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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309F36 it is the complementary color #CF60C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309F36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309F36 shade: #359F31, #46B144, #57C357, #68D56A and #79E77D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309F36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309F36 shade: #309F36, #1F8D23, #0E7B10, #006900 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309F36 shade: #30A136, #48A130, #66A130, #85A130 and #A19E30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309F36 shade: #30A136, #30A154, #30A173, #30A191 and #3092A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309F36 shade matches the following richer shades: #30A136, #1FB127 and #0EC218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309F36 shade: #30A136, #419045, #517F54, #626E63 and #735D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309F36 shade: #66A130, #48A130, #30A135, #30A153 and #30A171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309F36 shade: #1D6120, #26812B, #30A136, #39C040 and #56CC5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309F36 shade: #309F36, #3084A1 and #A13057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309F36 shade: #309F36, #3530A1 and #A13530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309F36 shade: #309F36, #3084A1, #A1309B and #A14C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309F36 shade: #309F36, #3062A1, #A1309B and #A16E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

Complementary color

CMYK 0 / 54 / 3 / 19

HEX #CF60C9

RGB 207 96 201

HSL 303.24, 0.54%, 0.59%

LAB 57.89, 57.61, -34.83

 

CMYK 67 / 0 / 69 / 38

HEX #359F31

RGB 53 159 49

HSL 117.82, 0.53%, 0.41%

LAB 57.82, -51.52, 46.7

 

CMYK 60 / 0 / 62 / 31

HEX #46B144

RGB 70 177 68

HSL 118.9, 0.44%, 0.48%

LAB 64.29, -52.25, 45.7

 

CMYK 55 / 0 / 55 / 24

HEX #57C357

RGB 87 195 87

HSL 120, 0.47%, 0.55%

LAB 70.69, -52.62, 44.49

 

CMYK 51 / 0 / 50 / 16

HEX #68D56A

RGB 104 213 106

HSL 121.1, 0.56%, 0.62%

LAB 77.02, -52.75, 43.21

 

CMYK 48 / 0 / 46 / 9

HEX #79E77D

RGB 121 231 125

HSL 122.18, 0.7%, 0.69%

LAB 83.28, -52.74, 41.93

 

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

CMYK 78 / 0 / 75 / 45

HEX #1F8D23

RGB 31 141 35

HSL 122.18, 0.64%, 0.34%

LAB 51.22, -50.66, 45.26

 

CMYK 89 / 0 / 87 / 52

HEX #0E7B10

RGB 14 123 16

HSL 121.1, 0.8%, 0.27%

LAB 44.66, -48.35, 45.11

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 70 / 0 / 66 / 37

HEX #30A136

RGB 48 161 54

HSL 123.19, 0.54%, 0.41%

LAB 58.4, -52.73, 45.17

 

CMYK 55 / 0 / 70 / 37

HEX #48A130

RGB 72 161 48

HSL 107.26, 0.54%, 0.41%

LAB 59.05, -47.69, 48.58

 

CMYK 37 / 0 / 70 / 37

HEX #66A130

RGB 102 161 48

HSL 91.33, 0.54%, 0.41%

LAB 60.36, -38.04, 50.36

 

CMYK 17 / 0 / 70 / 37

HEX #85A130

RGB 133 161 48

HSL 74.87, 0.54%, 0.41%

LAB 62.24, -25.9, 52.88

 

CMYK 0 / 2 / 70 / 37

HEX #A19E30

RGB 161 158 48

HSL 58.41, 0.54%, 0.41%

LAB 63.54, -12.33, 54.9

 

CMYK 70 / 0 / 66 / 37

HEX #30A136

RGB 48 161 54

HSL 123.19, 0.54%, 0.41%

LAB 58.4, -52.73, 45.17

 

CMYK 70 / 0 / 48 / 37

HEX #30A154

RGB 48 161 84

HSL 139.12, 0.54%, 0.41%

LAB 58.75, -48.65, 31.08

 

CMYK 70 / 0 / 29 / 37

HEX #30A173

RGB 48 161 115

HSL 155.58, 0.54%, 0.41%

LAB 59.3, -42.54, 15.01

 

CMYK 70 / 0 / 10 / 37

HEX #30A191

RGB 48 161 145

HSL 171.5, 0.54%, 0.41%

LAB 60.04, -35, -0.79

 

CMYK 70 / 9 / 0 / 37

HEX #3092A1

RGB 48 146 161

HSL 187.96, 0.54%, 0.41%

LAB 55.85, -22.92, -16.14

 

CMYK 70 / 0 / 66 / 37

HEX #30A136

RGB 48 161 54

HSL 123.19, 0.54%, 0.41%

LAB 58.4, -52.73, 45.17

 

CMYK 82 / 0 / 78 / 31

HEX #1FB127

RGB 31 177 39

HSL 123.29, 0.7%, 0.41%

LAB 63.25, -61.79, 55.77

 

CMYK 93 / 0 / 88 / 24

HEX #0EC218

RGB 14 194 24

HSL 123.33, 0.87%, 0.41%

LAB 68.56, -68.91, 64.53

 

CMYK 70 / 0 / 66 / 37

HEX #30A136

RGB 48 161 54

HSL 123.19, 0.54%, 0.41%

LAB 58.4, -52.73, 45.17

 

CMYK 55 / 0 / 52 / 44

HEX #419045

RGB 65 144 69

HSL 123.04, 0.38%, 0.41%

LAB 53.49, -40.43, 32.43

 

CMYK 36 / 0 / 34 / 50

HEX #517F54

RGB 81 127 84

HSL 123.91, 0.22%, 0.41%

LAB 48.97, -25.2, 18.54

 

CMYK 11 / 0 / 10 / 57

HEX #626E63

RGB 98 110 99

HSL 125, 0.06%, 0.41%

LAB 45.15, -6.86, 4.6

 

CMYK 0 / 19 / 1 / 55

HEX #735D72

RGB 115 93 114

HSL 302.73, 0.11%, 0.41%

LAB 42.29, 12.95, -8.51

 

CMYK 37 / 0 / 70 / 37

HEX #66A130

RGB 102 161 48

HSL 91.33, 0.54%, 0.41%

LAB 60.36, -38.04, 50.36

 

CMYK 55 / 0 / 70 / 37

HEX #48A130

RGB 72 161 48

HSL 107.26, 0.54%, 0.41%

LAB 59.05, -47.69, 48.58

 

CMYK 70 / 0 / 67 / 37

HEX #30A135

RGB 48 161 53

HSL 122.65, 0.54%, 0.41%

LAB 58.39, -52.84, 45.59

 

CMYK 70 / 0 / 48 / 37

HEX #30A153

RGB 48 161 83

HSL 138.58, 0.54%, 0.41%

LAB 58.74, -48.82, 31.58

 

CMYK 70 / 0 / 30 / 37

HEX #30A171

RGB 48 161 113

HSL 154.51, 0.54%, 0.41%

LAB 59.26, -42.99, 16.07

 

CMYK 70 / 0 / 67 / 62

HEX #1D6120

RGB 29 97 32

HSL 122.65, 0.54%, 0.25%

LAB 35.82, -35.49, 30.16

 

CMYK 71 / 0 / 67 / 49

HEX #26812B

RGB 38 129 43

HSL 123.3, 0.54%, 0.33%

LAB 47.35, -44.44, 37.84

 

CMYK 70 / 0 / 66 / 37

HEX #30A136

RGB 48 161 54

HSL 123.19, 0.54%, 0.41%

LAB 58.4, -52.73, 45.17

 

CMYK 70 / 0 / 67 / 25

HEX #39C040

RGB 57 192 64

HSL 123.11, 0.54%, 0.49%

LAB 68.71, -60.64, 52.24

 

CMYK 58 / 0 / 54 / 20

HEX #56CC5D

RGB 86 204 93

HSL 123.56, 0.54%, 0.57%

LAB 73.52, -55.52, 45.02

 

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

CMYK 70 / 18 / 0 / 37

HEX #3084A1

RGB 48 132 161

HSL 195.4, 0.54%, 0.41%

LAB 51.5, -15.43, -22.78

 

CMYK 0 / 70 / 46 / 37

HEX #A13057

RGB 161 48 87

HSL 339.29, 0.54%, 0.41%

LAB 38.51, 49.34, 3.46

 

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

CMYK 67 / 70 / 0 / 37

HEX #3530A1

RGB 53 48 161

HSL 242.65, 0.54%, 0.41%

LAB 27.96, 38.04, -60.28

 

CMYK 0 / 67 / 70 / 37

HEX #A13530

RGB 161 53 48

HSL 2.65, 0.54%, 0.41%

LAB 38.44, 44.29, 27.81

 

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

CMYK 70 / 18 / 0 / 37

HEX #3084A1

RGB 48 132 161

HSL 195.4, 0.54%, 0.41%

LAB 51.5, -15.43, -22.78

 

CMYK 0 / 70 / 4 / 37

HEX #A1309B

RGB 161 48 155

HSL 303.19, 0.54%, 0.41%

LAB 41.31, 58.44, -34.44

 

CMYK 0 / 53 / 70 / 37

HEX #A14C30

RGB 161 76 48

HSL 14.87, 0.54%, 0.41%

LAB 42.7, 33.12, 32.79

 

CMYK 70 / 0 / 66 / 38

HEX #309F36

RGB 48 159 54

HSL 123.24, 0.54%, 0.41%

LAB 57.74, -52.03, 44.45

 

CMYK 70 / 39 / 0 / 37

HEX #3062A1

RGB 48 98 161

HSL 213.45, 0.54%, 0.41%

LAB 41.12, 4.78, -39.03

 

CMYK 0 / 70 / 4 / 37

HEX #A1309B

RGB 161 48 155

HSL 303.19, 0.54%, 0.41%

LAB 41.31, 58.44, -34.44

 

CMYK 0 / 32 / 70 / 37

HEX #A16E30

RGB 161 110 48

HSL 32.92, 0.54%, 0.41%

LAB 50.62, 14.19, 41.58

 

Description

Color code: HEX #309F36 | qconv.com Color code: HEX #309F36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 159 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 159 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 66 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 66% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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