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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309148 it is the complementary color #CF6EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309148 shade: #359143, #46A356, #57B569, #68C77C and #79D98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309148 shade: #309148, #1F7F35, #0E6D22, #005B0F and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309148 shade: #309148, #329130, #4C9130, #669130 and #809130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309148 shade: #309148, #309162, #30917C, #308B91 and #307191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309148 shade matches the following richer shades: #309148, #20A140, #11B038 and #01C030

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309148 shade: #309148, #408150, #4F7158, #5F6260 and #6F5268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309148 shade: #4D9130, #339130, #309147, #309160 and #30917A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309148 shade: #1B5329, #267239, #309148, #3AB057 and #4FC46C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309148 shade: #309148, #306791 and #913040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309148 shade: #309148, #473091 and #914730

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309148 shade: #309148, #306791, #91307A and #915A30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309148 shade: #309148, #304A91, #91307A and #917730

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

Complementary color

CMYK 0 / 47 / 12 / 19

HEX #CF6EB7

RGB 207 110 183

HSL 314.85, 0.5%, 0.62%

LAB 59.74, 47.77, -21.7

 

CMYK 63 / 0 / 54 / 43

HEX #359143

RGB 53 145 67

HSL 129.13, 0.46%, 0.39%

LAB 53.4, -44.14, 33.25

 

CMYK 57 / 0 / 47 / 36

HEX #46A356

RGB 70 163 86

HSL 130.32, 0.4%, 0.46%

LAB 60.04, -44.39, 31.8

 

CMYK 52 / 0 / 42 / 29

HEX #57B569

RGB 87 181 105

HSL 131.49, 0.39%, 0.53%

LAB 66.59, -44.4, 30.4

 

CMYK 48 / 0 / 38 / 22

HEX #68C77C

RGB 104 199 124

HSL 132.63, 0.46%, 0.59%

LAB 73.05, -44.29, 29.09

 

CMYK 44 / 0 / 34 / 15

HEX #79D98F

RGB 121 217 143

HSL 133.75, 0.56%, 0.66%

LAB 79.43, -44.1, 27.86

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 76 / 0 / 58 / 50

HEX #1F7F35

RGB 31 127 53

HSL 133.75, 0.61%, 0.31%

LAB 46.61, -43.72, 32.1

 

CMYK 87 / 0 / 69 / 57

HEX #0E6D22

RGB 14 109 34

HSL 132.63, 0.77%, 0.24%

LAB 39.83, -42.22, 33.57

 

CMYK 100 / 0 / 84 / 64

HEX #005B0F

RGB 0 91 15

HSL 129.89, 1%, 0.18%

LAB 32.96, -39.64, 34.41

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 66 / 0 / 67 / 43

HEX #329130

RGB 50 145 48

HSL 118.76, 0.5%, 0.38%

LAB 53.1, -47.21, 42.01

 

CMYK 48 / 0 / 67 / 43

HEX #4C9130

RGB 76 145 48

HSL 102.68, 0.5%, 0.38%

LAB 54.03, -40.07, 43.28

 

CMYK 30 / 0 / 67 / 43

HEX #669130

RGB 102 145 48

HSL 86.6, 0.5%, 0.38%

LAB 55.37, -30.75, 45.12

 

CMYK 12 / 0 / 67 / 43

HEX #809130

RGB 128 145 48

HSL 70.52, 0.5%, 0.38%

LAB 57.13, -20, 47.51

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 67 / 0 / 32 / 43

HEX #309162

RGB 48 145 98

HSL 150.93, 0.5%, 0.38%

LAB 53.77, -39.55, 16.91

 

CMYK 67 / 0 / 14 / 43

HEX #30917C

RGB 48 145 124

HSL 167.01, 0.5%, 0.38%

LAB 54.38, -33.27, 2.95

 

CMYK 67 / 4 / 0 / 43

HEX #308B91

RGB 48 139 145

HSL 183.71, 0.5%, 0.38%

LAB 53.1, -24.31, -11.07

 

CMYK 67 / 22 / 0 / 43

HEX #307191

RGB 48 113 145

HSL 199.79, 0.5%, 0.38%

LAB 44.92, -10.12, -23.56

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 80 / 0 / 60 / 37

HEX #20A140

RGB 32 161 64

HSL 134.88, 0.67%, 0.38%

LAB 58.2, -54.09, 40.32

 

CMYK 90 / 0 / 68 / 31

HEX #11B038

RGB 17 176 56

HSL 134.72, 0.82%, 0.38%

LAB 62.89, -61.29, 49.07

 

CMYK 99 / 0 / 75 / 25

HEX #01C030

RGB 1 192 48

HSL 134.76, 0.99%, 0.38%

LAB 67.96, -67.53, 57.34

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 50 / 0 / 38 / 49

HEX #408150

RGB 64 129 80

HSL 134.77, 0.34%, 0.38%

LAB 48.72, -32.31, 20.34

 

CMYK 30 / 0 / 22 / 56

HEX #4F7158

RGB 79 113 88

HSL 135.88, 0.18%, 0.38%

LAB 44.49, -17.86, 10.04

 

CMYK 3 / 0 / 2 / 62

HEX #5F6260

RGB 95 98 96

HSL 140, 0.02%, 0.38%

LAB 41.24, -1.59, 0.72

 

CMYK 0 / 26 / 6 / 56

HEX #6F5268

RGB 111 82 104

HSL 314.48, 0.15%, 0.38%

LAB 38.57, 16.09, -7.97

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 65 / 0 / 67 / 43

HEX #339130

RGB 51 145 48

HSL 118.14, 0.5%, 0.38%

LAB 53.13, -46.99, 42.05

 

CMYK 67 / 0 / 51 / 43

HEX #309147

RGB 48 145 71

HSL 134.23, 0.5%, 0.38%

LAB 53.31, -44.62, 31.05

 

CMYK 67 / 0 / 34 / 43

HEX #309160

RGB 48 145 96

HSL 149.69, 0.5%, 0.38%

LAB 53.73, -39.98, 17.98

 

CMYK 67 / 0 / 16 / 43

HEX #30917A

RGB 48 145 122

HSL 165.77, 0.5%, 0.38%

LAB 54.33, -33.79, 4.02

 

CMYK 67 / 0 / 51 / 67

HEX #1B5329

RGB 27 83 41

HSL 135, 0.51%, 0.22%

LAB 30.83, -28.73, 19.28

 

CMYK 67 / 0 / 50 / 55

HEX #267239

RGB 38 114 57

HSL 135, 0.5%, 0.3%

LAB 42.37, -36.62, 24.82

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 67 / 0 / 51 / 31

HEX #3AB057

RGB 58 176 87

HSL 134.75, 0.5%, 0.46%

LAB 63.87, -51.95, 36

 

CMYK 60 / 0 / 45 / 23

HEX #4FC46C

RGB 79 196 108

HSL 134.87, 0.5%, 0.54%

LAB 71.03, -51.91, 34.52

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 67 / 29 / 0 / 43

HEX #306791

RGB 48 103 145

HSL 205.98, 0.5%, 0.38%

LAB 41.8, -4.17, -28.41

 

CMYK 0 / 67 / 56 / 43

HEX #913040

RGB 145 48 64

HSL 350.1, 0.5%, 0.38%

LAB 35.01, 42.03, 12.82

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 51 / 67 / 0 / 43

HEX #473091

RGB 71 48 145

HSL 254.23, 0.5%, 0.38%

LAB 28.11, 35.78, -50.2

 

CMYK 0 / 51 / 67 / 43

HEX #914730

RGB 145 71 48

HSL 14.23, 0.5%, 0.38%

LAB 39.14, 29.28, 27.99

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 67 / 29 / 0 / 43

HEX #306791

RGB 48 103 145

HSL 205.98, 0.5%, 0.38%

LAB 41.8, -4.17, -28.41

 

CMYK 0 / 67 / 16 / 43

HEX #91307A

RGB 145 48 122

HSL 314.23, 0.5%, 0.38%

LAB 37, 49.03, -21.15

 

CMYK 0 / 38 / 67 / 43

HEX #915A30

RGB 145 90 48

HSL 25.98, 0.5%, 0.38%

LAB 43.57, 18.52, 33.19

 

CMYK 67 / 0 / 50 / 43

HEX #309148

RGB 48 145 72

HSL 134.85, 0.5%, 0.38%

LAB 53.33, -44.46, 30.54

 

CMYK 67 / 49 / 0 / 43

HEX #304A91

RGB 48 74 145

HSL 223.92, 0.5%, 0.38%

LAB 33.07, 14.5, -42.25

 

CMYK 0 / 67 / 16 / 43

HEX #91307A

RGB 145 48 122

HSL 314.23, 0.5%, 0.38%

LAB 37, 49.03, -21.15

 

CMYK 0 / 18 / 67 / 43

HEX #917730

RGB 145 119 48

HSL 43.92, 0.5%, 0.38%

LAB 51.18, 1.78, 41.66

 

Description

Color code: HEX #309148 | qconv.com Color code: HEX #309148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 145 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 145 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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