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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307C7D it is the complementary color #CF8382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307C7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307C7D shade: #357C78, #468E8B, #57A09E, #68B2B1 and #79C4C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307C7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307C7D shade: #307C7D, #1F6A6A, #0E5857, #004644 and #003431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307C7D shade: #2F7C7D, #2F677D, #2F527D, #2F3D7D and #362F7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307C7D shade: #2F7C7D, #2F677D, #2F527D, #2F3D7D and #2F2F7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307C7D shade matches the following richer shades: #2F7C7D, #218A8B, #139899 and #05A5A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307C7D shade: #2F7C7D, #3D6F6F, #4B6161, #595353 and #674645

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307C7D shade: #2F7D54, #2F7D68, #2F7D7D, #2F687D and #2F547D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307C7D shade: #184141, #245F5F, #2F7C7D, #3B9A9B and #46B7B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307C7D shade: #307C7D, #3F2F7D and #7D5E2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307C7D shade: #307C7D, #7D2F7D and #7D7D2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307C7D shade: #307C7D, #3F2F7D, #7D2F2F and #6E7D2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307C7D shade: #307C7D, #562F7D, #7D2F2F and #567D2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

Complementary color

CMYK 0 / 37 / 37 / 19

HEX #CF8382

RGB 207 131 130

HSL 0.78, 0.45%, 0.66%

LAB 62.6, 29.15, 12.84

 

CMYK 57 / 0 / 3 / 51

HEX #357C78

RGB 53 124 120

HSL 176.62, 0.4%, 0.35%

LAB 47.66, -23.1, -4.54

 

CMYK 51 / 0 / 2 / 44

HEX #468E8B

RGB 70 142 139

HSL 177.5, 0.34%, 0.42%

LAB 54.57, -23.23, -5.34

 

CMYK 46 / 0 / 1 / 37

HEX #57A09E

RGB 87 160 158

HSL 178.36, 0.3%, 0.48%

LAB 61.34, -23.27, -6.06

 

CMYK 42 / 0 / 1 / 30

HEX #68B2B1

RGB 104 178 177

HSL 179.19, 0.32%, 0.55%

LAB 67.99, -23.25, -6.73

 

CMYK 38 / 0 / 0 / 23

HEX #79C4C4

RGB 121 196 196

HSL 180, 0.39%, 0.62%

LAB 74.53, -23.2, -7.35

 

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

CMYK 71 / 0 / 0 / 58

HEX #1F6A6A

RGB 31 106 106

HSL 180, 0.55%, 0.27%

LAB 40.64, -22.12, -6.65

 

CMYK 84 / 0 / 1 / 65

HEX #0E5857

RGB 14 88 87

HSL 179.19, 0.73%, 0.2%

LAB 33.48, -21.17, -5.61

 

CMYK 100 / 0 / 3 / 73

HEX #004644

RGB 0 70 68

HSL 178.29, 1%, 0.14%

LAB 26.15, -19.67, -4.37

 

CMYK 100 / 0 / 6 / 80

HEX #003431

RGB 0 52 49

HSL 176.54, 1%, 0.1%

LAB 18.7, -16.75, -2.7

 

CMYK 62 / 1 / 0 / 51

HEX #2F7C7D

RGB 47 124 125

HSL 180.77, 0.45%, 0.34%

LAB 47.62, -22.84, -7.57

 

CMYK 62 / 18 / 0 / 51

HEX #2F677D

RGB 47 103 125

HSL 196.92, 0.45%, 0.34%

LAB 40.87, -11.29, -17.8

 

CMYK 62 / 34 / 0 / 51

HEX #2F527D

RGB 47 82 125

HSL 213.08, 0.45%, 0.34%

LAB 34.23, 1.61, -28.12

 

CMYK 62 / 51 / 0 / 51

HEX #2F3D7D

RGB 47 61 125

HSL 229.23, 0.45%, 0.34%

LAB 27.91, 15.67, -38.19

 

CMYK 57 / 62 / 0 / 51

HEX #362F7D

RGB 54 47 125

HSL 245.38, 0.45%, 0.34%

LAB 24.63, 26.56, -43.45

 

CMYK 62 / 1 / 0 / 51

HEX #2F7C7D

RGB 47 124 125

HSL 180.77, 0.45%, 0.34%

LAB 47.62, -22.84, -7.57

 

CMYK 62 / 18 / 0 / 51

HEX #2F677D

RGB 47 103 125

HSL 196.92, 0.45%, 0.34%

LAB 40.87, -11.29, -17.8

 

CMYK 62 / 34 / 0 / 51

HEX #2F527D

RGB 47 82 125

HSL 213.08, 0.45%, 0.34%

LAB 34.23, 1.61, -28.12

 

CMYK 62 / 51 / 0 / 51

HEX #2F3D7D

RGB 47 61 125

HSL 229.23, 0.45%, 0.34%

LAB 27.91, 15.67, -38.19

 

CMYK 62 / 62 / 0 / 51

HEX #2F2F7D

RGB 47 47 125

HSL 240, 0.45%, 0.34%

LAB 24.06, 25.2, -44.41

 

CMYK 62 / 1 / 0 / 51

HEX #2F7C7D

RGB 47 124 125

HSL 180.77, 0.45%, 0.34%

LAB 47.62, -22.84, -7.57

 

CMYK 76 / 1 / 0 / 45

HEX #218A8B

RGB 33 138 139

HSL 180.57, 0.62%, 0.34%

LAB 52.25, -27.77, -8.91

 

CMYK 88 / 1 / 0 / 40

HEX #139899

RGB 19 152 153

HSL 180.45, 0.78%, 0.34%

LAB 56.97, -31.47, -9.92

 

CMYK 97 / 1 / 0 / 35

HEX #05A5A7

RGB 5 165 167

HSL 180.74, 0.94%, 0.34%

LAB 61.42, -33.9, -11.19

 

CMYK 62 / 1 / 0 / 51

HEX #2F7C7D

RGB 47 124 125

HSL 180.77, 0.45%, 0.34%

LAB 47.62, -22.84, -7.57

 

CMYK 45 / 0 / 0 / 56

HEX #3D6F6F

RGB 61 111 111

HSL 180, 0.29%, 0.34%

LAB 43.52, -16.8, -5.27

 

CMYK 23 / 0 / 0 / 62

HEX #4B6161

RGB 75 97 97

HSL 180, 0.13%, 0.34%

LAB 39.43, -8.22, -2.73

 

CMYK 0 / 7 / 7 / 65

HEX #595353

RGB 89 83 83

HSL 0, 0.03%, 0.34%

LAB 35.86, 2.45, 0.87

 

CMYK 0 / 32 / 33 / 60

HEX #674645

RGB 103 70 69

HSL 1.76, 0.2%, 0.34%

LAB 33.34, 14.03, 6.31

 

CMYK 62 / 0 / 33 / 51

HEX #2F7D54

RGB 47 125 84

HSL 148.46, 0.45%, 0.34%

LAB 46.86, -34.07, 15.44

 

CMYK 62 / 0 / 17 / 51

HEX #2F7D68

RGB 47 125 104

HSL 163.85, 0.45%, 0.34%

LAB 47.33, -29.27, 4.41

 

CMYK 62 / 0 / 0 / 51

HEX #2F7D7D

RGB 47 125 125

HSL 180, 0.45%, 0.34%

LAB 47.95, -23.36, -7.09

 

CMYK 62 / 17 / 0 / 51

HEX #2F687D

RGB 47 104 125

HSL 196.15, 0.45%, 0.34%

LAB 41.19, -11.87, -17.31

 

CMYK 62 / 33 / 0 / 51

HEX #2F547D

RGB 47 84 125

HSL 211.54, 0.45%, 0.34%

LAB 34.85, 0.33, -27.14

 

CMYK 63 / 0 / 0 / 75

HEX #184141

RGB 24 65 65

HSL 180, 0.46%, 0.17%

LAB 24.82, -14.13, -4.32

 

CMYK 62 / 0 / 0 / 63

HEX #245F5F

RGB 36 95 95

HSL 180, 0.45%, 0.26%

LAB 36.72, -18.79, -5.73

 

CMYK 62 / 1 / 0 / 51

HEX #2F7C7D

RGB 47 124 125

HSL 180.77, 0.45%, 0.34%

LAB 47.62, -22.84, -7.57

 

CMYK 62 / 1 / 0 / 39

HEX #3B9A9B

RGB 59 154 155

HSL 180.63, 0.45%, 0.42%

LAB 58.42, -27.02, -8.81

 

CMYK 62 / 1 / 0 / 27

HEX #46B7B9

RGB 70 183 185

HSL 181.04, 0.45%, 0.5%

LAB 68.51, -30.73, -10.49

 

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

CMYK 50 / 62 / 0 / 51

HEX #3F2F7D

RGB 63 47 125

HSL 252.31, 0.45%, 0.34%

LAB 25.47, 28.47, -42.04

 

CMYK 0 / 25 / 62 / 51

HEX #7D5E2F

RGB 125 94 47

HSL 36.15, 0.45%, 0.34%

LAB 42.11, 6.97, 31.39

 

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

CMYK 0 / 62 / 0 / 51

HEX #7D2F7D

RGB 125 47 125

HSL 300, 0.45%, 0.34%

LAB 33.72, 44.47, -28.4

 

CMYK 0 / 0 / 62 / 51

HEX #7D7D2F

RGB 125 125 47

HSL 60, 0.45%, 0.34%

LAB 50.96, -10.8, 41.32

 

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

CMYK 50 / 62 / 0 / 51

HEX #3F2F7D

RGB 63 47 125

HSL 252.31, 0.45%, 0.34%

LAB 25.47, 28.47, -42.04

 

CMYK 0 / 62 / 62 / 51

HEX #7D2F2F

RGB 125 47 47

HSL 0, 0.45%, 0.34%

LAB 30.87, 33.9, 17.61

 

CMYK 12 / 0 / 62 / 51

HEX #6E7D2F

RGB 110 125 47

HSL 71.54, 0.45%, 0.34%

LAB 49.72, -17.5, 39.62

 

CMYK 62 / 1 / 0 / 51

HEX #307C7D

RGB 48 124 125

HSL 180.78, 0.45%, 0.34%

LAB 47.66, -22.65, -7.52

 

CMYK 31 / 62 / 0 / 51

HEX #562F7D

RGB 86 47 125

HSL 270, 0.45%, 0.34%

LAB 28.09, 34.03, -37.69

 

CMYK 0 / 62 / 62 / 51

HEX #7D2F2F

RGB 125 47 47

HSL 0, 0.45%, 0.34%

LAB 30.87, 33.9, 17.61

 

CMYK 31 / 0 / 62 / 51

HEX #567D2F

RGB 86 125 47

HSL 90, 0.45%, 0.34%

LAB 48.07, -27.56, 37.32

 

Description

Color code: HEX #307C7D | qconv.com Color code: HEX #307C7D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 124 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 124 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 1 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 1% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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