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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30638C it is the complementary color #CF9C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30638C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30638C shade: #356387, #46759A, #5787AD, #6899C0 and #79ABD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30638C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30638C shade: #30638C, #1F5179, #0E3F66, #002D53 and #001B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30638C shade: #30638C, #304A8C, #30318C, #47308C and #60308C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30638C shade: #30638C, #304A8C, #30318C and #30308C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30638C shade matches the following richer shades: #30638C, #20659B, #1166AB and #0268BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30638C shade: #30638C, #3F617D, #4E606E, #5D5E5E and #6D5C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30638C shade: #308C83, #307D8C, #30648C, #304B8C and #30338C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30638C shade: #1B374F, #254D6D, #30638C, #3A79AB and #4D8DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30638C shade: #30638C, #6A308C and #898C30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30638C shade: #30638C, #8C3064 and #648C30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30638C shade: #30638C, #6A308C, #8C5830 and #528C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30638C shade: #30638C, #86308C, #8C5830 and #368C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

Complementary color

CMYK 0 / 25 / 44 / 19

HEX #CF9C73

RGB 207 156 115

HSL 26.74, 0.49%, 0.63%

LAB 68.23, 13.87, 28.82

 

CMYK 61 / 27 / 0 / 47

HEX #356387

RGB 53 99 135

HSL 206.34, 0.44%, 0.37%

LAB 40.3, -4.25, -24.73

 

CMYK 55 / 24 / 0 / 40

HEX #46759A

RGB 70 117 154

HSL 206.43, 0.38%, 0.44%

LAB 47.44, -4.94, -24.9

 

CMYK 50 / 22 / 0 / 32

HEX #5787AD

RGB 87 135 173

HSL 206.51, 0.34%, 0.51%

LAB 54.42, -5.46, -25.09

 

CMYK 46 / 20 / 0 / 25

HEX #6899C0

RGB 104 153 192

HSL 206.59, 0.41%, 0.58%

LAB 61.25, -5.85, -25.29

 

CMYK 43 / 19 / 0 / 17

HEX #79ABD3

RGB 121 171 211

HSL 206.67, 0.51%, 0.65%

LAB 67.94, -6.17, -25.5

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 74 / 33 / 0 / 53

HEX #1F5179

RGB 31 81 121

HSL 206.67, 0.59%, 0.3%

LAB 33.04, -2.22, -27.56

 

CMYK 86 / 38 / 0 / 60

HEX #0E3F66

RGB 14 63 102

HSL 206.59, 0.76%, 0.23%

LAB 25.59, -0.31, -27.36

 

CMYK 100 / 46 / 0 / 67

HEX #002D53

RGB 0 45 83

HSL 207.47, 1%, 0.16%

LAB 17.92, 2.47, -27.1

 

CMYK 100 / 58 / 0 / 75

HEX #001B40

RGB 0 27 64

HSL 214.69, 1%, 0.13%

LAB 10.21, 7.11, -26.44

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 66 / 47 / 0 / 45

HEX #304A8C

RGB 48 74 140

HSL 223.04, 0.49%, 0.37%

LAB 32.74, 12.63, -39.72

 

CMYK 66 / 65 / 0 / 45

HEX #30318C

RGB 48 49 140

HSL 239.35, 0.49%, 0.37%

LAB 25.92, 29.41, -50.77

 

CMYK 49 / 66 / 0 / 45

HEX #47308C

RGB 71 48 140

HSL 255, 0.49%, 0.37%

LAB 27.7, 34.25, -47.77

 

CMYK 31 / 66 / 0 / 45

HEX #60308C

RGB 96 48 140

HSL 271.3, 0.49%, 0.37%

LAB 30.63, 39.81, -42.9

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 66 / 47 / 0 / 45

HEX #304A8C

RGB 48 74 140

HSL 223.04, 0.49%, 0.37%

LAB 32.74, 12.63, -39.72

 

CMYK 66 / 65 / 0 / 45

HEX #30318C

RGB 48 49 140

HSL 239.35, 0.49%, 0.37%

LAB 25.92, 29.41, -50.77

 

CMYK 66 / 66 / 0 / 45

HEX #30308C

RGB 48 48 140

HSL 240, 0.49%, 0.37%

LAB 25.67, 30.06, -51.17

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 79 / 35 / 0 / 39

HEX #20659B

RGB 32 101 155

HSL 206.34, 0.66%, 0.37%

LAB 41.19, -1.61, -35.39

 

CMYK 90 / 40 / 0 / 33

HEX #1166AB

RGB 17 102 171

HSL 206.88, 0.82%, 0.37%

LAB 42.1, 2.72, -43.43

 

CMYK 99 / 44 / 0 / 27

HEX #0268BA

RGB 2 104 186

HSL 206.74, 0.98%, 0.37%

LAB 43.45, 6.8, -50.06

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 50 / 22 / 0 / 51

HEX #3F617D

RGB 63 97 125

HSL 207.1, 0.33%, 0.37%

LAB 39.73, -3.95, -19.5

 

CMYK 29 / 13 / 0 / 57

HEX #4E606E

RGB 78 96 110

HSL 206.25, 0.17%, 0.37%

LAB 39.77, -3.24, -10.18

 

CMYK 1 / 0 / 0 / 63

HEX #5D5E5E

RGB 93 94 94

HSL 180, 0.01%, 0.37%

LAB 39.82, -0.39, -0.14

 

CMYK 0 / 16 / 28 / 57

HEX #6D5C4F

RGB 109 92 79

HSL 26, 0.16%, 0.37%

LAB 40.36, 4.69, 10.04

 

CMYK 66 / 0 / 6 / 45

HEX #308C83

RGB 48 140 131

HSL 174.13, 0.49%, 0.37%

LAB 52.97, -28.96, -3.15

 

CMYK 66 / 11 / 0 / 45

HEX #307D8C

RGB 48 125 140

HSL 189.78, 0.49%, 0.37%

LAB 48.5, -18.51, -15.11

 

CMYK 66 / 29 / 0 / 45

HEX #30648C

RGB 48 100 140

HSL 206.09, 0.49%, 0.37%

LAB 40.63, -4.12, -27.23

 

CMYK 66 / 46 / 0 / 45

HEX #304B8C

RGB 48 75 140

HSL 222.39, 0.49%, 0.37%

LAB 33.04, 11.96, -39.25

 

CMYK 66 / 64 / 0 / 45

HEX #30338C

RGB 48 51 140

HSL 238.04, 0.49%, 0.37%

LAB 26.42, 28.1, -49.95

 

CMYK 66 / 30 / 0 / 69

HEX #1B374F

RGB 27 55 79

HSL 207.69, 0.49%, 0.21%

LAB 22.05, -2.07, -17.84

 

CMYK 66 / 29 / 0 / 57

HEX #254D6D

RGB 37 77 109

HSL 206.67, 0.49%, 0.29%

LAB 31.36, -3.11, -22.68

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 66 / 29 / 0 / 33

HEX #3A79AB

RGB 58 121 171

HSL 206.55, 0.49%, 0.45%

LAB 48.9, -4.06, -32.6

 

CMYK 60 / 27 / 0 / 24

HEX #4D8DC2

RGB 77 141 194

HSL 207.18, 0.49%, 0.53%

LAB 56.61, -4.47, -33.7

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 24 / 66 / 0 / 45

HEX #6A308C

RGB 106 48 140

HSL 277.83, 0.49%, 0.37%

LAB 31.97, 42.2, -40.67

 

CMYK 2 / 0 / 66 / 45

HEX #898C30

RGB 137 140 48

HSL 61.96, 0.49%, 0.37%

LAB 56.37, -13.44, 46.95

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 0 / 66 / 29 / 45

HEX #8C3064

RGB 140 48 100

HSL 326.09, 0.49%, 0.37%

LAB 35.22, 44.36, -10.1

 

CMYK 29 / 0 / 66 / 45

HEX #648C30

RGB 100 140 48

HSL 86.09, 0.49%, 0.37%

LAB 53.68, -29.16, 43.28

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 24 / 66 / 0 / 45

HEX #6A308C

RGB 106 48 140

HSL 277.83, 0.49%, 0.37%

LAB 31.97, 42.2, -40.67

 

CMYK 0 / 37 / 66 / 45

HEX #8C5830

RGB 140 88 48

HSL 26.09, 0.49%, 0.37%

LAB 42.41, 17.45, 31.67

 

CMYK 41 / 0 / 66 / 45

HEX #528C30

RGB 82 140 48

HSL 97.83, 0.49%, 0.37%

LAB 52.69, -35.9, 41.91

 

CMYK 66 / 29 / 0 / 45

HEX #30638C

RGB 48 99 140

HSL 206.74, 0.49%, 0.37%

LAB 40.32, -3.5, -27.72

 

CMYK 4 / 66 / 0 / 45

HEX #86308C

RGB 134 48 140

HSL 296.09, 0.49%, 0.37%

LAB 36.13, 49.19, -33.79

 

CMYK 0 / 37 / 66 / 45

HEX #8C5830

RGB 140 88 48

HSL 26.09, 0.49%, 0.37%

LAB 42.41, 17.45, 31.67

 

CMYK 61 / 0 / 66 / 45

HEX #368C30

RGB 54 140 48

HSL 116.09, 0.49%, 0.37%

LAB 51.56, -44.38, 40.34

 

Description

Color code: HEX #30638C | qconv.com Color code: HEX #30638C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 99 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 99 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 29 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 29% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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