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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30A0ED it is the complementary color #CF5F12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30A0ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30A0ED shade: #35A0E8, #46B2FB, #57C4FF, #68D6FF and #79E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30A0ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30A0ED shade: #30A0ED, #1F8EDA, #0E7CC7, #006AB4 and #0058A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30A0ED shade: #30A0ED, #306DED, #303AED, #5930ED and #8C30ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30A0ED shade: #30A0ED, #306DED, #303AED and #3030ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30A0ED shade matches the following richer shades: #30A0ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30A0ED shade: #30A0ED, #429CDA, #5499C8, #6796B6 and #7992A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30A0ED shade: #30EDD3, #30D3ED, #30A1ED, #306FED and #303DED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30A0ED shade: #1075BA, #138DE0, #30A0ED, #56B1F0 and #7CC3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30A0ED shade: #30A0ED, #A130ED and #EDED30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30A0ED shade: #30A0ED, #ED30A1 and #A1ED30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30A0ED shade: #30A0ED, #A130ED, #ED7B30 and #7BED30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30A0ED shade: #30A0ED, #DA30ED, #ED7B30 and #43ED30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

Complementary color

CMYK 0 / 54 / 91 / 19

HEX #CF5F12

RGB 207 95 18

HSL 24.44, 0.84%, 0.44%

LAB 53.49, 40.67, 58.45

 

CMYK 77 / 31 / 0 / 9

HEX #35A0E8

RGB 53 160 232

HSL 204.13, 0.8%, 0.56%

LAB 63.11, -5.94, -44.78

 

CMYK 72 / 29 / 0 / 2

HEX #46B2FB

RGB 70 178 251

HSL 204.2, 0.96%, 0.63%

LAB 69.55, -7.44, -45.03

 

CMYK 66 / 23 / 0 / 0

HEX #57C4FF

RGB 87 196 255

HSL 201.07, 1%, 0.67%

LAB 75.28, -13.46, -38.19

 

CMYK 59 / 16 / 0 / 0

HEX #68D6FF

RGB 104 214 255

HSL 196.29, 1%, 0.7%

LAB 80.88, -19.96, -29.51

 

CMYK 53 / 9 / 0 / 0

HEX #79E8FF

RGB 121 232 255

HSL 190.3, 1%, 0.74%

LAB 86.5, -25.69, -20.89

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 86 / 35 / 0 / 15

HEX #1F8EDA

RGB 31 142 218

HSL 204.39, 0.75%, 0.49%

LAB 56.78, -2.62, -47.04

 

CMYK 93 / 38 / 0 / 22

HEX #0E7CC7

RGB 14 124 199

HSL 204.32, 0.87%, 0.42%

LAB 50.25, -0.06, -46.67

 

CMYK 100 / 41 / 0 / 29

HEX #006AB4

RGB 0 106 180

HSL 204.67, 1%, 0.35%

LAB 43.66, 3.03, -46.23

 

CMYK 100 / 45 / 0 / 37

HEX #0058A1

RGB 0 88 161

HSL 207.2, 1%, 0.32%

LAB 37.03, 6.87, -45.63

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 80 / 54 / 0 / 7

HEX #306DED

RGB 48 109 237

HSL 220.63, 0.84%, 0.56%

LAB 49.11, 26.24, -69.99

 

CMYK 80 / 76 / 0 / 7

HEX #303AED

RGB 48 58 237

HSL 236.83, 0.84%, 0.56%

LAB 37.42, 56.95, -89.15

 

CMYK 62 / 80 / 0 / 7

HEX #5930ED

RGB 89 48 237

HSL 253.02, 0.84%, 0.56%

LAB 38.47, 64.9, -87.34

 

CMYK 41 / 80 / 0 / 7

HEX #8C30ED

RGB 140 48 237

HSL 269.21, 0.84%, 0.56%

LAB 43.95, 70.92, -78.12

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 80 / 54 / 0 / 7

HEX #306DED

RGB 48 109 237

HSL 220.63, 0.84%, 0.56%

LAB 49.11, 26.24, -69.99

 

CMYK 80 / 76 / 0 / 7

HEX #303AED

RGB 48 58 237

HSL 236.83, 0.84%, 0.56%

LAB 37.42, 56.95, -89.15

 

CMYK 80 / 80 / 0 / 7

HEX #3030ED

RGB 48 48 237

HSL 240, 0.84%, 0.56%

LAB 35.71, 61.91, -92

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 70 / 28 / 0 / 15

HEX #429CDA

RGB 66 156 218

HSL 204.47, 0.67%, 0.56%

LAB 61.65, -6.88, -39.31

 

CMYK 58 / 24 / 0 / 22

HEX #5499C8

RGB 84 153 200

HSL 204.31, 0.51%, 0.56%

LAB 60.64, -7.97, -30.8

 

CMYK 43 / 18 / 0 / 29

HEX #6796B6

RGB 103 150 182

HSL 204.3, 0.35%, 0.56%

LAB 59.96, -7.28, -21.64

 

CMYK 26 / 11 / 0 / 36

HEX #7992A4

RGB 121 146 164

HSL 205.12, 0.19%, 0.56%

LAB 59.25, -4.59, -12.39

 

CMYK 80 / 0 / 11 / 7

HEX #30EDD3

RGB 48 237 211

HSL 171.75, 0.84%, 0.56%

LAB 84.95, -50.5, -0.25

 

CMYK 80 / 11 / 0 / 7

HEX #30D3ED

RGB 48 211 237

HSL 188.25, 0.84%, 0.56%

LAB 78.07, -31.41, -24.33

 

CMYK 80 / 32 / 0 / 7

HEX #30A1ED

RGB 48 161 237

HSL 204.13, 0.84%, 0.56%

LAB 63.53, -5.25, -46.88

 

CMYK 80 / 53 / 0 / 7

HEX #306FED

RGB 48 111 237

HSL 220, 0.84%, 0.56%

LAB 49.63, 24.98, -69.13

 

CMYK 80 / 74 / 0 / 7

HEX #303DED

RGB 48 61 237

HSL 235.87, 0.84%, 0.56%

LAB 37.99, 55.35, -88.22

 

CMYK 91 / 37 / 0 / 27

HEX #1075BA

RGB 16 117 186

HSL 204.35, 0.84%, 0.4%

LAB 47.47, -0.76, -43.63

 

CMYK 92 / 37 / 0 / 12

HEX #138DE0

RGB 19 141 224

HSL 204.29, 0.84%, 0.48%

LAB 56.65, -0.47, -50.61

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 64 / 26 / 0 / 6

HEX #56B1F0

RGB 86 177 240

HSL 204.55, 0.84%, 0.64%

LAB 69.27, -8.16, -39.46

 

CMYK 49 / 20 / 0 / 5

HEX #7CC3F3

RGB 124 195 243

HSL 204.2, 0.83%, 0.72%

LAB 75.94, -9.48, -30.62

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 32 / 80 / 0 / 7

HEX #A130ED

RGB 161 48 237

HSL 275.87, 0.84%, 0.56%

LAB 46.72, 73.99, -73.48

 

CMYK 0 / 0 / 80 / 7

HEX #EDED30

RGB 237 237 48

HSL 60, 0.84%, 0.56%

LAB 91.14, -19.61, 82.5

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 0 / 80 / 32 / 7

HEX #ED30A1

RGB 237 48 161

HSL 324.13, 0.84%, 0.56%

LAB 54.75, 77.12, -16.13

 

CMYK 32 / 0 / 80 / 7

HEX #A1ED30

RGB 161 237 48

HSL 84.13, 0.84%, 0.56%

LAB 86.19, -49.27, 76.23

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 32 / 80 / 0 / 7

HEX #A130ED

RGB 161 48 237

HSL 275.87, 0.84%, 0.56%

LAB 46.72, 73.99, -73.48

 

CMYK 0 / 48 / 80 / 7

HEX #ED7B30

RGB 237 123 48

HSL 23.81, 0.84%, 0.56%

LAB 63.66, 39.11, 57.97

 

CMYK 48 / 0 / 80 / 7

HEX #7BED30

RGB 123 237 48

HSL 96.19, 0.84%, 0.56%

LAB 84.48, -61.6, 74.04

 

CMYK 80 / 32 / 0 / 7

HEX #30A0ED

RGB 48 160 237

HSL 204.44, 0.84%, 0.56%

LAB 63.25, -4.68, -47.34

 

CMYK 8 / 80 / 0 / 7

HEX #DA30ED

RGB 218 48 237

HSL 293.97, 0.84%, 0.56%

LAB 55.21, 83.5, -59.34

 

CMYK 0 / 48 / 80 / 7

HEX #ED7B30

RGB 237 123 48

HSL 23.81, 0.84%, 0.56%

LAB 63.66, 39.11, 57.97

 

CMYK 72 / 0 / 80 / 7

HEX #43ED30

RGB 67 237 48

HSL 113.97, 0.84%, 0.56%

LAB 82.9, -74.4, 72

 

Description

Color code: HEX #30A0ED | qconv.com Color code: HEX #30A0ED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 160 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 160 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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