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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30637C it is the complementary color #CF9C83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30637C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30637C shade: #356377, #46758A, #57879D, #6899B0 and #79ABC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30637C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30637C shade: #30637C, #1F5169, #0E3F56, #002D43 and #001B30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30637C shade: #30637C, #304F7C, #303A7C, #3B307C and #4F307C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30637C shade: #30637C, #304F7C, #303A7C and #30307C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30637C shade matches the following richer shades: #30637C, #22688A, #146D98 and #0672A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30637C shade: #30637C, #3E5E6E, #4C5A60, #5A5552 and #685044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30637C shade: #307C6C, #30797C, #30647C, #30507C and #303B7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30637C shade: #193441, #244C5F, #30637C, #3C7B9A and #4893B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30637C shade: #30637C, #57307C and #7C7630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30637C shade: #30637C, #7C3064 and #647C30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30637C shade: #30637C, #57307C, #7C4830 and #557C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30637C shade: #30637C, #6E307C, #7C4830 and #3E7C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

Complementary color

CMYK 0 / 25 / 37 / 19

HEX #CF9C83

RGB 207 156 131

HSL 19.74, 0.44%, 0.66%

LAB 68.52, 15.67, 20.48

 

CMYK 55 / 17 / 0 / 53

HEX #356377

RGB 53 99 119

HSL 198.18, 0.38%, 0.34%

LAB 39.6, -9.59, -16.07

 

CMYK 49 / 15 / 0 / 46

HEX #46758A

RGB 70 117 138

HSL 198.53, 0.33%, 0.41%

LAB 46.79, -9.93, -16.45

 

CMYK 45 / 14 / 0 / 38

HEX #57879D

RGB 87 135 157

HSL 198.86, 0.29%, 0.48%

LAB 53.8, -10.17, -16.81

 

CMYK 41 / 13 / 0 / 31

HEX #6899B0

RGB 104 153 176

HSL 199.17, 0.31%, 0.55%

LAB 60.66, -10.33, -17.17

 

CMYK 38 / 12 / 0 / 24

HEX #79ABC3

RGB 121 171 195

HSL 199.46, 0.38%, 0.62%

LAB 67.38, -10.46, -17.53

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 70 / 23 / 0 / 59

HEX #1F5169

RGB 31 81 105

HSL 199.46, 0.54%, 0.27%

LAB 32.25, -8.25, -18.79

 

CMYK 84 / 27 / 0 / 66

HEX #0E3F56

RGB 14 63 86

HSL 199.17, 0.72%, 0.2%

LAB 24.7, -6.94, -18.36

 

CMYK 100 / 33 / 0 / 74

HEX #002D43

RGB 0 45 67

HSL 199.7, 1%, 0.13%

LAB 16.9, -4.91, -17.86

 

CMYK 100 / 44 / 0 / 81

HEX #001B30

RGB 0 27 48

HSL 206.25, 1%, 0.09%

LAB 8.97, -0.86, -16.95

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 61 / 36 / 0 / 51

HEX #304F7C

RGB 48 79 124

HSL 215.53, 0.44%, 0.34%

LAB 33.3, 3.42, -28.97

 

CMYK 61 / 53 / 0 / 51

HEX #303A7C

RGB 48 58 124

HSL 232.11, 0.44%, 0.34%

LAB 27.05, 17.56, -38.94

 

CMYK 52 / 61 / 0 / 51

HEX #3B307C

RGB 59 48 124

HSL 248.68, 0.44%, 0.34%

LAB 25.26, 26.62, -41.78

 

CMYK 36 / 61 / 0 / 51

HEX #4F307C

RGB 79 48 124

HSL 264.47, 0.44%, 0.34%

LAB 27.38, 31.38, -38.24

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 61 / 36 / 0 / 51

HEX #304F7C

RGB 48 79 124

HSL 215.53, 0.44%, 0.34%

LAB 33.3, 3.42, -28.97

 

CMYK 61 / 53 / 0 / 51

HEX #303A7C

RGB 48 58 124

HSL 232.11, 0.44%, 0.34%

LAB 27.05, 17.56, -38.94

 

CMYK 61 / 61 / 0 / 51

HEX #30307C

RGB 48 48 124

HSL 240, 0.44%, 0.34%

LAB 24.31, 24.36, -43.36

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 75 / 25 / 0 / 46

HEX #22688A

RGB 34 104 138

HSL 199.62, 0.6%, 0.34%

LAB 41.34, -9.55, -24.97

 

CMYK 87 / 28 / 0 / 40

HEX #146D98

RGB 20 109 152

HSL 199.55, 0.77%, 0.34%

LAB 43.29, -8.8, -30.3

 

CMYK 96 / 31 / 0 / 35

HEX #0672A6

RGB 6 114 166

HSL 199.5, 0.93%, 0.34%

LAB 45.4, -7.18, -35.27

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 44 / 15 / 0 / 57

HEX #3E5E6E

RGB 62 94 110

HSL 200, 0.28%, 0.34%

LAB 38.12, -7.05, -12.77

 

CMYK 21 / 6 / 0 / 62

HEX #4C5A60

RGB 76 90 96

HSL 198, 0.12%, 0.34%

LAB 37.29, -3.93, -5.27

 

CMYK 0 / 6 / 9 / 65

HEX #5A5552

RGB 90 85 82

HSL 22.5, 0.05%, 0.34%

LAB 36.52, 1.43, 2.47

 

CMYK 0 / 23 / 35 / 59

HEX #685044

RGB 104 80 68

HSL 20, 0.21%, 0.34%

LAB 36.17, 8.14, 10.92

 

CMYK 61 / 0 / 13 / 51

HEX #307C6C

RGB 48 124 108

HSL 167.37, 0.44%, 0.34%

LAB 47.14, -27.51, 1.78

 

CMYK 61 / 2 / 0 / 51

HEX #30797C

RGB 48 121 124

HSL 182.37, 0.44%, 0.34%

LAB 46.66, -21.38, -8.43

 

CMYK 61 / 19 / 0 / 51

HEX #30647C

RGB 48 100 124

HSL 198.95, 0.44%, 0.34%

LAB 39.91, -9.66, -18.66

 

CMYK 61 / 35 / 0 / 51

HEX #30507C

RGB 48 80 124

HSL 214.74, 0.44%, 0.34%

LAB 33.61, 2.76, -28.48

 

CMYK 61 / 52 / 0 / 51

HEX #303B7C

RGB 48 59 124

HSL 231.32, 0.44%, 0.34%

LAB 27.33, 16.87, -38.48

 

CMYK 62 / 20 / 0 / 75

HEX #193441

RGB 25 52 65

HSL 199.5, 0.44%, 0.18%

LAB 20.22, -5.8, -11.27

 

CMYK 62 / 20 / 0 / 63

HEX #244C5F

RGB 36 76 95

HSL 199.32, 0.45%, 0.26%

LAB 30.33, -7.74, -15.4

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 61 / 20 / 0 / 40

HEX #3C7B9A

RGB 60 123 154

HSL 199.79, 0.44%, 0.42%

LAB 48.83, -10.59, -22.78

 

CMYK 61 / 20 / 0 / 28

HEX #4893B7

RGB 72 147 183

HSL 199.46, 0.44%, 0.5%

LAB 57.72, -12.37, -25.76

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 30 / 61 / 0 / 51

HEX #57307C

RGB 87 48 124

HSL 270.79, 0.44%, 0.34%

LAB 28.37, 33.45, -36.61

 

CMYK 0 / 5 / 61 / 51

HEX #7C7630

RGB 124 118 48

HSL 55.26, 0.44%, 0.34%

LAB 48.83, -7.3, 38.48

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 0 / 61 / 19 / 51

HEX #7C3064

RGB 124 48 100

HSL 318.95, 0.44%, 0.34%

LAB 32.52, 39.36, -14.45

 

CMYK 19 / 0 / 61 / 51

HEX #647C30

RGB 100 124 48

HSL 78.95, 0.44%, 0.34%

LAB 48.68, -21.21, 37.78

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 30 / 61 / 0 / 51

HEX #57307C

RGB 87 48 124

HSL 270.79, 0.44%, 0.34%

LAB 28.37, 33.45, -36.61

 

CMYK 0 / 42 / 61 / 51

HEX #7C4830

RGB 124 72 48

HSL 18.95, 0.44%, 0.34%

LAB 36.24, 19.69, 23.74

 

CMYK 31 / 0 / 61 / 51

HEX #557C30

RGB 85 124 48

HSL 90.79, 0.44%, 0.34%

LAB 47.7, -27.36, 36.41

 

CMYK 61 / 20 / 0 / 51

HEX #30637C

RGB 48 99 124

HSL 199.74, 0.44%, 0.34%

LAB 39.59, -9.07, -19.16

 

CMYK 11 / 61 / 0 / 51

HEX #6E307C

RGB 110 48 124

HSL 288.95, 0.44%, 0.34%

LAB 31.54, 39.66, -31.36

 

CMYK 0 / 42 / 61 / 51

HEX #7C4830

RGB 124 72 48

HSL 18.95, 0.44%, 0.34%

LAB 36.24, 19.69, 23.74

 

CMYK 50 / 0 / 61 / 51

HEX #3E7C30

RGB 62 124 48

HSL 108.95, 0.44%, 0.34%

LAB 46.52, -35.58, 34.74

 

Description

Color code: HEX #30637C | qconv.com Color code: HEX #30637C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 99 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 99 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 20 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 20% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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