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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307C62 it is the complementary color #CF839D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307C62 shade: #357C5D, #468E70, #57A083, #68B296 and #79C4A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307C62 shade: #307C62, #1F6A4F, #0E583C, #004629 and #003416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307C62 shade: #307C62, #307C4E, #307C39, #3C7C30 and #507C30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307C62 shade: #307C62, #307C77, #306D7C, #30597C and #30447C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307C62 shade matches the following richer shades: #307C62, #228A67, #14986B and #06A670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307C62 shade: #307C62, #3E6E5E, #4C6059, #5A5255 and #684451

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307C62 shade: #307C39, #307C4D, #307C62, #307C76 and #306E7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307C62 shade: #194133, #245F4B, #307C62, #3C9A7A and #48B791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307C62 shade: #307C62, #303B7C and #7C4330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307C62 shade: #307C62, #62307C and #7C6230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307C62 shade: #307C62, #303B7C, #7C304B and #7C7130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307C62 shade: #307C62, #3B307C, #7C304B and #717C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

Complementary color

CMYK 0 / 37 / 24 / 19

HEX #CF839D

RGB 207 131 157

HSL 339.47, 0.44%, 0.66%

LAB 63.29, 32.74, -1.54

 

CMYK 57 / 0 / 25 / 51

HEX #357C5D

RGB 53 124 93

HSL 153.8, 0.4%, 0.35%

LAB 46.93, -30.17, 10.32

 

CMYK 51 / 0 / 21 / 44

HEX #468E70

RGB 70 142 112

HSL 155, 0.34%, 0.42%

LAB 53.83, -30.07, 9.15

 

CMYK 46 / 0 / 18 / 37

HEX #57A083

RGB 87 160 131

HSL 156.16, 0.3%, 0.48%

LAB 60.61, -29.89, 8.09

 

CMYK 42 / 0 / 16 / 30

HEX #68B296

RGB 104 178 150

HSL 157.3, 0.32%, 0.55%

LAB 67.27, -29.68, 7.13

 

CMYK 38 / 0 / 14 / 23

HEX #79C4A9

RGB 121 196 169

HSL 158.4, 0.39%, 0.62%

LAB 73.81, -29.46, 6.25

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 71 / 0 / 25 / 58

HEX #1F6A4F

RGB 31 106 79

HSL 158.4, 0.55%, 0.27%

LAB 39.86, -29.88, 8.62

 

CMYK 84 / 0 / 32 / 65

HEX #0E583C

RGB 14 88 60

HSL 157.3, 0.73%, 0.2%

LAB 32.7, -29.21, 10.18

 

CMYK 100 / 0 / 41 / 73

HEX #004629

RGB 0 70 41

HSL 155.14, 1%, 0.14%

LAB 25.38, -27.91, 12.05

 

CMYK 100 / 0 / 58 / 80

HEX #003416

RGB 0 52 22

HSL 145.38, 1%, 0.1%

LAB 17.98, -24.71, 14.43

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 0 / 37 / 51

HEX #307C4E

RGB 48 124 78

HSL 143.68, 0.44%, 0.34%

LAB 46.44, -34.65, 18.32

 

CMYK 61 / 0 / 54 / 51

HEX #307C39

RGB 48 124 57

HSL 127.11, 0.44%, 0.34%

LAB 46.1, -38.37, 29.51

 

CMYK 52 / 0 / 61 / 51

HEX #3C7C30

RGB 60 124 48

HSL 110.53, 0.44%, 0.34%

LAB 46.43, -36.21, 34.62

 

CMYK 35 / 0 / 61 / 51

HEX #507C30

RGB 80 124 48

HSL 94.74, 0.44%, 0.34%

LAB 47.41, -29.29, 36

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 0 / 4 / 51

HEX #307C77

RGB 48 124 119

HSL 176.05, 0.44%, 0.34%

LAB 47.46, -24.43, -4.26

 

CMYK 61 / 12 / 0 / 51

HEX #306D7C

RGB 48 109 124

HSL 191.84, 0.44%, 0.34%

LAB 42.79, -14.85, -14.25

 

CMYK 61 / 28 / 0 / 51

HEX #30597C

RGB 48 89 124

HSL 207.63, 0.44%, 0.34%

LAB 36.42, -2.97, -24.07

 

CMYK 61 / 45 / 0 / 51

HEX #30447C

RGB 48 68 124

HSL 224.21, 0.44%, 0.34%

LAB 29.96, 10.74, -34.27

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 75 / 0 / 25 / 46

HEX #228A67

RGB 34 138 103

HSL 159.81, 0.6%, 0.34%

LAB 51.26, -37.73, 10.54

 

CMYK 87 / 0 / 30 / 40

HEX #14986B

RGB 20 152 107

HSL 159.55, 0.77%, 0.34%

LAB 55.75, -44.15, 14.49

 

CMYK 96 / 0 / 33 / 35

HEX #06A670

RGB 6 166 112

HSL 159.75, 0.93%, 0.34%

LAB 60.32, -49.28, 17.99

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 44 / 0 / 15 / 57

HEX #3E6E5E

RGB 62 110 94

HSL 160, 0.28%, 0.34%

LAB 42.74, -20.47, 3.84

 

CMYK 21 / 0 / 7 / 62

HEX #4C6059

RGB 76 96 89

HSL 159, 0.12%, 0.34%

LAB 38.94, -9.19, 1.49

 

CMYK 0 / 9 / 6 / 65

HEX #5A5255

RGB 90 82 85

HSL 337.5, 0.05%, 0.34%

LAB 35.72, 3.89, -0.57

 

CMYK 0 / 35 / 22 / 59

HEX #684451

RGB 104 68 81

HSL 338.33, 0.21%, 0.34%

LAB 33.29, 17.63, -1.42

 

CMYK 61 / 0 / 54 / 51

HEX #307C39

RGB 48 124 57

HSL 127.11, 0.44%, 0.34%

LAB 46.1, -38.37, 29.51

 

CMYK 61 / 0 / 38 / 51

HEX #307C4D

RGB 48 124 77

HSL 142.89, 0.44%, 0.34%

LAB 46.42, -34.85, 18.87

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 0 / 5 / 51

HEX #307C76

RGB 48 124 118

HSL 175.26, 0.44%, 0.34%

LAB 47.43, -24.72, -3.71

 

CMYK 61 / 11 / 0 / 51

HEX #306E7C

RGB 48 110 124

HSL 191.05, 0.44%, 0.34%

LAB 43.12, -15.41, -13.76

 

CMYK 62 / 0 / 22 / 75

HEX #194133

RGB 25 65 51

HSL 159, 0.44%, 0.18%

LAB 24.41, -18.13, 4.33

 

CMYK 62 / 0 / 21 / 63

HEX #245F4B

RGB 36 95 75

HSL 159.66, 0.45%, 0.26%

LAB 36.11, -24.55, 5.79

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 0 / 21 / 40

HEX #3C9A7A

RGB 60 154 122

HSL 159.57, 0.44%, 0.42%

LAB 57.54, -35.63, 8.66

 

CMYK 61 / 0 / 21 / 28

HEX #48B791

RGB 72 183 145

HSL 159.46, 0.44%, 0.5%

LAB 67.49, -40.74, 10.04

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 52 / 0 / 51

HEX #303B7C

RGB 48 59 124

HSL 231.32, 0.44%, 0.34%

LAB 27.33, 16.87, -38.48

 

CMYK 0 / 46 / 61 / 51

HEX #7C4330

RGB 124 67 48

HSL 15, 0.44%, 0.34%

LAB 35.03, 22.62, 22.24

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 21 / 61 / 0 / 51

HEX #62307C

RGB 98 48 124

HSL 279.47, 0.44%, 0.34%

LAB 29.83, 36.39, -34.19

 

CMYK 0 / 21 / 61 / 51

HEX #7C6230

RGB 124 98 48

HSL 39.47, 0.44%, 0.34%

LAB 43.11, 4.22, 31.99

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 61 / 52 / 0 / 51

HEX #303B7C

RGB 48 59 124

HSL 231.32, 0.44%, 0.34%

LAB 27.33, 16.87, -38.48

 

CMYK 0 / 61 / 40 / 51

HEX #7C304B

RGB 124 48 75

HSL 338.68, 0.44%, 0.34%

LAB 31.59, 35.82, 0.33

 

CMYK 0 / 9 / 61 / 51

HEX #7C7130

RGB 124 113 48

HSL 51.32, 0.44%, 0.34%

LAB 47.38, -4.48, 36.86

 

CMYK 61 / 0 / 21 / 51

HEX #307C62

RGB 48 124 98

HSL 159.47, 0.44%, 0.34%

LAB 46.88, -30.11, 7.3

 

CMYK 52 / 61 / 0 / 51

HEX #3B307C

RGB 59 48 124

HSL 248.68, 0.44%, 0.34%

LAB 25.26, 26.62, -41.78

 

CMYK 0 / 61 / 40 / 51

HEX #7C304B

RGB 124 48 75

HSL 338.68, 0.44%, 0.34%

LAB 31.59, 35.82, 0.33

 

CMYK 9 / 0 / 61 / 51

HEX #717C30

RGB 113 124 48

HSL 68.68, 0.44%, 0.34%

LAB 49.66, -15.56, 39.15

 

Description

Color code: HEX #307C62 | qconv.com Color code: HEX #307C62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 124 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 124 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 21 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 21% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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