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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30591D it is the complementary color #CFA6E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30591D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30591D shade: #355918, #466B2B, #577D3E, #688F51 and #79A164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30591D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30591D shade: #30591D, #1F470A, #0E3500, #002300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30591D shade: #2F581C, #3F581C, #4F581C, #58511C and #58401C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30591D shade: #2F581C, #1F581C, #1C582A, #1C583A and #1C584A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30591D shade matches the following richer shades: #2F581C, #2C6213, #286B09 and #257500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30591D shade: #2F581C, #334F26, #36452F, #3A3C39 and #3D3242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30591D shade: #4F581C, #3F581C, #2F581C, #1F581C and #1C5829

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30591D shade: #0E1A08, #1E3912, #2F581C, #407726 and #519630

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30591D shade: #30591D, #1C5851 and #581C47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30591D shade: #30591D, #1C2F58 and #581C2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30591D shade: #30591D, #1C5851, #451C58 and #581C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30591D shade: #30591D, #1C4D58, #451C58 and #58271C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

Complementary color

CMYK 8 / 27 / 0 / 11

HEX #CFA6E2

RGB 207 166 226

HSL 281, 0.51%, 0.77%

LAB 73.56, 25.74, -24.56

 

CMYK 40 / 0 / 73 / 65

HEX #355918

RGB 53 89 24

HSL 93.23, 0.58%, 0.22%

LAB 33.92, -25.27, 32.19

 

CMYK 35 / 0 / 60 / 58

HEX #466B2B

RGB 70 107 43

HSL 94.69, 0.43%, 0.29%

LAB 41.2, -25.46, 31.23

 

CMYK 30 / 0 / 50 / 51

HEX #577D3E

RGB 87 125 62

HSL 96.19, 0.34%, 0.37%

LAB 48.31, -25.45, 29.98

 

CMYK 27 / 0 / 43 / 44

HEX #688F51

RGB 104 143 81

HSL 97.74, 0.28%, 0.44%

LAB 55.26, -25.35, 28.7

 

CMYK 25 / 0 / 38 / 37

HEX #79A164

RGB 121 161 100

HSL 99.34, 0.24%, 0.51%

LAB 62.06, -25.21, 27.47

 

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

CMYK 56 / 0 / 86 / 72

HEX #1F470A

RGB 31 71 10

HSL 99.34, 0.75%, 0.16%

LAB 26.21, -26.21, 30

 

CMYK 74 / 0 / 100 / 79

HEX #0E3500

RGB 14 53 0

HSL 104.15, 1%, 0.1%

LAB 18.54, -24.75, 25.77

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 28 / 0 / 68 / 65

HEX #3F581C

RGB 63 88 28

HSL 85, 0.52%, 0.23%

LAB 34.23, -20.24, 30.82

 

CMYK 10 / 0 / 68 / 65

HEX #4F581C

RGB 79 88 28

HSL 69, 0.52%, 0.23%

LAB 35.45, -12.95, 32.49

 

CMYK 0 / 8 / 68 / 65

HEX #58511C

RGB 88 81 28

HSL 53, 0.52%, 0.23%

LAB 34.07, -4.5, 31.26

 

CMYK 0 / 27 / 68 / 65

HEX #58401C

RGB 88 64 28

HSL 36, 0.52%, 0.23%

LAB 28.97, 6, 25.63

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 65 / 0 / 68 / 65

HEX #1F581C

RGB 31 88 28

HSL 117, 0.52%, 0.23%

LAB 32.6, -31.82, 28.56

 

CMYK 68 / 0 / 52 / 65

HEX #1C582A

RGB 28 88 42

HSL 134, 0.52%, 0.23%

LAB 32.69, -30.51, 21.05

 

CMYK 68 / 0 / 34 / 65

HEX #1C583A

RGB 28 88 58

HSL 150, 0.52%, 0.23%

LAB 32.99, -27.21, 11.87

 

CMYK 68 / 0 / 16 / 65

HEX #1C584A

RGB 28 88 74

HSL 166, 0.52%, 0.23%

LAB 33.39, -23.04, 2.48

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 55 / 0 / 81 / 62

HEX #2C6213

RGB 44 98 19

HSL 101.01, 0.68%, 0.23%

LAB 36.59, -33, 36.84

 

CMYK 63 / 0 / 92 / 58

HEX #286B09

RGB 40 107 9

HSL 101.02, 0.84%, 0.23%

LAB 39.56, -38.39, 42.55

 

CMYK 68 / 0 / 100 / 54

HEX #257500

RGB 37 117 0

HSL 101.03, 1%, 0.23%

LAB 42.94, -43.22, 47.51

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 35 / 0 / 52 / 69

HEX #334F26

RGB 51 79 38

HSL 100.98, 0.35%, 0.23%

LAB 30.49, -19.34, 20.85

 

CMYK 22 / 0 / 32 / 73

HEX #36452F

RGB 54 69 47

HSL 100.91, 0.19%, 0.23%

LAB 27.42, -10.93, 11.38

 

CMYK 3 / 0 / 5 / 76

HEX #3A3C39

RGB 58 60 57

HSL 100, 0.03%, 0.23%

LAB 25.03, -1.53, 1.55

 

CMYK 8 / 24 / 0 / 74

HEX #3D3242

RGB 61 50 66

HSL 281.25, 0.14%, 0.23%

LAB 22.54, 8.51, -8.15

 

CMYK 10 / 0 / 68 / 65

HEX #4F581C

RGB 79 88 28

HSL 69, 0.52%, 0.23%

LAB 35.45, -12.95, 32.49

 

CMYK 28 / 0 / 68 / 65

HEX #3F581C

RGB 63 88 28

HSL 85, 0.52%, 0.23%

LAB 34.23, -20.24, 30.82

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 65 / 0 / 68 / 65

HEX #1F581C

RGB 31 88 28

HSL 117, 0.52%, 0.23%

LAB 32.6, -31.82, 28.56

 

CMYK 68 / 0 / 53 / 65

HEX #1C5829

RGB 28 88 41

HSL 133, 0.52%, 0.23%

LAB 32.67, -30.68, 21.6

 

CMYK 46 / 0 / 69 / 90

HEX #0E1A08

RGB 14 26 8

HSL 100, 0.53%, 0.07%

LAB 7.68, -8.74, 8.05

 

CMYK 47 / 0 / 68 / 78

HEX #1E3912

RGB 30 57 18

HSL 101.54, 0.52%, 0.15%

LAB 21, -19.02, 20.72

 

CMYK 47 / 0 / 68 / 65

HEX #2F581C

RGB 47 88 28

HSL 101, 0.52%, 0.23%

LAB 33.28, -26.69, 29.51

 

CMYK 46 / 0 / 68 / 53

HEX #407726

RGB 64 119 38

HSL 100.74, 0.52%, 0.31%

LAB 44.83, -33.81, 37.63

 

CMYK 46 / 0 / 68 / 41

HEX #519630

RGB 81 150 48

HSL 100.59, 0.52%, 0.39%

LAB 55.86, -40.55, 45.32

 

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

CMYK 68 / 0 / 8 / 65

HEX #1C5851

RGB 28 88 81

HSL 173, 0.52%, 0.23%

LAB 33.61, -20.97, -1.62

 

CMYK 0 / 68 / 19 / 65

HEX #581C47

RGB 88 28 71

HSL 317, 0.52%, 0.23%

LAB 21.43, 32.95, -12.88

 

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

CMYK 68 / 47 / 0 / 65

HEX #1C2F58

RGB 28 47 88

HSL 221, 0.52%, 0.23%

LAB 19.98, 7.31, -27.09

 

CMYK 0 / 68 / 47 / 65

HEX #581C2F

RGB 88 28 47

HSL 341, 0.52%, 0.23%

LAB 20.48, 29.51, 2.3

 

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

CMYK 68 / 0 / 8 / 65

HEX #1C5851

RGB 28 88 81

HSL 173, 0.52%, 0.23%

LAB 33.61, -20.97, -1.62

 

CMYK 22 / 68 / 0 / 65

HEX #451C58

RGB 69 28 88

HSL 281, 0.52%, 0.23%

LAB 19.23, 30.78, -28.06

 

CMYK 0 / 68 / 60 / 65

HEX #581C23

RGB 88 28 35

HSL 353, 0.52%, 0.23%

LAB 20.15, 28.26, 10.23

 

CMYK 46 / 0 / 67 / 65

HEX #30591D

RGB 48 89 29

HSL 101, 0.51%, 0.23%

LAB 33.69, -26.69, 29.48

 

CMYK 68 / 13 / 0 / 65

HEX #1C4D58

RGB 28 77 88

HSL 191, 0.52%, 0.23%

LAB 30.06, -12.51, -11.37

 

CMYK 22 / 68 / 0 / 65

HEX #451C58

RGB 69 28 88

HSL 281, 0.52%, 0.23%

LAB 19.23, 30.78, -28.06

 

CMYK 0 / 56 / 68 / 65

HEX #58271C

RGB 88 39 28

HSL 11, 0.52%, 0.23%

LAB 22.34, 21.6, 17.79

 

Description

Color code: HEX #30591D | qconv.com Color code: HEX #30591D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 89 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 89 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 67 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 67% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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