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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30671E it is the complementary color #CF98E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30671E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30671E shade: #356719, #46792C, #578B3F, #689D52 and #79AF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30671E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30671E shade: #30671E, #1F550B, #0E4300, #003100 and #001F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30671E shade: #2F661D, #43661D, #57661D, #66621D and #664F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30671E shade: #2F661D, #1D661F, #1D6633, #1D6646 and #1D665A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30671E shade matches the following richer shades: #2F661D, #2A7113 and #247C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30671E shade: #2F661D, #355C28, #3A5133, #40463E and #453B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30671E shade: #56661D, #43661D, #30661D, #1D661F and #1D6632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30671E shade: #12260B, #204614, #2F661D, #3E8627 and #4DA630

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30671E shade: #30671E, #1D6663 and #661D4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30671E shade: #30671E, #1D3066 and #661D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30671E shade: #30671E, #1D6663, #541D66 and #661D21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30671E shade: #30671E, #1D5466, #541D66 and #66301D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

Complementary color

CMYK 8 / 32 / 0 / 12

HEX #CF98E1

RGB 207 152 225

HSL 285.21, 0.55%, 0.74%

LAB 70.29, 33.18, -29.04

 

CMYK 49 / 0 / 76 / 60

HEX #356719

RGB 53 103 25

HSL 98.46, 0.61%, 0.25%

LAB 38.77, -31.69, 36.77

 

CMYK 42 / 0 / 64 / 53

HEX #46792C

RGB 70 121 44

HSL 99.74, 0.47%, 0.32%

LAB 45.85, -32, 36.03

 

CMYK 37 / 0 / 55 / 45

HEX #578B3F

RGB 87 139 63

HSL 101.05, 0.38%, 0.4%

LAB 52.79, -32.05, 34.88

 

CMYK 34 / 0 / 48 / 38

HEX #689D52

RGB 104 157 82

HSL 102.4, 0.31%, 0.47%

LAB 59.59, -31.97, 33.62

 

CMYK 31 / 0 / 42 / 31

HEX #79AF65

RGB 121 175 101

HSL 103.78, 0.32%, 0.54%

LAB 66.26, -31.83, 32.38

 

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

CMYK 64 / 0 / 87 / 67

HEX #1F550B

RGB 31 85 11

HSL 103.78, 0.77%, 0.19%

LAB 31.38, -32.14, 34.52

 

CMYK 79 / 0 / 100 / 74

HEX #0E4300

RGB 14 67 0

HSL 107.46, 1%, 0.13%

LAB 24.02, -30.28, 31.73

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 54 / 0 / 72 / 60

HEX #2F661D

RGB 47 102 29

HSL 105.21, 0.56%, 0.26%

LAB 38.19, -32.9, 34.36

 

CMYK 34 / 0 / 72 / 60

HEX #43661D

RGB 67 102 29

HSL 88.77, 0.56%, 0.26%

LAB 39.22, -25.58, 35.75

 

CMYK 15 / 0 / 72 / 60

HEX #57661D

RGB 87 102 29

HSL 72.33, 0.56%, 0.26%

LAB 40.6, -16.89, 37.62

 

CMYK 0 / 4 / 72 / 60

HEX #66621D

RGB 102 98 29

HSL 56.71, 0.56%, 0.26%

LAB 40.65, -7.61, 38.09

 

CMYK 0 / 23 / 72 / 60

HEX #664F1D

RGB 102 79 29

HSL 41.1, 0.56%, 0.26%

LAB 35.01, 3.68, 32.22

 

CMYK 54 / 0 / 72 / 60

HEX #2F661D

RGB 47 102 29

HSL 105.21, 0.56%, 0.26%

LAB 38.19, -32.9, 34.36

 

CMYK 72 / 0 / 70 / 60

HEX #1D661F

RGB 29 102 31

HSL 121.64, 0.56%, 0.26%

LAB 37.6, -37.56, 32.61

 

CMYK 72 / 0 / 50 / 60

HEX #1D6633

RGB 29 102 51

HSL 138.08, 0.56%, 0.26%

LAB 37.85, -34.63, 22.41

 

CMYK 72 / 0 / 31 / 60

HEX #1D6646

RGB 29 102 70

HSL 153.7, 0.56%, 0.26%

LAB 38.21, -30.63, 11.74

 

CMYK 72 / 0 / 12 / 60

HEX #1D665A

RGB 29 102 90

HSL 170.14, 0.56%, 0.26%

LAB 38.73, -25.29, 0.3

 

CMYK 54 / 0 / 72 / 60

HEX #2F661D

RGB 47 102 29

HSL 105.21, 0.56%, 0.26%

LAB 38.19, -32.9, 34.36

 

CMYK 63 / 0 / 83 / 56

HEX #2A7113

RGB 42 113 19

HSL 105.32, 0.71%, 0.26%

LAB 41.77, -39.63, 41.77

 

CMYK 71 / 0 / 94 / 51

HEX #247C08

RGB 36 124 8

HSL 105.52, 0.88%, 0.26%

LAB 45.37, -45.59, 47.72

 

CMYK 54 / 0 / 72 / 60

HEX #2F661D

RGB 47 102 29

HSL 105.21, 0.56%, 0.26%

LAB 38.19, -32.9, 34.36

 

CMYK 42 / 0 / 57 / 64

HEX #355C28

RGB 53 92 40

HSL 105, 0.39%, 0.26%

LAB 35.13, -24.93, 25.42

 

CMYK 28 / 0 / 37 / 68

HEX #3A5133

RGB 58 81 51

HSL 106, 0.23%, 0.26%

LAB 31.86, -15.45, 14.89

 

CMYK 9 / 0 / 11 / 73

HEX #40463E

RGB 64 70 62

HSL 105, 0.06%, 0.26%

LAB 28.95, -4.25, 3.98

 

CMYK 4 / 18 / 0 / 72

HEX #453B48

RGB 69 59 72

HSL 286.15, 0.1%, 0.26%

LAB 26.34, 7.19, -6.34

 

CMYK 16 / 0 / 72 / 60

HEX #56661D

RGB 86 102 29

HSL 73.15, 0.56%, 0.26%

LAB 40.52, -17.35, 37.51

 

CMYK 34 / 0 / 72 / 60

HEX #43661D

RGB 67 102 29

HSL 88.77, 0.56%, 0.26%

LAB 39.22, -25.58, 35.75

 

CMYK 53 / 0 / 72 / 60

HEX #30661D

RGB 48 102 29

HSL 104.38, 0.56%, 0.26%

LAB 38.23, -32.58, 34.41

 

CMYK 72 / 0 / 70 / 60

HEX #1D661F

RGB 29 102 31

HSL 121.64, 0.56%, 0.26%

LAB 37.6, -37.56, 32.61

 

CMYK 72 / 0 / 51 / 60

HEX #1D6632

RGB 29 102 50

HSL 137.26, 0.56%, 0.26%

LAB 37.83, -34.8, 22.96

 

CMYK 53 / 0 / 71 / 85

HEX #12260B

RGB 18 38 11

HSL 104.44, 0.55%, 0.1%

LAB 12.85, -14.7, 14.14

 

CMYK 54 / 0 / 71 / 73

HEX #204614

RGB 32 70 20

HSL 105.6, 0.56%, 0.18%

LAB 25.97, -24.47, 25.26

 

CMYK 54 / 0 / 72 / 60

HEX #2F661D

RGB 47 102 29

HSL 105.21, 0.56%, 0.26%

LAB 38.19, -32.9, 34.36

 

CMYK 54 / 0 / 71 / 47

HEX #3E8627

RGB 62 134 39

HSL 105.47, 0.55%, 0.34%

LAB 49.76, -40.7, 42.42

 

CMYK 54 / 0 / 71 / 35

HEX #4DA630

RGB 77 166 48

HSL 105.25, 0.55%, 0.42%

LAB 60.84, -48.22, 50.5

 

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

CMYK 72 / 0 / 3 / 60

HEX #1D6663

RGB 29 102 99

HSL 177.53, 0.56%, 0.26%

LAB 39.01, -22.56, -4.8

 

CMYK 0 / 72 / 25 / 60

HEX #661D4D

RGB 102 29 77

HSL 320.55, 0.56%, 0.26%

LAB 24.45, 37.79, -12.09

 

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

CMYK 72 / 53 / 0 / 60

HEX #1D3066

RGB 29 48 102

HSL 224.38, 0.56%, 0.26%

LAB 21.34, 12.43, -34.12

 

CMYK 0 / 72 / 53 / 60

HEX #661D30

RGB 102 29 48

HSL 344.38, 0.56%, 0.26%

LAB 23.39, 34.16, 6.12

 

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

CMYK 72 / 0 / 3 / 60

HEX #1D6663

RGB 29 102 99

HSL 177.53, 0.56%, 0.26%

LAB 39.01, -22.56, -4.8

 

CMYK 18 / 72 / 0 / 60

HEX #541D66

RGB 84 29 102

HSL 285.21, 0.56%, 0.26%

LAB 22.73, 37.45, -31.57

 

CMYK 0 / 72 / 68 / 60

HEX #661D21

RGB 102 29 33

HSL 356.71, 0.56%, 0.26%

LAB 23.04, 32.91, 15.92

 

CMYK 53 / 0 / 71 / 60

HEX #30671E

RGB 48 103 30

HSL 105.21, 0.55%, 0.26%

LAB 38.59, -32.92, 34.34

 

CMYK 72 / 18 / 0 / 60

HEX #1D5466

RGB 29 84 102

HSL 194.79, 0.56%, 0.26%

LAB 33.05, -11.51, -15.67

 

CMYK 18 / 72 / 0 / 60

HEX #541D66

RGB 84 29 102

HSL 285.21, 0.56%, 0.26%

LAB 22.73, 37.45, -31.57

 

CMYK 0 / 53 / 72 / 60

HEX #66301D

RGB 102 48 29

HSL 15.62, 0.56%, 0.26%

LAB 26.81, 22.6, 23.09

 

Description

Color code: HEX #30671E | qconv.com Color code: HEX #30671E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 103 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 103 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 71 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 71% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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