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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #308F5B it is the complementary color #CF70A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #308F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #308F5B shade: #358F56, #46A169, #57B37C, #68C58F and #79D7A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #308F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #308F5B shade: #308F5B, #1F7D48, #0E6B35, #005922 and #00470F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #308F5B shade: #2F8D59, #2F8D40, #378D2F, #508D2F and #6A8D2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #308F5B shade: #2F8D59, #2F8D73, #2F8D8C, #2F748D and #2F5B8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #308F5B shade matches the following richer shades: #2F8D59, #1F9C58, #10AC56 and #01BB55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #308F5B shade: #2F8D59, #3E7E5B, #4D6E5C, #5C5F5E and #6C505F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #308F5B shade: #378D2F, #2F8D40, #2F8D59, #2F8D72 and #2F8D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #308F5B shade: #1A4F32, #246E46, #2F8D59, #39AC6D and #4BC381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #308F5B shade: #308F5B, #2F508D and #8D332F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #308F5B shade: #308F5B, #592F8D and #8D592F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #308F5B shade: #308F5B, #2F508D, #8D2F63 and #8D6C2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #308F5B shade: #308F5B, #2F338D, #8D2F63 and #8D882F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

Complementary color

CMYK 0 / 46 / 21 / 19

HEX #CF70A4

RGB 207 112 164

HSL 327.16, 0.5%, 0.63%

LAB 59.47, 43.79, -11.22

 

CMYK 63 / 0 / 40 / 44

HEX #358F56

RGB 53 143 86

HSL 142, 0.46%, 0.38%

LAB 53.03, -40.12, 22.63

 

CMYK 57 / 0 / 35 / 37

HEX #46A169

RGB 70 161 105

HSL 143.08, 0.39%, 0.45%

LAB 59.72, -40.2, 21.2

 

CMYK 51 / 0 / 31 / 30

HEX #57B37C

RGB 87 179 124

HSL 144.13, 0.38%, 0.52%

LAB 66.31, -40.11, 19.91

 

CMYK 47 / 0 / 27 / 23

HEX #68C58F

RGB 104 197 143

HSL 145.16, 0.44%, 0.59%

LAB 72.8, -39.94, 18.72

 

CMYK 44 / 0 / 25 / 16

HEX #79D7A2

RGB 121 215 162

HSL 146.17, 0.54%, 0.66%

LAB 79.2, -39.73, 17.62

 

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

CMYK 75 / 0 / 42 / 51

HEX #1F7D48

RGB 31 125 72

HSL 146.17, 0.6%, 0.31%

LAB 46.21, -39.69, 21.35

 

CMYK 87 / 0 / 50 / 58

HEX #0E6B35

RGB 14 107 53

HSL 145.16, 0.77%, 0.24%

LAB 39.35, -38.61, 23.13

 

CMYK 100 / 0 / 62 / 65

HEX #005922

RGB 0 89 34

HSL 142.92, 1%, 0.17%

LAB 32.39, -36.71, 25.03

 

CMYK 100 / 0 / 79 / 72

HEX #00470F

RGB 0 71 15

HSL 132.68, 1%, 0.14%

LAB 25.38, -32.94, 26.78

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 67 / 0 / 55 / 45

HEX #2F8D40

RGB 47 141 64

HSL 130.85, 0.5%, 0.37%

LAB 51.86, -44.34, 32.88

 

CMYK 61 / 0 / 67 / 45

HEX #378D2F

RGB 55 141 47

HSL 114.89, 0.5%, 0.37%

LAB 51.91, -44.62, 41.19

 

CMYK 43 / 0 / 67 / 45

HEX #508D2F

RGB 80 141 47

HSL 98.94, 0.5%, 0.37%

LAB 52.91, -37.13, 42.56

 

CMYK 25 / 0 / 67 / 45

HEX #6A8D2F

RGB 106 141 47

HSL 82.34, 0.5%, 0.37%

LAB 54.36, -27.32, 44.56

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 67 / 0 / 18 / 45

HEX #2F8D73

RGB 47 141 115

HSL 163.4, 0.5%, 0.37%

LAB 52.83, -33.94, 5.89

 

CMYK 67 / 0 / 1 / 45

HEX #2F8D8C

RGB 47 141 140

HSL 179.36, 0.5%, 0.37%

LAB 53.54, -26.99, -7.52

 

CMYK 67 / 18 / 0 / 45

HEX #2F748D

RGB 47 116 141

HSL 195.96, 0.5%, 0.37%

LAB 45.66, -13.38, -20.04

 

CMYK 67 / 35 / 0 / 45

HEX #2F5B8D

RGB 47 91 141

HSL 211.91, 0.5%, 0.37%

LAB 37.86, 1.67, -32.2

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 80 / 0 / 44 / 39

HEX #1F9C58

RGB 31 156 88

HSL 147.36, 0.67%, 0.37%

LAB 56.85, -48.62, 26.46

 

CMYK 91 / 0 / 50 / 33

HEX #10AC56

RGB 16 172 86

HSL 146.92, 0.83%, 0.37%

LAB 61.9, -56.04, 33.92

 

CMYK 99 / 0 / 55 / 27

HEX #01BB55

RGB 1 187 85

HSL 147.1, 0.99%, 0.37%

LAB 66.67, -61.85, 40.27

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 51 / 0 / 28 / 51

HEX #3E7E5B

RGB 62 126 91

HSL 147.19, 0.34%, 0.37%

LAB 47.88, -29.23, 12.88

 

CMYK 30 / 0 / 16 / 57

HEX #4D6E5C

RGB 77 110 92

HSL 147.27, 0.18%, 0.37%

LAB 43.51, -16.08, 6.25

 

CMYK 3 / 0 / 1 / 63

HEX #5C5F5E

RGB 92 95 94

HSL 160, 0.02%, 0.37%

LAB 40.03, -1.39, 0.16

 

CMYK 0 / 26 / 12 / 58

HEX #6C505F

RGB 108 80 95

HSL 327.86, 0.15%, 0.37%

LAB 37.39, 14.39, -4.16

 

CMYK 61 / 0 / 67 / 45

HEX #378D2F

RGB 55 141 47

HSL 114.89, 0.5%, 0.37%

LAB 51.91, -44.62, 41.19

 

CMYK 67 / 0 / 55 / 45

HEX #2F8D40

RGB 47 141 64

HSL 130.85, 0.5%, 0.37%

LAB 51.86, -44.34, 32.88

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 67 / 0 / 19 / 45

HEX #2F8D72

RGB 47 141 114

HSL 162.77, 0.5%, 0.37%

LAB 52.81, -34.2, 6.43

 

CMYK 67 / 0 / 1 / 45

HEX #2F8D8B

RGB 47 141 139

HSL 178.72, 0.5%, 0.37%

LAB 53.51, -27.29, -6.99

 

CMYK 67 / 0 / 37 / 69

HEX #1A4F32

RGB 26 79 50

HSL 147.17, 0.5%, 0.21%

LAB 29.52, -25.26, 12.08

 

CMYK 67 / 0 / 36 / 57

HEX #246E46

RGB 36 110 70

HSL 147.57, 0.51%, 0.29%

LAB 41.17, -32.82, 15.81

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

CMYK 67 / 0 / 37 / 33

HEX #39AC6D

RGB 57 172 109

HSL 147.13, 0.5%, 0.45%

LAB 62.91, -46.75, 23.26

 

CMYK 62 / 0 / 34 / 24

HEX #4BC381

RGB 75 195 129

HSL 147, 0.5%, 0.53%

LAB 70.95, -48.63, 23.48

 

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

CMYK 67 / 43 / 0 / 45

HEX #2F508D

RGB 47 80 141

HSL 218.94, 0.5%, 0.37%

LAB 34.53, 8.82, -37.48

 

CMYK 0 / 64 / 67 / 45

HEX #8D332F

RGB 141 51 47

HSL 2.55, 0.5%, 0.37%

LAB 34.47, 37.96, 22.76

 

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

CMYK 37 / 67 / 0 / 45

HEX #592F8D

RGB 89 47 141

HSL 266.81, 0.5%, 0.37%

LAB 29.61, 38.99, -45.2

 

CMYK 0 / 37 / 67 / 45

HEX #8D592F

RGB 141 89 47

HSL 26.81, 0.5%, 0.37%

LAB 42.78, 17.25, 32.68

 

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

CMYK 67 / 43 / 0 / 45

HEX #2F508D

RGB 47 80 141

HSL 218.94, 0.5%, 0.37%

LAB 34.53, 8.82, -37.48

 

CMYK 0 / 67 / 30 / 45

HEX #8D2F63

RGB 141 47 99

HSL 326.81, 0.5%, 0.37%

LAB 35.2, 44.97, -9.48

 

CMYK 0 / 23 / 67 / 45

HEX #8D6C2F

RGB 141 108 47

HSL 38.94, 0.5%, 0.37%

LAB 47.74, 6.18, 38.27

 

CMYK 66 / 0 / 36 / 44

HEX #308F5B

RGB 48 143 91

HSL 147.16, 0.5%, 0.37%

LAB 52.98, -40.18, 19.76

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 0 / 67 / 30 / 45

HEX #8D2F63

RGB 141 47 99

HSL 326.81, 0.5%, 0.37%

LAB 35.2, 44.97, -9.48

 

CMYK 0 / 4 / 67 / 45

HEX #8D882F

RGB 141 136 47

HSL 56.81, 0.5%, 0.37%

LAB 55.56, -9.56, 46.64

 

Description

Color code: HEX #308F5B | qconv.com Color code: HEX #308F5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 143 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 143 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 36 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 36% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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