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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AF21 it is the complementary color #CF50DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AF21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AF21 shade: #35AF1C, #46C12F, #57D342, #68E555 and #79F768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AF21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AF21 shade: #30AF21, #1F9D0E, #0E8B00, #007900 and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AF21 shade: #30AF21, #56AF21, #7DAF21, #A3AF21 and #AF9521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AF21 shade: #30AF21, #21AF38, #21AF5F, #21AF85 and #21AFAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AF21 shade matches the following richer shades: #30AF21 and #23C010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AF21 shade: #30AF21, #3D9E32, #4B8D43, #587C54 and #656B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AF21 shade: #7DAF21, #57AF21, #32AF21, #21AF36 and #21AF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AF21 shade: #1D6A14, #268C1A, #30AF21, #3AD228 and #57DC47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AF21 shade: #30AF21, #21A3AF and #AF216A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AF21 shade: #30AF21, #2132AF and #AF2132

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AF21 shade: #30AF21, #21A3AF, #9F21AF and #AF2D21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AF21 shade: #30AF21, #2179AF, #9F21AF and #AF5721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

Complementary color

CMYK 7 / 64 / 0 / 13

HEX #CF50DE

RGB 207 80 222

HSL 293.66, 0.68%, 0.59%

LAB 56.36, 68.28, -49.15

 

CMYK 70 / 0 / 84 / 31

HEX #35AF1C

RGB 53 175 28

HSL 109.8, 0.72%, 0.4%

LAB 62.93, -58.45, 58.8

 

CMYK 64 / 0 / 76 / 24

HEX #46C12F

RGB 70 193 47

HSL 110.55, 0.61%, 0.47%

LAB 69.22, -59.82, 59.24

 

CMYK 59 / 0 / 69 / 17

HEX #57D342

RGB 87 211 66

HSL 111.31, 0.62%, 0.54%

LAB 75.46, -60.69, 58.88

 

CMYK 55 / 0 / 63 / 10

HEX #68E555

RGB 104 229 85

HSL 112.08, 0.73%, 0.62%

LAB 81.64, -61.23, 58.09

 

CMYK 51 / 0 / 58 / 3

HEX #79F768

RGB 121 247 104

HSL 112.87, 0.9%, 0.69%

LAB 87.77, -61.53, 57.08

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 80 / 0 / 91 / 38

HEX #1F9D0E

RGB 31 157 14

HSL 112.87, 0.84%, 0.34%

LAB 56.52, -56.97, 56.08

 

CMYK 90 / 0 / 100 / 45

HEX #0E8B00

RGB 14 139 0

HSL 113.96, 1%, 0.27%

LAB 50.17, -53.86, 53.1

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 51 / 0 / 81 / 31

HEX #56AF21

RGB 86 175 33

HSL 97.61, 0.68%, 0.41%

LAB 63.96, -50.04, 58.76

 

CMYK 29 / 0 / 81 / 31

HEX #7DAF21

RGB 125 175 33

HSL 81.13, 0.68%, 0.41%

LAB 65.85, -36.5, 61.19

 

CMYK 7 / 0 / 81 / 31

HEX #A3AF21

RGB 163 175 33

HSL 65.07, 0.68%, 0.41%

LAB 68.43, -20.82, 64.46

 

CMYK 0 / 15 / 81 / 31

HEX #AF9521

RGB 175 149 33

HSL 49.01, 0.68%, 0.41%

LAB 62.27, -1.92, 59.46

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 81 / 0 / 68 / 31

HEX #21AF38

RGB 33 175 56

HSL 129.72, 0.68%, 0.41%

LAB 62.73, -59.49, 48.96

 

CMYK 81 / 0 / 46 / 31

HEX #21AF5F

RGB 33 175 95

HSL 146.2, 0.68%, 0.41%

LAB 63.19, -54.06, 30.95

 

CMYK 81 / 0 / 24 / 31

HEX #21AF85

RGB 33 175 133

HSL 162.25, 0.68%, 0.41%

LAB 63.9, -46.05, 11.44

 

CMYK 81 / 0 / 2 / 31

HEX #21AFAB

RGB 33 175 171

HSL 178.31, 0.68%, 0.41%

LAB 64.9, -35.75, -8.21

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 82 / 0 / 92 / 25

HEX #23C010

RGB 35 192 16

HSL 113.52, 0.85%, 0.41%

LAB 68.09, -66.87, 65.6

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 61 / 0 / 68 / 38

HEX #3D9E32

RGB 61 158 50

HSL 113.89, 0.52%, 0.41%

LAB 57.73, -49.24, 46.25

 

CMYK 47 / 0 / 52 / 45

HEX #4B8D43

RGB 75 141 67

HSL 113.51, 0.36%, 0.41%

LAB 52.9, -36.48, 32.82

 

CMYK 29 / 0 / 32 / 51

HEX #587C54

RGB 88 124 84

HSL 114, 0.19%, 0.41%

LAB 48.42, -21.18, 17.88

 

CMYK 6 / 0 / 6 / 58

HEX #656B65

RGB 101 107 101

HSL 120, 0.03%, 0.41%

LAB 44.55, -3.55, 2.56

 

CMYK 29 / 0 / 81 / 31

HEX #7DAF21

RGB 125 175 33

HSL 81.13, 0.68%, 0.41%

LAB 65.85, -36.5, 61.19

 

CMYK 50 / 0 / 81 / 31

HEX #57AF21

RGB 87 175 33

HSL 97.18, 0.68%, 0.41%

LAB 64, -49.74, 58.81

 

CMYK 71 / 0 / 81 / 31

HEX #32AF21

RGB 50 175 33

HSL 112.82, 0.68%, 0.41%

LAB 62.88, -58.75, 57.37

 

CMYK 81 / 0 / 69 / 31

HEX #21AF36

RGB 33 175 54

HSL 128.87, 0.68%, 0.41%

LAB 62.72, -59.69, 49.76

 

CMYK 81 / 0 / 47 / 31

HEX #21AF5C

RGB 33 175 92

HSL 144.93, 0.68%, 0.41%

LAB 63.14, -54.58, 32.44

 

CMYK 73 / 0 / 81 / 58

HEX #1D6A14

RGB 29 106 20

HSL 113.72, 0.68%, 0.25%

LAB 38.93, -40.08, 38.58

 

CMYK 73 / 0 / 81 / 45

HEX #268C1A

RGB 38 140 26

HSL 113.68, 0.69%, 0.33%

LAB 50.97, -49.79, 48.18

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 72 / 0 / 81 / 18

HEX #3AD228

RGB 58 210 40

HSL 113.65, 0.68%, 0.49%

LAB 74.28, -68.05, 66.09

 

CMYK 60 / 0 / 68 / 14

HEX #57DC47

RGB 87 220 71

HSL 113.56, 0.68%, 0.57%

LAB 78.27, -63.41, 59.92

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 0 / 81 / 39 / 31

HEX #AF216A

RGB 175 33 106

HSL 329.15, 0.68%, 0.41%

LAB 39.99, 60.11, -6.09

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 81 / 71 / 0 / 31

HEX #2132AF

RGB 33 50 175

HSL 232.82, 0.68%, 0.41%

LAB 28.64, 39.67, -67.64

 

CMYK 0 / 81 / 71 / 31

HEX #AF2132

RGB 175 33 50

HSL 352.82, 0.68%, 0.41%

LAB 38.61, 55.94, 27.44

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 81 / 7 / 0 / 31

HEX #21A3AF

RGB 33 163 175

HSL 185.07, 0.68%, 0.41%

LAB 61.32, -28.8, -15.82

 

CMYK 9 / 81 / 0 / 31

HEX #9F21AF

RGB 159 33 175

HSL 293.24, 0.68%, 0.41%

LAB 40.5, 66.14, -47.71

 

CMYK 0 / 74 / 81 / 31

HEX #AF2D21

RGB 175 45 33

HSL 5.07, 0.68%, 0.41%

LAB 39.75, 51.5, 38.63

 

CMYK 73 / 0 / 81 / 31

HEX #30AF21

RGB 48 175 33

HSL 113.66, 0.68%, 0.41%

LAB 62.84, -59.1, 57.32

 

CMYK 81 / 31 / 0 / 31

HEX #2179AF

RGB 33 121 175

HSL 202.82, 0.68%, 0.41%

LAB 48.38, -6.08, -35.8

 

CMYK 9 / 81 / 0 / 31

HEX #9F21AF

RGB 159 33 175

HSL 293.24, 0.68%, 0.41%

LAB 40.5, 66.14, -47.71

 

CMYK 0 / 50 / 81 / 31

HEX #AF5721

RGB 175 87 33

HSL 22.82, 0.68%, 0.41%

LAB 47.03, 32.33, 45.63

 

Description

Color code: HEX #30AF21 | qconv.com Color code: HEX #30AF21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 175 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 175 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 81% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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