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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307EAB it is the complementary color #CF8154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307EAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307EAB shade: #357EA6, #4690B9, #57A2CC, #68B4DF and #79C6F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307EAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307EAB shade: #307EAB, #1F6C98, #0E5A85, #004872 and #00365F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307EAB shade: #307EAB, #305DAB, #303BAB, #4530AB and #6630AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307EAB shade: #307EAB, #305DAB, #303BAB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307EAB shade matches the following richer shades: #307EAB, #1E82BC and #0C87CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307EAB shade: #307EAB, #417999, #537487, #656F75 and #776B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307EAB shade: #30AB94, #30A0AB, #3080AB, #305FAB and #303EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307EAB shade: #1E4E6A, #27668A, #307EAB, #3C95C8 and #5CA6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307EAB shade: #307EAB, #7330AB and #ABA430

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307EAB shade: #307EAB, #AB3080 and #80AB30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307EAB shade: #307EAB, #7330AB, #AB5B30 and #67AB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307EAB shade: #307EAB, #9830AB, #AB5B30 and #42AB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

Complementary color

CMYK 0 / 38 / 59 / 19

HEX #CF8154

RGB 207 129 84

HSL 21.95, 0.56%, 0.57%

LAB 61.31, 25.76, 36.75

 

CMYK 68 / 24 / 0 / 35

HEX #357EA6

RGB 53 126 166

HSL 201.24, 0.52%, 0.43%

LAB 50.02, -9.56, -27.97

 

CMYK 62 / 22 / 0 / 27

HEX #4690B9

RGB 70 144 185

HSL 201.39, 0.45%, 0.5%

LAB 56.83, -10.44, -28.27

 

CMYK 57 / 21 / 0 / 20

HEX #57A2CC

RGB 87 162 204

HSL 201.54, 0.53%, 0.57%

LAB 63.53, -11.1, -28.55

 

CMYK 53 / 19 / 0 / 13

HEX #68B4DF

RGB 104 180 223

HSL 201.68, 0.65%, 0.64%

LAB 70.12, -11.61, -28.82

 

CMYK 50 / 18 / 0 / 5

HEX #79C6F2

RGB 121 198 242

HSL 201.82, 0.82%, 0.71%

LAB 76.6, -12.02, -29.08

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 80 / 29 / 0 / 40

HEX #1F6C98

RGB 31 108 152

HSL 201.82, 0.66%, 0.36%

LAB 43.19, -7.14, -30.45

 

CMYK 89 / 32 / 0 / 48

HEX #0E5A85

RGB 14 90 133

HSL 201.68, 0.81%, 0.29%

LAB 36.17, -5.12, -30.05

 

CMYK 100 / 37 / 0 / 55

HEX #004872

RGB 0 72 114

HSL 202.11, 1%, 0.22%

LAB 29.03, -2.42, -29.56

 

CMYK 100 / 43 / 0 / 63

HEX #00365F

RGB 0 54 95

HSL 205.89, 1%, 0.19%

LAB 21.82, 1.5, -28.83

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 72 / 46 / 0 / 33

HEX #305DAB

RGB 48 93 171

HSL 218.05, 0.56%, 0.43%

LAB 40.24, 11.74, -46.35

 

CMYK 72 / 65 / 0 / 33

HEX #303BAB

RGB 48 59 171

HSL 234.63, 0.56%, 0.43%

LAB 31.11, 34.05, -61.17

 

CMYK 60 / 72 / 0 / 33

HEX #4530AB

RGB 69 48 171

HSL 250.24, 0.56%, 0.43%

LAB 30.2, 43.48, -62.59

 

CMYK 40 / 72 / 0 / 33

HEX #6630AB

RGB 102 48 171

HSL 266.34, 0.56%, 0.43%

LAB 33.73, 49, -56.68

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 72 / 46 / 0 / 33

HEX #305DAB

RGB 48 93 171

HSL 218.05, 0.56%, 0.43%

LAB 40.24, 11.74, -46.35

 

CMYK 72 / 65 / 0 / 33

HEX #303BAB

RGB 48 59 171

HSL 234.63, 0.56%, 0.43%

LAB 31.11, 34.05, -61.17

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 84 / 31 / 0 / 26

HEX #1E82BC

RGB 30 130 188

HSL 202.03, 0.72%, 0.43%

LAB 51.69, -6.81, -38.09

 

CMYK 94 / 34 / 0 / 19

HEX #0C87CE

RGB 12 135 206

HSL 201.96, 0.89%, 0.43%

LAB 53.88, -4.03, -44.89

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 58 / 21 / 0 / 40

HEX #417999

RGB 65 121 153

HSL 201.82, 0.4%, 0.43%

LAB 48.38, -8.72, -22.87

 

CMYK 39 / 14 / 0 / 47

HEX #537487

RGB 83 116 135

HSL 201.92, 0.24%, 0.43%

LAB 47.08, -6.67, -14.16

 

CMYK 14 / 5 / 0 / 54

HEX #656F75

RGB 101 111 117

HSL 202.5, 0.07%, 0.43%

LAB 46.2, -2.42, -4.62

 

CMYK 0 / 10 / 16 / 53

HEX #776B64

RGB 119 107 100

HSL 22.11, 0.09%, 0.43%

LAB 46.12, 3.43, 5.63

 

CMYK 72 / 0 / 13 / 33

HEX #30AB94

RGB 48 171 148

HSL 168.78, 0.56%, 0.43%

LAB 63.25, -38.73, 2.22

 

CMYK 72 / 6 / 0 / 33

HEX #30A0AB

RGB 48 160 171

HSL 185.37, 0.56%, 0.43%

LAB 60.53, -26.91, -14.74

 

CMYK 72 / 25 / 0 / 33

HEX #3080AB

RGB 48 128 171

HSL 200.98, 0.56%, 0.43%

LAB 50.7, -9.75, -29.83

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 72 / 26 / 0 / 58

HEX #1E4E6A

RGB 30 78 106

HSL 202.11, 0.56%, 0.27%

LAB 31.27, -6.2, -20.95

 

CMYK 72 / 26 / 0 / 46

HEX #27668A

RGB 39 102 138

HSL 201.82, 0.56%, 0.35%

LAB 40.85, -7.61, -25.72

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 70 / 26 / 0 / 22

HEX #3C95C8

RGB 60 149 200

HSL 201.86, 0.56%, 0.51%

LAB 58.63, -9.92, -33.99

 

CMYK 56 / 21 / 0 / 18

HEX #5CA6D1

RGB 92 166 209

HSL 202.05, 0.56%, 0.59%

LAB 65.08, -10.74, -28.91

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 33 / 72 / 0 / 33

HEX #7330AB

RGB 115 48 171

HSL 272.68, 0.56%, 0.43%

LAB 35.4, 51.5, -53.89

 

CMYK 0 / 4 / 72 / 33

HEX #ABA430

RGB 171 164 48

HSL 56.59, 0.56%, 0.43%

LAB 66.08, -11.08, 57.67

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 0 / 72 / 25 / 33

HEX #AB3080

RGB 171 48 128

HSL 320.98, 0.56%, 0.43%

LAB 41.74, 56.95, -17.2

 

CMYK 25 / 0 / 72 / 33

HEX #80AB30

RGB 128 171 48

HSL 80.98, 0.56%, 0.43%

LAB 64.91, -32.71, 55.45

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 33 / 72 / 0 / 33

HEX #7330AB

RGB 115 48 171

HSL 272.68, 0.56%, 0.43%

LAB 35.4, 51.5, -53.89

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 40 / 0 / 72 / 33

HEX #67AB30

RGB 103 171 48

HSL 93.17, 0.56%, 0.43%

LAB 63.53, -42.01, 53.61

 

CMYK 72 / 26 / 0 / 33

HEX #307EAB

RGB 48 126 171

HSL 201.95, 0.56%, 0.43%

LAB 50.09, -8.6, -30.78

 

CMYK 11 / 72 / 0 / 33

HEX #9830AB

RGB 152 48 171

HSL 290.73, 0.56%, 0.43%

LAB 40.78, 59.22, -44.94

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 61 / 0 / 72 / 33

HEX #42AB30

RGB 66 171 48

HSL 111.22, 0.56%, 0.43%

LAB 62.08, -52.96, 51.67

 

Description

Color code: HEX #307EAB | qconv.com Color code: HEX #307EAB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 126 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 126 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 26 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 26% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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