0.48%

LAB 52.42, -0.57, 5.3

 

CMYK 75 / 18 / 0 / 24

HEX #309FC3

RGB 48 159 195

HSL 194.69, 0.6%, 0.48%

LAB 61.1, -18.66, -27.36

 

CMYK 75 / 39 / 0 / 24

HEX #3077C3

RGB 48 119 195

HSL 211.02, 0.6%, 0.48%

LAB 49.21, 4.28, -46.01

 

CMYK 75 / 59 / 0 / 24

HEX #3050C3

RGB 48 80 195

HSL 226.94, 0.6%, 0.48%

LAB 38.39, 29.25, -63.44

 

CMYK 71 / 75 / 0 / 24

HEX #3830C3

RGB 56 48 195

HSL 243.27, 0.6%, 0.48%

LAB 31.57, 49.5, -74.62

 

CMYK 51 / 75 / 0 / 24

HEX #5F30C3

RGB 95 48 195

HSL 259.18, 0.6%, 0.48%

LAB 34.98, 54.18, -68.88

 

CMYK 75 / 60 / 0 / 49

HEX #203481

RGB 32 52 129

HSL 227.63, 0.6%, 0.32%

LAB 24.79, 20.87, -45.78

 

CMYK 75 / 60 / 0 / 36

HEX #2841A2

RGB 40 65 162

HSL 227.7, 0.6%, 0.4%

LAB 31.44, 25.81, -55.23

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 64 / 51 / 0 / 18

HEX #4B67D2

RGB 75 103 210

HSL 227.56, 0.6%, 0.56%

LAB 46.78, 23.73, -58.43

 

CMYK 50 / 40 / 0 / 15

HEX #6C83DA

RGB 108 131 218

HSL 227.45, 0.6%, 0.64%

LAB 56.57, 15.71, -47.2

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 1 / 75 / 0 / 24

HEX #C130C3

RGB 193 48 195

HSL 299.18, 0.6%, 0.48%

LAB 48.75, 71.97, -45.94

 

CMYK 29 / 0 / 75 / 24

HEX #8BC330

RGB 139 195 48

HSL 82.86, 0.6%, 0.48%

LAB 72.72, -39.35, 63.29

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 0 / 75 / 59 / 24

HEX #C33050

RGB 195 48 80

HSL 346.94, 0.6%, 0.48%

LAB 44.65, 58.97, 17.36

 

CMYK 59 / 0 / 75 / 24

HEX #50C330

RGB 80 195 48

HSL 106.94, 0.6%, 0.48%

LAB 70.14, -58.11, 59.91

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 1 / 75 / 0 / 24

HEX #C130C3

RGB 193 48 195

HSL 299.18, 0.6%, 0.48%

LAB 48.75, 71.97, -45.94

 

CMYK 0 / 16 / 75 / 24

HEX #C3A430

RGB 195 164 48

HSL 47.35, 0.6%, 0.48%

LAB 68.29, -0.5, 60.57

 

CMYK 74 / 0 / 75 / 24

HEX #33C330

RGB 51 195 48

HSL 118.78, 0.6%, 0.48%

LAB 69.43, -64, 58.97

 

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 0 / 75 / 21 / 24

HEX #C3309A

RGB 195 48 154

HSL 316.73, 0.6%, 0.48%

LAB 47.04, 66.41, -24.45

 

CMYK 0 / 16 / 75 / 24

HEX #C3A430

RGB 195 164 48

HSL 47.35, 0.6%, 0.48%

LAB 68.29, -0.5, 60.57

 

CMYK 75 / 0 / 54 / 24

HEX #30C35A

RGB 48 195 90

HSL 137.14, 0.6%, 0.48%

LAB 69.75, -59.95, 41.69

 

Description

Color code: HEX #304EC3 | qconv.com Color code: HEX #304EC3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 78 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 78 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 60 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 60% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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