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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #306EFC it is the complementary color #CF9103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #306EFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #306EFC shade: #356EF7, #4680FF, #5792FF, #68A4FF and #79B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #306EFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #306EFC shade: #306EFC, #1F5CE9, #0E4AD6, #0038C3 and #0026B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #306EFC shade: #316EFB, #3138FB, #6031FB, #9731FB and #CE31FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #306EFC shade: #316EFB, #3138FB and #3131FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #306EFC shade matches the following richer shades: #316EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #306EFC shade: #316EFB, #4175EA, #527BDA, #6382C9 and #7489B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #306EFC shade: #31DDFB, #31A7FB, #3171FB, #313BFB and #5C31FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #306EFC shade: #0343D7, #0852FB, #316EFB, #598BFC and #82A7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #306EFC shade: #306EFC, #E431FB and #C2FB31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #306EFC shade: #306EFC, #FB3171 and #71FB31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #306EFC shade: #306EFC, #E431FB, #FBBB31 and #48FB31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #306EFC shade: #306EFC, #FB31D6, #FBBB31 and #31FB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

Complementary color

CMYK 0 / 30 / 99 / 19

HEX #CF9103

RGB 207 145 3

HSL 41.76, 0.97%, 0.41%

LAB 64.58, 14, 68.95

 

CMYK 79 / 55 / 0 / 3

HEX #356EF7

RGB 53 110 247

HSL 222.37, 0.92%, 0.59%

LAB 50.24, 29.76, -73.71

 

CMYK 73 / 50 / 0 / 0

HEX #4680FF

RGB 70 128 255

HSL 221.19, 1%, 0.64%

LAB 56.05, 23.3, -68.71

 

CMYK 66 / 43 / 0 / 0

HEX #5792FF

RGB 87 146 255

HSL 218.93, 1%, 0.67%

LAB 61.48, 14.79, -59.94

 

CMYK 59 / 36 / 0 / 0

HEX #68A4FF

RGB 104 164 255

HSL 216.16, 1%, 0.7%

LAB 67.06, 7.17, -51.03

 

CMYK 53 / 29 / 0 / 0

HEX #79B6FF

RGB 121 182 255

HSL 212.69, 1%, 0.74%

LAB 72.72, 0.41, -42.08

 

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

CMYK 87 / 61 / 0 / 9

HEX #1F5CE9

RGB 31 92 233

HSL 221.88, 0.82%, 0.52%

LAB 43.99, 34.3, -76.1

 

CMYK 93 / 65 / 0 / 16

HEX #0E4AD6

RGB 14 74 214

HSL 222, 0.88%, 0.45%

LAB 37.56, 37.92, -75.83

 

CMYK 100 / 71 / 0 / 24

HEX #0038C3

RGB 0 56 195

HSL 222.77, 1%, 0.38%

LAB 31.27, 41.83, -75.17

 

CMYK 100 / 78 / 0 / 31

HEX #0026B0

RGB 0 38 176

HSL 227.05, 1%, 0.35%

LAB 25.32, 45.74, -73.76

 

CMYK 80 / 56 / 0 / 2

HEX #316EFB

RGB 49 110 251

HSL 221.88, 0.96%, 0.59%

LAB 50.42, 30.87, -75.66

 

CMYK 80 / 78 / 0 / 2

HEX #3138FB

RGB 49 56 251

HSL 237.92, 0.96%, 0.59%

LAB 38.63, 62.38, -95.04

 

CMYK 62 / 80 / 0 / 2

HEX #6031FB

RGB 96 49 251

HSL 253.96, 0.96%, 0.59%

LAB 40.65, 68.89, -91.6

 

CMYK 40 / 80 / 0 / 2

HEX #9731FB

RGB 151 49 251

HSL 270.3, 0.96%, 0.59%

LAB 46.63, 75.21, -81.54

 

CMYK 18 / 80 / 0 / 2

HEX #CE31FB

RGB 206 49 251

HSL 286.63, 0.96%, 0.59%

LAB 54.33, 83.55, -68.68

 

CMYK 80 / 56 / 0 / 2

HEX #316EFB

RGB 49 110 251

HSL 221.88, 0.96%, 0.59%

LAB 50.42, 30.87, -75.66

 

CMYK 80 / 78 / 0 / 2

HEX #3138FB

RGB 49 56 251

HSL 237.92, 0.96%, 0.59%

LAB 38.63, 62.38, -95.04

 

CMYK 80 / 80 / 0 / 2

HEX #3131FB

RGB 49 49 251

HSL 240, 0.96%, 0.59%

LAB 37.51, 65.65, -96.9

 

CMYK 80 / 56 / 0 / 2

HEX #316EFB

RGB 49 110 251

HSL 221.88, 0.96%, 0.59%

LAB 50.42, 30.87, -75.66

 

CMYK 80 / 56 / 0 / 2

HEX #316EFB

RGB 49 110 251

HSL 221.88, 0.96%, 0.59%

LAB 50.42, 30.87, -75.66

 

CMYK 72 / 50 / 0 / 8

HEX #4175EA

RGB 65 117 234

HSL 221.54, 0.8%, 0.59%

LAB 51.6, 21.98, -64.25

 

CMYK 62 / 44 / 0 / 15

HEX #527BDA

RGB 82 123 218

HSL 221.91, 0.65%, 0.59%

LAB 52.97, 15.26, -53

 

CMYK 51 / 35 / 0 / 21

HEX #6382C9

RGB 99 130 201

HSL 221.76, 0.49%, 0.59%

LAB 54.9, 8.97, -40.27

 

CMYK 37 / 26 / 0 / 28

HEX #7489B8

RGB 116 137 184

HSL 221.47, 0.32%, 0.59%

LAB 57.14, 4.25, -27.04

 

CMYK 80 / 12 / 0 / 2

HEX #31DDFB

RGB 49 221 251

HSL 188.91, 0.96%, 0.59%

LAB 81.47, -31.79, -26.59

 

CMYK 80 / 33 / 0 / 2

HEX #31A7FB

RGB 49 167 251

HSL 204.95, 0.96%, 0.59%

LAB 65.95, -3.59, -50.73

 

CMYK 80 / 55 / 0 / 2

HEX #3171FB

RGB 49 113 251

HSL 220.99, 0.96%, 0.59%

LAB 51.18, 28.99, -74.41

 

CMYK 80 / 76 / 0 / 2

HEX #313BFB

RGB 49 59 251

HSL 237.03, 0.96%, 0.59%

LAB 39.15, 60.88, -94.18

 

CMYK 63 / 80 / 0 / 2

HEX #5C31FB

RGB 92 49 251

HSL 252.77, 0.96%, 0.59%

LAB 40.31, 68.53, -92.18

 

CMYK 99 / 69 / 0 / 16

HEX #0343D7

RGB 3 67 215

HSL 221.89, 0.97%, 0.43%

LAB 35.87, 42.43, -79.2

 

CMYK 97 / 67 / 0 / 2

HEX #0852FB

RGB 8 82 251

HSL 221.73, 0.97%, 0.51%

LAB 42.84, 46.38, -88.11

 

CMYK 80 / 56 / 0 / 2

HEX #316EFB

RGB 49 110 251

HSL 221.88, 0.96%, 0.59%

LAB 50.42, 30.87, -75.66

 

CMYK 65 / 45 / 0 / 1

HEX #598BFC

RGB 89 139 252

HSL 221.6, 0.96%, 0.67%

LAB 59.54, 18.28, -61.4

 

CMYK 49 / 34 / 0 / 1

HEX #82A7FD

RGB 130 167 253

HSL 221.95, 0.97%, 0.75%

LAB 69.09, 10.25, -46.65

 

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

CMYK 9 / 80 / 0 / 2

HEX #E431FB

RGB 228 49 251

HSL 293.17, 0.96%, 0.59%

LAB 57.71, 87.27, -63.05

 

CMYK 23 / 0 / 80 / 2

HEX #C2FB31

RGB 194 251 49

HSL 76.93, 0.96%, 0.59%

LAB 91.99, -43.1, 81.85

 

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

CMYK 0 / 80 / 55 / 2

HEX #FB3171

RGB 251 49 113

HSL 340.99, 0.96%, 0.59%

LAB 55.99, 76.1, 14.5

 

CMYK 55 / 0 / 80 / 2

HEX #71FB31

RGB 113 251 49

HSL 100.99, 0.96%, 0.59%

LAB 88.32, -69.22, 77.17

 

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

CMYK 9 / 80 / 0 / 2

HEX #E431FB

RGB 228 49 251

HSL 293.17, 0.96%, 0.59%

LAB 57.71, 87.27, -63.05

 

CMYK 0 / 25 / 80 / 2

HEX #FBBB31

RGB 251 187 49

HSL 40.99, 0.96%, 0.59%

LAB 79.77, 11.57, 72.81

 

CMYK 71 / 0 / 80 / 2

HEX #48FB31

RGB 72 251 49

HSL 113.17, 0.96%, 0.59%

LAB 87.29, -77.76, 75.85

 

CMYK 81 / 56 / 0 / 1

HEX #306EFC

RGB 48 110 252

HSL 221.76, 0.97%, 0.59%

LAB 50.46, 31.15, -76.14

 

CMYK 0 / 80 / 15 / 2

HEX #FB31D6

RGB 251 49 214

HSL 310.99, 0.96%, 0.59%

LAB 59.49, 86.21, -39.23

 

CMYK 0 / 25 / 80 / 2

HEX #FBBB31

RGB 251 187 49

HSL 40.99, 0.96%, 0.59%

LAB 79.77, 11.57, 72.81

 

CMYK 80 / 0 / 66 / 2

HEX #31FB56

RGB 49 251 86

HSL 130.99, 0.96%, 0.59%

LAB 87.15, -78.09, 63.4

 

Description

Color code: HEX #306EFC | qconv.com Color code: HEX #306EFC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 110 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 110 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 56 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 56% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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