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Color name
HEX #30A4DE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30A4DE it is the complementary color #CF5B21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30A4DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30A4DE shade: #35A4D9, #46B6EC, #57C8FF, #68DAFF and #79ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30A4DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30A4DE shade: #30A4DE, #1F92CB, #0E80B8, #006EA5 and #005C92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30A4DE shade: #2FA4DE, #2F75DE, #2F45DE, #482FDE and #772FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30A4DE shade: #2FA4DE, #2F75DE, #2F45DE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30A4DE shade matches the following richer shades: #2FA4DE and #1CAAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30A4DE shade: #2FA4DE, #439DCB, #5697B7, #6990A4 and #7D8A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30A4DE shade: #2FDEBB, #2FD2DE, #2FA4DE, #2F75DE and #2F46DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30A4DE shade: #1974A2, #1E8EC6, #2FA4DE, #53B3E4 and #77C3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30A4DE shade: #30A4DE, #8C2FDE and #DED22F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30A4DE shade: #30A4DE, #DE2FA4 and #A4DE2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30A4DE shade: #30A4DE, #8C2FDE, #DE692F and #81DE2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30A4DE shade: #30A4DE, #C12FDE, #DE692F and #4CDE2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

Complementary color

CMYK 0 / 56 / 84 / 19

HEX #CF5B21

RGB 207 91 33

HSL 20, 0.73%, 0.47%

LAB 52.79, 42.95, 52.7

 

CMYK 76 / 24 / 0 / 15

HEX #35A4D9

RGB 53 164 217

HSL 199.39, 0.68%, 0.53%

LAB 63.6, -13.35, -35.73

 

CMYK 70 / 23 / 0 / 7

HEX #46B6EC

RGB 70 182 236

HSL 199.52, 0.81%, 0.6%

LAB 70.05, -14.58, -36.1

 

CMYK 66 / 22 / 0 / 0

HEX #57C8FF

RGB 87 200 255

HSL 199.64, 1%, 0.67%

LAB 76.41, -15.57, -36.44

 

CMYK 59 / 15 / 0 / 0

HEX #68DAFF

RGB 104 218 255

HSL 194.7, 1%, 0.7%

LAB 82, -21.98, -27.79

 

CMYK 53 / 7 / 0 / 0

HEX #79ECFF

RGB 121 236 255

HSL 188.51, 1%, 0.74%

LAB 87.62, -27.64, -19.2

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

CMYK 85 / 28 / 0 / 20

HEX #1F92CB

RGB 31 146 203

HSL 199.88, 0.74%, 0.46%

LAB 57.23, -10.42, -37.9

 

CMYK 92 / 30 / 0 / 28

HEX #0E80B8

RGB 14 128 184

HSL 199.76, 0.86%, 0.39%

LAB 50.68, -8.19, -37.4

 

CMYK 100 / 33 / 0 / 35

HEX #006EA5

RGB 0 110 165

HSL 200, 1%, 0.32%

LAB 44.04, -5.44, -36.82

 

CMYK 100 / 37 / 0 / 43

HEX #005C92

RGB 0 92 146

HSL 202.19, 1%, 0.29%

LAB 37.35, -1.94, -36.09

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 79 / 47 / 0 / 13

HEX #2F75DE

RGB 47 117 222

HSL 216, 0.73%, 0.53%

LAB 50.22, 15.5, -59.76

 

CMYK 79 / 69 / 0 / 13

HEX #2F45DE

RGB 47 69 222

HSL 232.46, 0.73%, 0.53%

LAB 38.08, 45.72, -79.53

 

CMYK 68 / 79 / 0 / 13

HEX #482FDE

RGB 72 47 222

HSL 248.57, 0.73%, 0.53%

LAB 35.37, 59.59, -83.96

 

CMYK 46 / 79 / 0 / 13

HEX #772FDE

RGB 119 47 222

HSL 264.69, 0.73%, 0.53%

LAB 39.96, 64.88, -76.23

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 79 / 47 / 0 / 13

HEX #2F75DE

RGB 47 117 222

HSL 216, 0.73%, 0.53%

LAB 50.22, 15.5, -59.76

 

CMYK 79 / 69 / 0 / 13

HEX #2F45DE

RGB 47 69 222

HSL 232.46, 0.73%, 0.53%

LAB 38.08, 45.72, -79.53

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 88 / 30 / 0 / 5

HEX #1CAAF2

RGB 28 170 242

HSL 200.19, 0.89%, 0.53%

LAB 66.06, -9.99, -45.66

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 67 / 23 / 0 / 20

HEX #439DCB

RGB 67 157 203

HSL 200.29, 0.57%, 0.53%

LAB 61.32, -12.29, -31.46

 

CMYK 53 / 17 / 0 / 28

HEX #5697B7

RGB 86 151 183

HSL 199.79, 0.4%, 0.53%

LAB 59.46, -11.66, -23.03

 

CMYK 36 / 12 / 0 / 36

HEX #6990A4

RGB 105 144 164

HSL 200.34, 0.24%, 0.53%

LAB 57.68, -8.3, -14.85

 

CMYK 14 / 5 / 0 / 43

HEX #7D8A91

RGB 125 138 145

HSL 201, 0.08%, 0.53%

LAB 56.67, -3.19, -5.34

 

CMYK 79 / 0 / 16 / 13

HEX #2FDEBB

RGB 47 222 187

HSL 168, 0.73%, 0.53%

LAB 79.86, -50.55, 5.04

 

CMYK 79 / 5 / 0 / 13

HEX #2FD2DE

RGB 47 210 222

HSL 184.11, 0.73%, 0.53%

LAB 77.26, -35.59, -17.52

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 79 / 47 / 0 / 13

HEX #2F75DE

RGB 47 117 222

HSL 216, 0.73%, 0.53%

LAB 50.22, 15.5, -59.76

 

CMYK 79 / 68 / 0 / 13

HEX #2F46DE

RGB 47 70 222

HSL 232.11, 0.73%, 0.53%

LAB 38.3, 45.13, -79.17

 

CMYK 85 / 28 / 0 / 36

HEX #1974A2

RGB 25 116 162

HSL 200.15, 0.73%, 0.37%

LAB 46.05, -8.74, -31.88

 

CMYK 85 / 28 / 0 / 22

HEX #1E8EC6

RGB 30 142 198

HSL 200, 0.74%, 0.45%

LAB 55.79, -10.05, -37.35

 

CMYK 79 / 26 / 0 / 13

HEX #2FA4DE

RGB 47 164 222

HSL 199.89, 0.73%, 0.53%

LAB 63.7, -12.29, -38.36

 

CMYK 64 / 21 / 0 / 11

HEX #53B3E4

RGB 83 179 228

HSL 200.28, 0.73%, 0.61%

LAB 69.24, -13.56, -32.96

 

CMYK 49 / 16 / 0 / 9

HEX #77C3E9

RGB 119 195 233

HSL 200, 0.72%, 0.69%

LAB 75.35, -13.42, -26.16

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

CMYK 37 / 79 / 0 / 13

HEX #8C2FDE

RGB 140 47 222

HSL 271.89, 0.73%, 0.53%

LAB 42.59, 67.91, -71.83

 

CMYK 0 / 5 / 79 / 13

HEX #DED22F

RGB 222 210 47

HSL 55.89, 0.73%, 0.53%

LAB 82.82, -12.65, 75.05

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

CMYK 0 / 79 / 26 / 13

HEX #DE2FA4

RGB 222 47 164

HSL 319.89, 0.73%, 0.53%

LAB 52.11, 74.25, -22.18

 

CMYK 26 / 0 / 79 / 13

HEX #A4DE2F

RGB 164 222 47

HSL 79.89, 0.73%, 0.53%

LAB 82.02, -41.84, 72.78

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

CMYK 37 / 79 / 0 / 13

HEX #8C2FDE

RGB 140 47 222

HSL 271.89, 0.73%, 0.53%

LAB 42.59, 67.91, -71.83

 

CMYK 0 / 53 / 79 / 13

HEX #DE692F

RGB 222 105 47

HSL 19.89, 0.73%, 0.53%

LAB 57.88, 42.26, 52.15

 

CMYK 42 / 0 / 79 / 13

HEX #81DE2F

RGB 129 222 47

HSL 91.89, 0.73%, 0.53%

LAB 80.24, -54.13, 70.5

 

CMYK 78 / 26 / 0 / 13

HEX #30A4DE

RGB 48 164 222

HSL 200, 0.73%, 0.53%

LAB 63.72, -12.19, -38.33

 

CMYK 13 / 79 / 0 / 13

HEX #C12FDE

RGB 193 47 222

HSL 290.06, 0.73%, 0.53%

LAB 50.27, 76.77, -59.01

 

CMYK 0 / 53 / 79 / 13

HEX #DE692F

RGB 222 105 47

HSL 19.89, 0.73%, 0.53%

LAB 57.88, 42.26, 52.15

 

CMYK 66 / 0 / 79 / 13

HEX #4CDE2F

RGB 76 222 47

HSL 110.06, 0.73%, 0.53%

LAB 78.45, -68.15, 68.18

 

Description

Color code: HEX #30A4DE | qconv.com Color code: HEX #30A4DE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 164 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 164 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 26% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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