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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30ACB5 it is the complementary color #CF534A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30ACB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30ACB5 shade: #35ACB0, #46BEC3, #57D0D6, #68E2E9 and #79F4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30ACB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30ACB5 shade: #30ACB5, #1F9AA2, #0E888F, #00767C and #006469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30ACB5 shade: #30ACB5, #3088B5, #3064B5, #3040B5 and #4330B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30ACB5 shade: #30ACB5, #3088B5, #3064B5, #3040B5 and #3030B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30ACB5 shade matches the following richer shades: #30ACB5, #1DBCC7 and #0BCCDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30ACB5 shade: #30ACB5, #429CA2, #558C90, #677C7D and #7A6C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30ACB5 shade: #30B577, #30B59A, #30ACB5, #3088B5 and #3065B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30ACB5 shade: #1E6E74, #278D94, #30ACB5, #41C3CC and #62CDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30ACB5 shade: #30ACB5, #5330B5 and #B58830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30ACB5 shade: #30ACB5, #B530AC and #ACB530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30ACB5 shade: #30ACB5, #5330B5, #B53930 and #91B530

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30ACB5 shade: #30ACB5, #7B30B5, #B53930 and #69B530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

Complementary color

CMYK 0 / 60 / 64 / 19

HEX #CF534A

RGB 207 83 74

HSL 4.06, 0.58%, 0.55%

LAB 51.78, 48.52, 30.57

 

CMYK 70 / 2 / 0 / 31

HEX #35ACB0

RGB 53 172 176

HSL 181.95, 0.54%, 0.45%

LAB 64.48, -30.62, -11.58

 

CMYK 64 / 3 / 0 / 24

HEX #46BEC3

RGB 70 190 195

HSL 182.4, 0.51%, 0.52%

LAB 70.92, -31.26, -12.38

 

CMYK 59 / 3 / 0 / 16

HEX #57D0D6

RGB 87 208 214

HSL 182.83, 0.61%, 0.59%

LAB 77.28, -31.71, -13.11

 

CMYK 55 / 3 / 0 / 9

HEX #68E2E9

RGB 104 226 233

HSL 183.26, 0.75%, 0.66%

LAB 83.56, -32.03, -13.78

 

CMYK 52 / 3 / 0 / 1

HEX #79F4FC

RGB 121 244 252

HSL 183.66, 0.96%, 0.73%

LAB 89.76, -32.25, -14.41

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 81 / 5 / 0 / 36

HEX #1F9AA2

RGB 31 154 162

HSL 183.66, 0.68%, 0.38%

LAB 58.05, -28.66, -13.41

 

CMYK 90 / 5 / 0 / 44

HEX #0E888F

RGB 14 136 143

HSL 183.26, 0.82%, 0.31%

LAB 51.48, -27.16, -12.41

 

CMYK 100 / 5 / 0 / 51

HEX #00767C

RGB 0 118 124

HSL 182.9, 1%, 0.24%

LAB 44.82, -25.19, -11.27

 

CMYK 100 / 5 / 0 / 59

HEX #006469

RGB 0 100 105

HSL 182.86, 1%, 0.21%

LAB 38.08, -22.47, -9.92

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 73 / 25 / 0 / 29

HEX #3088B5

RGB 48 136 181

HSL 200.3, 0.58%, 0.45%

LAB 53.57, -10.82, -31.11

 

CMYK 73 / 45 / 0 / 29

HEX #3064B5

RGB 48 100 181

HSL 216.54, 0.58%, 0.45%

LAB 42.88, 10.99, -48

 

CMYK 73 / 65 / 0 / 29

HEX #3040B5

RGB 48 64 181

HSL 232.78, 0.58%, 0.45%

LAB 33.2, 34.45, -63.69

 

CMYK 63 / 73 / 0 / 29

HEX #4330B5

RGB 67 48 181

HSL 248.57, 0.58%, 0.45%

LAB 30.98, 46.31, -67.29

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 73 / 25 / 0 / 29

HEX #3088B5

RGB 48 136 181

HSL 200.3, 0.58%, 0.45%

LAB 53.57, -10.82, -31.11

 

CMYK 73 / 45 / 0 / 29

HEX #3064B5

RGB 48 100 181

HSL 216.54, 0.58%, 0.45%

LAB 42.88, 10.99, -48

 

CMYK 73 / 65 / 0 / 29

HEX #3040B5

RGB 48 64 181

HSL 232.78, 0.58%, 0.45%

LAB 33.2, 34.45, -63.69

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 85 / 6 / 0 / 22

HEX #1DBCC7

RGB 29 188 199

HSL 183.88, 0.75%, 0.45%

LAB 69.72, -33.65, -16.45

 

CMYK 95 / 6 / 0 / 15

HEX #0BCCDA

RGB 11 204 218

HSL 184.06, 0.9%, 0.45%

LAB 75.03, -36.08, -18.78

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 59 / 4 / 0 / 36

HEX #429CA2

RGB 66 156 162

HSL 183.75, 0.42%, 0.45%

LAB 59.47, -24.7, -11.19

 

CMYK 41 / 3 / 0 / 44

HEX #558C90

RGB 85 140 144

HSL 184.07, 0.26%, 0.45%

LAB 54.76, -17.04, -7.86

 

CMYK 18 / 1 / 0 / 51

HEX #677C7D

RGB 103 124 125

HSL 182.73, 0.1%, 0.45%

LAB 50.43, -7.39, -3.11

 

CMYK 0 / 11 / 12 / 52

HEX #7A6C6B

RGB 122 108 107

HSL 4, 0.07%, 0.45%

LAB 46.87, 5.31, 2.56

 

CMYK 73 / 0 / 34 / 29

HEX #30B577

RGB 48 181 119

HSL 152.03, 0.58%, 0.45%

LAB 65.75, -49.77, 21.67

 

CMYK 73 / 0 / 15 / 29

HEX #30B59A

RGB 48 181 154

HSL 167.82, 0.58%, 0.45%

LAB 66.53, -41.56, 3.63

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 73 / 25 / 0 / 29

HEX #3088B5

RGB 48 136 181

HSL 200.3, 0.58%, 0.45%

LAB 53.57, -10.82, -31.11

 

CMYK 73 / 44 / 0 / 29

HEX #3065B5

RGB 48 101 181

HSL 216.09, 0.58%, 0.45%

LAB 43.17, 10.35, -47.54

 

CMYK 74 / 5 / 0 / 55

HEX #1E6E74

RGB 30 110 116

HSL 184.19, 0.59%, 0.29%

LAB 42.29, -21.15, -10.24

 

CMYK 74 / 5 / 0 / 42

HEX #278D94

RGB 39 141 148

HSL 183.85, 0.58%, 0.37%

LAB 53.62, -25.71, -12.05

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 68 / 4 / 0 / 20

HEX #41C3CC

RGB 65 195 204

HSL 183.88, 0.58%, 0.53%

LAB 72.57, -31.79, -14.83

 

CMYK 54 / 4 / 0 / 16

HEX #62CDD5

RGB 98 205 213

HSL 184.17, 0.58%, 0.61%

LAB 76.72, -28.48, -13.38

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 54 / 73 / 0 / 29

HEX #5330B5

RGB 83 48 181

HSL 255.79, 0.58%, 0.45%

LAB 32.46, 48.52, -64.81

 

CMYK 0 / 25 / 73 / 29

HEX #B58830

RGB 181 136 48

HSL 39.7, 0.58%, 0.45%

LAB 59.57, 8.52, 51.58

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 0 / 73 / 5 / 29

HEX #B530AC

RGB 181 48 172

HSL 304.06, 0.58%, 0.45%

LAB 45.52, 65.77, -37.71

 

CMYK 5 / 0 / 73 / 29

HEX #ACB530

RGB 172 181 48

HSL 64.06, 0.58%, 0.45%

LAB 70.89, -19.36, 62.33

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 54 / 73 / 0 / 29

HEX #5330B5

RGB 83 48 181

HSL 255.79, 0.58%, 0.45%

LAB 32.46, 48.52, -64.81

 

CMYK 0 / 69 / 73 / 29

HEX #B53930

RGB 181 57 48

HSL 4.06, 0.58%, 0.45%

LAB 42.71, 49.47, 33.7

 

CMYK 20 / 0 / 73 / 29

HEX #91B530

RGB 145 181 48

HSL 76.24, 0.58%, 0.45%

LAB 68.95, -30.61, 59.79

 

CMYK 73 / 5 / 0 / 29

HEX #30ACB5

RGB 48 172 181

HSL 184.06, 0.58%, 0.45%

LAB 64.54, -29.76, -14.29

 

CMYK 32 / 73 / 0 / 29

HEX #7B30B5

RGB 123 48 181

HSL 273.83, 0.58%, 0.45%

LAB 37.23, 55.38, -56.82

 

CMYK 0 / 69 / 73 / 29

HEX #B53930

RGB 181 57 48

HSL 4.06, 0.58%, 0.45%

LAB 42.71, 49.47, 33.7

 

CMYK 42 / 0 / 73 / 29

HEX #69B530

RGB 105 181 48

HSL 94.29, 0.58%, 0.45%

LAB 66.72, -45.51, 56.85

 

Description

Color code: HEX #30ACB5 | qconv.com Color code: HEX #30ACB5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 172 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 172 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 5 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 5% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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