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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309F8A it is the complementary color #CF6075. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309F8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309F8A shade: #359F85, #46B198, #57C3AB, #68D5BE and #79E7D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309F8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309F8A shade: #309F8A, #1F8D77, #0E7B64, #006951 and #00573E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309F8A shade: #30A18B, #30A16D, #30A14E, #30A130 and #4EA130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309F8A shade: #30A18B, #3097A1, #3079A1, #305BA1 and #303CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309F8A shade matches the following richer shades: #30A18B, #1FB196 and #0EC2A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309F8A shade: #30A18B, #419081, #517F76, #626E6C and #735D61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309F8A shade: #30A14E, #30A16C, #30A18A, #3099A1 and #307BA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309F8A shade: #1D6154, #268170, #30A18B, #39C0A7 and #56CCB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309F8A shade: #309F8A, #3030A1 and #A15D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309F8A shade: #309F8A, #8A30A1 and #A18A30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309F8A shade: #309F8A, #3030A1, #A13046 and #A1A130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309F8A shade: #309F8A, #5130A1, #A13046 and #7FA130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

Complementary color

CMYK 0 / 54 / 43 / 19

HEX #CF6075

RGB 207 96 117

HSL 348.65, 0.54%, 0.59%

LAB 54.99, 45.9, 9.64

 

CMYK 67 / 0 / 16 / 38

HEX #359F85

RGB 53 159 133

HSL 165.28, 0.5%, 0.42%

LAB 59.2, -36.48, 4.8

 

CMYK 60 / 0 / 14 / 31

HEX #46B198

RGB 70 177 152

HSL 165.98, 0.43%, 0.48%

LAB 65.76, -36.75, 3.7

 

CMYK 55 / 0 / 12 / 24

HEX #57C3AB

RGB 87 195 171

HSL 166.67, 0.47%, 0.55%

LAB 72.23, -36.87, 2.7

 

CMYK 51 / 0 / 11 / 16

HEX #68D5BE

RGB 104 213 190

HSL 167.34, 0.56%, 0.62%

LAB 78.61, -36.89, 1.79

 

CMYK 48 / 0 / 10 / 9

HEX #79E7D1

RGB 121 231 209

HSL 168, 0.7%, 0.69%

LAB 84.9, -36.85, 0.95

 

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

CMYK 78 / 0 / 16 / 45

HEX #1F8D77

RGB 31 141 119

HSL 168, 0.64%, 0.34%

LAB 52.59, -35.29, 3.19

 

CMYK 89 / 0 / 19 / 52

HEX #0E7B64

RGB 14 123 100

HSL 167.34, 0.8%, 0.27%

LAB 45.88, -34.16, 4.6

 

CMYK 100 / 0 / 23 / 59

HEX #006951

RGB 0 105 81

HSL 166.29, 1%, 0.21%

LAB 39.07, -32.5, 6.22

 

CMYK 100 / 0 / 29 / 66

HEX #00573E

RGB 0 87 62

HSL 162.76, 1%, 0.17%

LAB 32.18, -29.81, 8.18

 

CMYK 70 / 0 / 14 / 37

HEX #30A18B

RGB 48 161 139

HSL 168.32, 0.54%, 0.41%

LAB 59.87, -36.63, 2.36

 

CMYK 70 / 0 / 32 / 37

HEX #30A16D

RGB 48 161 109

HSL 152.39, 0.54%, 0.41%

LAB 59.18, -43.87, 18.17

 

CMYK 70 / 0 / 52 / 37

HEX #30A14E

RGB 48 161 78

HSL 135.93, 0.54%, 0.41%

LAB 58.67, -49.61, 34.07

 

CMYK 70 / 0 / 70 / 37

HEX #30A130

RGB 48 161 48

HSL 120, 0.54%, 0.41%

LAB 58.35, -53.33, 47.63

 

CMYK 52 / 0 / 70 / 37

HEX #4EA130

RGB 78 161 48

HSL 104.07, 0.54%, 0.41%

LAB 59.27, -45.97, 48.89

 

CMYK 70 / 0 / 14 / 37

HEX #30A18B

RGB 48 161 139

HSL 168.32, 0.54%, 0.41%

LAB 59.87, -36.63, 2.36

 

CMYK 70 / 6 / 0 / 37

HEX #3097A1

RGB 48 151 161

HSL 185.31, 0.54%, 0.41%

LAB 57.4, -25.48, -13.79

 

CMYK 70 / 25 / 0 / 37

HEX #3079A1

RGB 48 121 161

HSL 201.24, 0.54%, 0.41%

LAB 48.1, -9.21, -28.04

 

CMYK 70 / 43 / 0 / 37

HEX #305BA1

RGB 48 91 161

HSL 217.17, 0.54%, 0.41%

LAB 39.04, 9.28, -42.34

 

CMYK 70 / 63 / 0 / 37

HEX #303CA1

RGB 48 60 161

HSL 233.63, 0.54%, 0.41%

LAB 30.48, 29.79, -56.17

 

CMYK 70 / 0 / 14 / 37

HEX #30A18B

RGB 48 161 139

HSL 168.32, 0.54%, 0.41%

LAB 59.87, -36.63, 2.36

 

CMYK 82 / 0 / 15 / 31

HEX #1FB196

RGB 31 177 150

HSL 168.9, 0.7%, 0.41%

LAB 64.91, -42.74, 3.48

 

CMYK 93 / 0 / 18 / 24

HEX #0EC2A0

RGB 14 194 160

HSL 168.67, 0.87%, 0.41%

LAB 70.33, -48.28, 5.78

 

CMYK 70 / 0 / 14 / 37

HEX #30A18B

RGB 48 161 139

HSL 168.32, 0.54%, 0.41%

LAB 59.87, -36.63, 2.36

 

CMYK 55 / 0 / 10 / 44

HEX #419081

RGB 65 144 129

HSL 168.61, 0.38%, 0.41%

LAB 54.72, -28.07, 0.62

 

CMYK 36 / 0 / 7 / 50

HEX #517F76

RGB 81 127 118

HSL 168.26, 0.22%, 0.41%

LAB 49.78, -17.9, -0.1

 

CMYK 11 / 0 / 2 / 57

HEX #626E6C

RGB 98 110 108

HSL 170, 0.06%, 0.41%

LAB 45.4, -4.95, -0.43

 

CMYK 0 / 19 / 16 / 55

HEX #735D61

RGB 115 93 97

HSL 349.09, 0.11%, 0.41%

LAB 41.75, 9.65, 1.09

 

CMYK 70 / 0 / 52 / 37

HEX #30A14E

RGB 48 161 78

HSL 135.93, 0.54%, 0.41%

LAB 58.67, -49.61, 34.07

 

CMYK 70 / 0 / 33 / 37

HEX #30A16C

RGB 48 161 108

HSL 151.86, 0.54%, 0.41%

LAB 59.16, -44.08, 18.7

 

CMYK 70 / 0 / 14 / 37

HEX #30A18A

RGB 48 161 138

HSL 167.79, 0.54%, 0.41%

LAB 59.85, -36.89, 2.89

 

CMYK 70 / 5 / 0 / 37

HEX #3099A1

RGB 48 153 161

HSL 184.25, 0.54%, 0.41%

LAB 58.02, -26.49, -12.85

 

CMYK 70 / 24 / 0 / 37

HEX #307BA1

RGB 48 123 161

HSL 200.18, 0.54%, 0.41%

LAB 48.72, -10.36, -27.09

 

CMYK 70 / 0 / 13 / 62

HEX #1D6154

RGB 29 97 84

HSL 168.53, 0.54%, 0.25%

LAB 36.84, -24.53, 1.24

 

CMYK 71 / 0 / 13 / 49

HEX #268170

RGB 38 129 112

HSL 168.79, 0.54%, 0.33%

LAB 48.61, -30.68, 1.53

 

CMYK 70 / 0 / 14 / 37

HEX #30A18B

RGB 48 161 139

HSL 168.32, 0.54%, 0.41%

LAB 59.87, -36.63, 2.36

 

CMYK 70 / 0 / 13 / 25

HEX #39C0A7

RGB 57 192 167

HSL 168.89, 0.54%, 0.49%

LAB 70.43, -41.78, 2.17

 

CMYK 58 / 0 / 11 / 20

HEX #56CCB6

RGB 86 204 182

HSL 168.81, 0.54%, 0.57%

LAB 75.17, -38.46, 1.01

 

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

CMYK 70 / 70 / 0 / 37

HEX #3030A1

RGB 48 48 161

HSL 240, 0.54%, 0.41%

LAB 27.62, 37.42, -60.87

 

CMYK 0 / 42 / 70 / 37

HEX #A15D30

RGB 161 93 48

HSL 23.89, 0.54%, 0.41%

LAB 46.47, 23.83, 37.05

 

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

CMYK 14 / 70 / 0 / 37

HEX #8A30A1

RGB 138 48 161

HSL 287.79, 0.54%, 0.41%

LAB 38, 54.2, -43.53

 

CMYK 0 / 14 / 70 / 37

HEX #A18A30

RGB 161 138 48

HSL 47.79, 0.54%, 0.41%

LAB 58.01, -1.56, 49.32

 

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

CMYK 70 / 70 / 0 / 37

HEX #3030A1

RGB 48 48 161

HSL 240, 0.54%, 0.41%

LAB 27.62, 37.42, -60.87

 

CMYK 0 / 70 / 57 / 37

HEX #A13046

RGB 161 48 70

HSL 348.32, 0.54%, 0.41%

LAB 38.08, 47.83, 13.65

 

CMYK 0 / 0 / 70 / 37

HEX #A1A130

RGB 161 161 48

HSL 60, 0.54%, 0.41%

LAB 64.39, -13.9, 55.73

 

CMYK 70 / 0 / 13 / 38

HEX #309F8A

RGB 48 159 138

HSL 168.65, 0.54%, 0.41%

LAB 59.21, -35.98, 1.97

 

CMYK 50 / 70 / 0 / 37

HEX #5130A1

RGB 81 48 161

HSL 257.52, 0.54%, 0.41%

LAB 30.49, 42.42, -56.05

 

CMYK 0 / 70 / 57 / 37

HEX #A13046

RGB 161 48 70

HSL 348.32, 0.54%, 0.41%

LAB 38.08, 47.83, 13.65

 

CMYK 21 / 0 / 70 / 37

HEX #7FA130

RGB 127 161 48

HSL 78.05, 0.54%, 0.41%

LAB 61.84, -28.38, 52.34

 

Description

Color code: HEX #309F8A | qconv.com Color code: HEX #309F8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 159 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 159 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 13 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 13% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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