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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #305609 it is the complementary color #CFA9F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #305609. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #305609 shade: #355604, #466817, #577A2A, #688C3D and #799E50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #305609. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #305609 shade: #305609, #1F4400, #0E3200, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #305609 shade: #305709, #465709, #575409, #573E09 and #572909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #305609 shade: #305709, #1B5709, #09570B, #095720 and #095736

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #305609 shade matches the following richer shades: #305709 and #315F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #305609 shade: #305709, #304F11, #304818, #304020 and #303828

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #305609 shade: #575309, #465709, #315709, #1C5709 and #09570A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #305609 shade: #070D01, #1C3205, #305709, #457D0D and #5AA211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #305609 shade: #305609, #09573E and #570951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #305609 shade: #305609, #093157 and #570931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #305609 shade: #305609, #09573E, #2F0957 and #570922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #305609 shade: #305609, #095756, #2F0957 and #57090A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

Complementary color

CMYK 16 / 31 / 0 / 4

HEX #CFA9F6

RGB 207 169 246

HSL 269.61, 0.81%, 0.81%

LAB 75.01, 28.26, -33.2

 

CMYK 38 / 0 / 95 / 66

HEX #355604

RGB 53 86 4

HSL 84.15, 0.91%, 0.18%

LAB 32.75, -25.07, 38.41

 

CMYK 33 / 0 / 78 / 59

HEX #466817

RGB 70 104 23

HSL 85.19, 0.64%, 0.25%

LAB 40.02, -25.78, 39.13

 

CMYK 29 / 0 / 66 / 52

HEX #577A2A

RGB 87 122 42

HSL 86.25, 0.49%, 0.32%

LAB 47.12, -26.16, 38.65

 

CMYK 26 / 0 / 56 / 45

HEX #688C3D

RGB 104 140 61

HSL 87.34, 0.39%, 0.39%

LAB 54.07, -26.34, 37.64

 

CMYK 23 / 0 / 49 / 38

HEX #799E50

RGB 121 158 80

HSL 88.46, 0.33%, 0.47%

LAB 60.87, -26.39, 36.46

 

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

CMYK 54 / 0 / 100 / 73

HEX #1F4400

RGB 31 68 0

HSL 92.65, 1%, 0.13%

LAB 25.03, -25.58, 32.92

 

CMYK 72 / 0 / 100 / 80

HEX #0E3200

RGB 14 50 0

HSL 103.2, 1%, 0.1%

LAB 17.34, -23.48, 24.34

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 20 / 0 / 90 / 66

HEX #465709

RGB 70 87 9

HSL 73.08, 0.81%, 0.19%

LAB 34.27, -17.78, 38.58

 

CMYK 0 / 3 / 90 / 66

HEX #575409

RGB 87 84 9

HSL 57.69, 0.81%, 0.19%

LAB 34.78, -7.79, 39.6

 

CMYK 0 / 29 / 90 / 66

HEX #573E09

RGB 87 62 9

HSL 40.77, 0.81%, 0.19%

LAB 28.09, 5.69, 33.89

 

CMYK 0 / 53 / 90 / 66

HEX #572909

RGB 87 41 9

HSL 24.62, 0.81%, 0.19%

LAB 22.41, 18.88, 28.52

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 69 / 0 / 90 / 66

HEX #1B5709

RGB 27 87 9

HSL 106.15, 0.81%, 0.19%

LAB 31.96, -34.14, 35.65

 

CMYK 90 / 0 / 87 / 66

HEX #09570B

RGB 9 87 11

HSL 121.54, 0.81%, 0.19%

LAB 31.58, -37.44, 34.52

 

CMYK 90 / 0 / 63 / 66

HEX #095720

RGB 9 87 32

HSL 137.69, 0.81%, 0.19%

LAB 31.76, -35.16, 25.39

 

CMYK 90 / 0 / 38 / 66

HEX #095736

RGB 9 87 54

HSL 154.62, 0.81%, 0.19%

LAB 32.13, -30.85, 13.08

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 48 / 0 / 99 / 63

HEX #315F01

RGB 49 95 1

HSL 89.36, 0.98%, 0.19%

LAB 35.67, -30.94, 41.66

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 39 / 0 / 78 / 69

HEX #304F11

RGB 48 79 17

HSL 90, 0.65%, 0.19%

LAB 30.06, -22.96, 31.24

 

CMYK 33 / 0 / 67 / 72

HEX #304818

RGB 48 72 24

HSL 90, 0.5%, 0.19%

LAB 27.65, -18.68, 25.3

 

CMYK 25 / 0 / 50 / 75

HEX #304020

RGB 48 64 32

HSL 90, 0.33%, 0.19%

LAB 24.95, -13.18, 17.48

 

CMYK 14 / 0 / 29 / 78

HEX #303828

RGB 48 56 40

HSL 90, 0.17%, 0.19%

LAB 22.34, -6.95, 8.91

 

CMYK 0 / 5 / 90 / 66

HEX #575309

RGB 87 83 9

HSL 56.92, 0.81%, 0.19%

LAB 34.46, -7.2, 39.33

 

CMYK 20 / 0 / 90 / 66

HEX #465709

RGB 70 87 9

HSL 73.08, 0.81%, 0.19%

LAB 34.27, -17.78, 38.58

 

CMYK 44 / 0 / 90 / 66

HEX #315709

RGB 49 87 9

HSL 89.23, 0.81%, 0.19%

LAB 32.9, -26.92, 36.84

 

CMYK 68 / 0 / 90 / 66

HEX #1C5709

RGB 28 87 9

HSL 105.38, 0.81%, 0.19%

LAB 32, -33.88, 35.69

 

CMYK 90 / 0 / 89 / 66

HEX #09570A

RGB 9 87 10

HSL 120.77, 0.81%, 0.19%

LAB 31.57, -37.51, 34.83

 

CMYK 46 / 0 / 92 / 95

HEX #070D01

RGB 7 13 1

HSL 90, 0.86%, 0.03%

LAB 3.03, -3.34, 4.06

 

CMYK 44 / 0 / 90 / 80

HEX #1C3205

RGB 28 50 5

HSL 89.33, 0.82%, 0.11%

LAB 18.09, -17.57, 23.37

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 45 / 0 / 90 / 51

HEX #457D0D

RGB 69 125 13

HSL 90, 0.81%, 0.27%

LAB 46.92, -36.28, 48.48

 

CMYK 44 / 0 / 90 / 36

HEX #5AA211

RGB 90 162 17

HSL 89.79, 0.81%, 0.35%

LAB 59.94, -44.3, 59.13

 

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

CMYK 90 / 0 / 29 / 66

HEX #09573E

RGB 9 87 62

HSL 160.77, 0.81%, 0.19%

LAB 32.31, -28.82, 8.38

 

CMYK 0 / 90 / 7 / 66

HEX #570951

RGB 87 9 81

HSL 304.62, 0.81%, 0.19%

LAB 19.29, 41.44, -23.05

 

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

CMYK 90 / 44 / 0 / 66

HEX #093157

RGB 9 49 87

HSL 209.23, 0.81%, 0.19%

LAB 19.81, 2.43, -26.74

 

CMYK 0 / 90 / 44 / 66

HEX #570931

RGB 87 9 49

HSL 329.23, 0.81%, 0.19%

LAB 17.66, 36.89, -3.27

 

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

CMYK 90 / 0 / 29 / 66

HEX #09573E

RGB 9 87 62

HSL 160.77, 0.81%, 0.19%

LAB 32.31, -28.82, 8.38

 

CMYK 46 / 90 / 0 / 66

HEX #2F0957

RGB 47 9 87

HSL 269.23, 0.81%, 0.19%

LAB 12.53, 34.87, -38.4

 

CMYK 0 / 90 / 61 / 66

HEX #570922

RGB 87 9 34

HSL 340.77, 0.81%, 0.19%

LAB 17.17, 35.44, 6.83

 

CMYK 44 / 0 / 90 / 66

HEX #305609

RGB 48 86 9

HSL 89.61, 0.81%, 0.19%

LAB 32.49, -26.84, 36.46

 

CMYK 90 / 0 / 1 / 66

HEX #095756

RGB 9 87 86

HSL 179.23, 0.81%, 0.19%

LAB 33.02, -21.47, -5.68

 

CMYK 46 / 90 / 0 / 66

HEX #2F0957

RGB 47 9 87

HSL 269.23, 0.81%, 0.19%

LAB 12.53, 34.87, -38.4

 

CMYK 0 / 90 / 89 / 66

HEX #57090A

RGB 87 9 10

HSL 359.23, 0.81%, 0.19%

LAB 16.72, 34.09, 21.6

 

Description

Color code: HEX #305609 | qconv.com Color code: HEX #305609 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 86 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 86 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 90 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 90% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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