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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3075BE it is the complementary color #CF8A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3075BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3075BE shade: #3575B9, #4687CC, #5799DF, #68ABF2 and #79BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3075BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3075BE shade: #3075BE, #1F63AB, #0E5198, #003F85 and #002D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3075BE shade: #2F75BF, #2F4FBF, #372FBF, #5E2FBF and #852FBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3075BE shade: #2F75BF, #2F4FBF and #2F2FBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3075BE shade matches the following richer shades: #2F75BF, #1C75D3 and #0974E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3075BE shade: #2F75BF, #4376AC, #567698, #6A7785 and #7D7872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3075BE shade: #2FBFBA, #2F9EBF, #2F77BF, #2F51BF and #342FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3075BE shade: #1F4D7D, #27619E, #2F75BF, #478AD1 and #689FD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3075BE shade: #3075BE, #942FBF and #B1BF2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3075BE shade: #3075BE, #BF2F77 and #77BF2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3075BE shade: #3075BE, #942FBF, #BF772F and #5BBF2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3075BE shade: #3075BE, #BF2FBF, #BF772F and #2FBF2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

Complementary color

CMYK 0 / 33 / 69 / 19

HEX #CF8A41

RGB 207 138 65

HSL 30.85, 0.6%, 0.53%

LAB 63.2, 19.64, 48.6

 

CMYK 71 / 37 / 0 / 27

HEX #3575B9

RGB 53 117 185

HSL 210.91, 0.55%, 0.47%

LAB 48.24, 2.52, -41.78

 

CMYK 66 / 34 / 0 / 20

HEX #4687CC

RGB 70 135 204

HSL 210.9, 0.57%, 0.54%

LAB 55.06, 1.11, -41.81

 

CMYK 61 / 31 / 0 / 13

HEX #5799DF

RGB 87 153 223

HSL 210.88, 0.68%, 0.61%

LAB 61.77, -0.01, -41.85

 

CMYK 57 / 29 / 0 / 5

HEX #68ABF2

RGB 104 171 242

HSL 210.87, 0.84%, 0.68%

LAB 68.37, -0.91, -41.89

 

CMYK 53 / 26 / 0 / 0

HEX #79BDFF

RGB 121 189 255

HSL 209.55, 1%, 0.74%

LAB 74.62, -3.44, -39.12

 

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

CMYK 82 / 42 / 0 / 33

HEX #1F63AB

RGB 31 99 171

HSL 210.86, 0.69%, 0.4%

LAB 41.46, 5.76, -44.43

 

CMYK 91 / 47 / 0 / 40

HEX #0E5198

RGB 14 81 152

HSL 210.87, 0.83%, 0.33%

LAB 34.49, 8.5, -44.29

 

CMYK 100 / 53 / 0 / 48

HEX #003F85

RGB 0 63 133

HSL 211.58, 1%, 0.26%

LAB 27.43, 12.01, -44.03

 

CMYK 100 / 61 / 0 / 55

HEX #002D72

RGB 0 45 114

HSL 216.32, 1%, 0.22%

LAB 20.41, 16.64, -43.44

HEX #002D72

CMYK 75 / 39 / 0 / 25

HEX #2F75BF

RGB 47 117 191

HSL 210.83, 0.61%, 0.47%

LAB 48.37, 3.9, -45.04

 

CMYK 75 / 59 / 0 / 25

HEX #2F4FBF

RGB 47 79 191

HSL 226.67, 0.61%, 0.47%

LAB 37.77, 28.3, -62.12

 

CMYK 71 / 75 / 0 / 25

HEX #372FBF

RGB 55 47 191

HSL 243.33, 0.61%, 0.47%

LAB 30.89, 48.67, -73.38

 

CMYK 51 / 75 / 0 / 25

HEX #5E2FBF

RGB 94 47 191

HSL 259.58, 0.61%, 0.47%

LAB 34.34, 53.42, -67.58

 

CMYK 30 / 75 / 0 / 25

HEX #852FBF

RGB 133 47 191

HSL 275.83, 0.61%, 0.47%

LAB 39.21, 59.89, -59.43

 

CMYK 75 / 39 / 0 / 25

HEX #2F75BF

RGB 47 117 191

HSL 210.83, 0.61%, 0.47%

LAB 48.37, 3.9, -45.04

 

CMYK 75 / 59 / 0 / 25

HEX #2F4FBF

RGB 47 79 191

HSL 226.67, 0.61%, 0.47%

LAB 37.77, 28.3, -62.12

 

CMYK 75 / 75 / 0 / 25

HEX #2F2FBF

RGB 47 47 191

HSL 240, 0.61%, 0.47%

LAB 30.4, 47.97, -74.22

 

CMYK 75 / 39 / 0 / 25

HEX #2F75BF

RGB 47 117 191

HSL 210.83, 0.61%, 0.47%

LAB 48.37, 3.9, -45.04

 

CMYK 87 / 45 / 0 / 17

HEX #1C75D3

RGB 28 117 211

HSL 210.82, 0.77%, 0.47%

LAB 49.1, 9.69, -55.35

 

CMYK 96 / 50 / 0 / 10

HEX #0974E6

RGB 9 116 230

HSL 210.95, 0.92%, 0.47%

LAB 49.81, 16.86, -64.95

 

CMYK 75 / 39 / 0 / 25

HEX #2F75BF

RGB 47 117 191

HSL 210.83, 0.61%, 0.47%

LAB 48.37, 3.9, -45.04

 

CMYK 61 / 31 / 0 / 33

HEX #4376AC

RGB 67 118 172

HSL 210.86, 0.44%, 0.47%

LAB 48.42, -0.23, -33.91

 

CMYK 43 / 22 / 0 / 40

HEX #567698

RGB 86 118 152

HSL 210.91, 0.28%, 0.47%

LAB 48.51, -2.09, -21.99

 

CMYK 20 / 11 / 0 / 48

HEX #6A7785

RGB 106 119 133

HSL 211.11, 0.11%, 0.47%

LAB 49.44, -1.6, -9.27

 

CMYK 0 / 4 / 9 / 51

HEX #7D7872

RGB 125 120 114

HSL 32.73, 0.05%, 0.47%

LAB 50.7, 0.77, 3.96

 

CMYK 75 / 0 / 3 / 25

HEX #2FBFBA

RGB 47 191 186

HSL 177.92, 0.61%, 0.47%

LAB 70.46, -37.38, -8.19

 

CMYK 75 / 17 / 0 / 25

HEX #2F9EBF

RGB 47 158 191

HSL 193.75, 0.61%, 0.47%

LAB 60.62, -19.58, -25.86

 

CMYK 75 / 38 / 0 / 25

HEX #2F77BF

RGB 47 119 191

HSL 210, 0.61%, 0.47%

LAB 48.96, 2.68, -44.11

 

CMYK 75 / 58 / 0 / 25

HEX #2F51BF

RGB 47 81 191

HSL 225.83, 0.61%, 0.47%

LAB 38.29, 26.99, -61.27

 

CMYK 73 / 75 / 0 / 25

HEX #342FBF

RGB 52 47 191

HSL 242.08, 0.61%, 0.47%

LAB 30.7, 48.4, -73.71

 

CMYK 75 / 38 / 0 / 51

HEX #1F4D7D

RGB 31 77 125

HSL 210.64, 0.6%, 0.31%

LAB 31.99, 1.94, -31.71

 

CMYK 75 / 39 / 0 / 38

HEX #27619E

RGB 39 97 158

HSL 210.76, 0.6%, 0.39%

LAB 40.33, 2.94, -38.52

 

CMYK 75 / 39 / 0 / 25

HEX #2F75BF

RGB 47 117 191

HSL 210.83, 0.61%, 0.47%

LAB 48.37, 3.9, -45.04

 

CMYK 66 / 34 / 0 / 18

HEX #478AD1

RGB 71 138 209

HSL 210.87, 0.6%, 0.55%

LAB 56.21, 1.22, -42.82

 

CMYK 52 / 27 / 0 / 15

HEX #689FD9

RGB 104 159 217

HSL 210.8, 0.6%, 0.63%

LAB 63.96, -1.84, -35.05

 

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

CMYK 23 / 75 / 0 / 25

HEX #942FBF

RGB 148 47 191

HSL 282.08, 0.61%, 0.47%

LAB 41.36, 62.67, -55.85

 

CMYK 7 / 0 / 75 / 25

HEX #B1BF2F

RGB 177 191 47

HSL 65.83, 0.61%, 0.47%

LAB 74.07, -22.25, 65.78

 

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

CMYK 0 / 75 / 38 / 25

HEX #BF2F77

RGB 191 47 119

HSL 330, 0.61%, 0.47%

LAB 44.86, 61.55, -6.59

 

CMYK 38 / 0 / 75 / 25

HEX #77BF2F

RGB 119 191 47

HSL 90, 0.61%, 0.47%

LAB 70.45, -44.95, 61.07

 

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

CMYK 23 / 75 / 0 / 25

HEX #942FBF

RGB 148 47 191

HSL 282.08, 0.61%, 0.47%

LAB 41.36, 62.67, -55.85

 

CMYK 0 / 38 / 75 / 25

HEX #BF772F

RGB 191 119 47

HSL 30, 0.61%, 0.47%

LAB 56.56, 22.27, 49.39

 

CMYK 52 / 0 / 75 / 25

HEX #5BBF2F

RGB 91 191 47

HSL 101.67, 0.61%, 0.47%

LAB 69.25, -53.82, 59.49

 

CMYK 75 / 38 / 0 / 25

HEX #3075BE

RGB 48 117 190

HSL 210.85, 0.6%, 0.47%

LAB 48.35, 3.66, -44.5

 

CMYK 0 / 75 / 0 / 25

HEX #BF2FBF

RGB 191 47 191

HSL 300, 0.61%, 0.47%

LAB 48.1, 71.22, -44.67

 

CMYK 0 / 38 / 75 / 25

HEX #BF772F

RGB 191 119 47

HSL 30, 0.61%, 0.47%

LAB 56.56, 22.27, 49.39

 

CMYK 75 / 0 / 75 / 25

HEX #2FBF2F

RGB 47 191 47

HSL 120, 0.61%, 0.47%

LAB 68.07, -63.43, 57.94

 

Description

Color code: HEX #3075BE | qconv.com Color code: HEX #3075BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 117 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 117 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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