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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AB40 it is the complementary color #CF54BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AB40 shade: #35AB3B, #46BD4E, #57CF61, #68E174 and #79F387

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AB40 shade: #30AB40, #1F992D, #0E871A, #007507 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AB40 shade: #30AB40, #41AB30, #62AB30, #83AB30 and #A4AB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AB40 shade: #30AB40, #30AB61, #30AB82, #30ABA3 and #3091AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AB40 shade matches the following richer shades: #30AB40, #1EBC33 and #0CCE25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AB40 shade: #30AB40, #41994D, #53875A, #657567 and #776474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AB40 shade: #63AB30, #42AB30, #30AB3E, #30AB5F and #30AB80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AB40 shade: #1E6A28, #278A34, #30AB40, #3CC84E and #5CD16B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AB40 shade: #30AB40, #3084AB and #AB3053

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AB40 shade: #30AB40, #3E30AB and #AB3E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AB40 shade: #30AB40, #3084AB, #AB309C and #AB5730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AB40 shade: #30AB40, #305FAB, #AB309C and #AB7B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

Complementary color

CMYK 0 / 59 / 8 / 19

HEX #CF54BF

RGB 207 84 191

HSL 307.8, 0.56%, 0.57%

LAB 55.45, 61.36, -32.92

 

CMYK 69 / 0 / 65 / 33

HEX #35AB3B

RGB 53 171 59

HSL 123.05, 0.53%, 0.44%

LAB 61.83, -54.73, 46.8

 

CMYK 63 / 0 / 59 / 26

HEX #46BD4E

RGB 70 189 78

HSL 124.03, 0.47%, 0.51%

LAB 68.2, -55.49, 45.63

 

CMYK 58 / 0 / 53 / 19

HEX #57CF61

RGB 87 207 97

HSL 125, 0.56%, 0.58%

LAB 74.52, -55.89, 44.34

 

CMYK 54 / 0 / 48 / 12

HEX #68E174

RGB 104 225 116

HSL 125.95, 0.67%, 0.65%

LAB 80.77, -56.06, 43.01

 

CMYK 50 / 0 / 44 / 5

HEX #79F387

RGB 121 243 135

HSL 126.89, 0.84%, 0.71%

LAB 86.96, -56.08, 41.71

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 80 / 0 / 71 / 40

HEX #1F992D

RGB 31 153 45

HSL 126.89, 0.66%, 0.36%

LAB 55.34, -53.72, 45.58

 

CMYK 90 / 0 / 81 / 47

HEX #0E871A

RGB 14 135 26

HSL 125.95, 0.81%, 0.29%

LAB 48.88, -51.49, 46.06

 

CMYK 100 / 0 / 94 / 54

HEX #007507

RGB 0 117 7

HSL 123.59, 1%, 0.23%

LAB 42.37, -48.16, 45.17

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 62 / 0 / 72 / 33

HEX #41AB30

RGB 65 171 48

HSL 111.71, 0.56%, 0.43%

LAB 62.05, -53.2, 51.63

 

CMYK 43 / 0 / 72 / 33

HEX #62AB30

RGB 98 171 48

HSL 95.61, 0.56%, 0.43%

LAB 63.29, -43.71, 53.29

 

CMYK 23 / 0 / 72 / 33

HEX #83AB30

RGB 131 171 48

HSL 79.51, 0.56%, 0.43%

LAB 65.09, -31.52, 55.69

 

CMYK 4 / 0 / 72 / 33

HEX #A4AB30

RGB 164 171 48

HSL 63.41, 0.56%, 0.43%

LAB 67.45, -17.74, 58.81

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 72 / 0 / 43 / 33

HEX #30AB61

RGB 48 171 97

HSL 143.9, 0.56%, 0.43%

LAB 62.18, -50.19, 28.66

 

CMYK 72 / 0 / 24 / 33

HEX #30AB82

RGB 48 171 130

HSL 160, 0.56%, 0.43%

LAB 62.82, -43.27, 11.6

 

CMYK 72 / 0 / 5 / 33

HEX #30ABA3

RGB 48 171 163

HSL 176.1, 0.56%, 0.43%

LAB 63.67, -34.6, -5.55

 

CMYK 72 / 15 / 0 / 33

HEX #3091AB

RGB 48 145 171

HSL 192.68, 0.56%, 0.43%

LAB 55.91, -19.16, -21.77

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 84 / 0 / 73 / 26

HEX #1EBC33

RGB 30 188 51

HSL 127.97, 0.72%, 0.43%

LAB 66.89, -64.32, 55.25

 

CMYK 94 / 0 / 82 / 19

HEX #0CCE25

RGB 12 206 37

HSL 127.73, 0.89%, 0.43%

LAB 72.46, -71.75, 65.01

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 58 / 0 / 50 / 40

HEX #41994D

RGB 65 153 77

HSL 128.18, 0.4%, 0.43%

LAB 56.53, -42.96, 32.03

 

CMYK 39 / 0 / 33 / 47

HEX #53875A

RGB 83 135 90

HSL 128.08, 0.24%, 0.43%

LAB 51.73, -27.4, 18.87

 

CMYK 14 / 0 / 12 / 54

HEX #657567

RGB 101 117 103

HSL 127.5, 0.07%, 0.43%

LAB 47.58, -8.9, 5.73

 

CMYK 0 / 16 / 3 / 53

HEX #776474

RGB 119 100 116

HSL 309.47, 0.09%, 0.43%

LAB 44.66, 10.64, -6.14

 

CMYK 42 / 0 / 72 / 33

HEX #63AB30

RGB 99 171 48

HSL 95.12, 0.56%, 0.43%

LAB 63.34, -43.38, 53.35

 

CMYK 61 / 0 / 72 / 33

HEX #42AB30

RGB 66 171 48

HSL 111.22, 0.56%, 0.43%

LAB 62.08, -52.96, 51.67

 

CMYK 72 / 0 / 64 / 33

HEX #30AB3E

RGB 48 171 62

HSL 126.83, 0.56%, 0.43%

LAB 61.74, -55.32, 45.36

 

CMYK 72 / 0 / 44 / 33

HEX #30AB5F

RGB 48 171 95

HSL 142.93, 0.56%, 0.43%

LAB 62.15, -50.54, 29.67

 

CMYK 72 / 0 / 25 / 33

HEX #30AB80

RGB 48 171 128

HSL 159.02, 0.56%, 0.43%

LAB 62.77, -43.74, 12.65

 

CMYK 72 / 0 / 62 / 58

HEX #1E6A28

RGB 30 106 40

HSL 127.89, 0.56%, 0.27%

LAB 39.13, -37.76, 29.93

 

CMYK 72 / 0 / 62 / 46

HEX #278A34

RGB 39 138 52

HSL 127.88, 0.56%, 0.35%

LAB 50.52, -46.46, 37.2

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 70 / 0 / 61 / 22

HEX #3CC84E

RGB 60 200 78

HSL 127.71, 0.56%, 0.51%

LAB 71.43, -61.3, 49.29

 

CMYK 56 / 0 / 49 / 18

HEX #5CD16B

RGB 92 209 107

HSL 127.69, 0.56%, 0.59%

LAB 75.41, -54.09, 40.64

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 72 / 23 / 0 / 33

HEX #3084AB

RGB 48 132 171

HSL 199.02, 0.56%, 0.43%

LAB 51.92, -12.03, -27.93

 

CMYK 0 / 72 / 51 / 33

HEX #AB3053

RGB 171 48 83

HSL 342.93, 0.56%, 0.43%

LAB 40.24, 52.04, 8.7

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 64 / 72 / 0 / 33

HEX #3E30AB

RGB 62 48 171

HSL 246.83, 0.56%, 0.43%

LAB 29.61, 42.51, -63.59

 

CMYK 0 / 64 / 72 / 33

HEX #AB3E30

RGB 171 62 48

HSL 6.83, 0.56%, 0.43%

LAB 41.71, 43.84, 32.1

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 72 / 23 / 0 / 33

HEX #3084AB

RGB 48 132 171

HSL 199.02, 0.56%, 0.43%

LAB 51.92, -12.03, -27.93

 

CMYK 0 / 72 / 9 / 33

HEX #AB309C

RGB 171 48 156

HSL 307.32, 0.56%, 0.43%

LAB 43.02, 60.98, -32.22

 

CMYK 0 / 49 / 72 / 33

HEX #AB5730

RGB 171 87 48

HSL 19.02, 0.56%, 0.43%

LAB 46.56, 31.34, 37.55

 

CMYK 72 / 0 / 63 / 33

HEX #30AB40

RGB 48 171 64

HSL 127.8, 0.56%, 0.43%

LAB 61.76, -55.09, 44.49

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 0 / 72 / 9 / 33

HEX #AB309C

RGB 171 48 156

HSL 307.32, 0.56%, 0.43%

LAB 43.02, 60.98, -32.22

 

CMYK 0 / 28 / 72 / 33

HEX #AB7B30

RGB 171 123 48

HSL 36.59, 0.56%, 0.43%

LAB 55.11, 11.31, 46.68

 

Description

Color code: HEX #30AB40 | qconv.com Color code: HEX #30AB40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 171 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 171 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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