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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B902 it is the complementary color #CF46FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B902. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B902 shade: #35B900, #46CB10, #57DD23, #68EF36 and #79FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B902. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B902 shade: #30B902, #1FA700, #0E9500, #008300 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B902 shade: #30BA01, #62BA01, #94BA01, #BAAF01 and #BA7D01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B902 shade: #30BA01, #01BA05, #01BA37, #01BA69 and #01BA9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B902 shade matches the following richer shades: #30BA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B902 shade: #30BA01, #37AB11, #3F9C20, #478D2F and #4E7D3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B902 shade: #95BA01, #64BA01, #33BA01, #01BA01 and #01BA33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B902 shade: #1B6901, #259101, #30BA01, #3AE302 and #4DFC12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B902 shade: #30B902, #01BAAE and #BA017D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B902 shade: #30B902, #0133BA and #BA0133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B902 shade: #30B902, #01BAAE, #8901BA and #BA010E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B902 shade: #30B902, #018FBA, #8901BA and #BA2D01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

Complementary color

CMYK 18 / 72 / 0 / 1

HEX #CF46FD

RGB 207 70 253

HSL 284.92, 0.98%, 0.63%

LAB 56.82, 77.7, -65.76

 

CMYK 71 / 0 / 100 / 27

HEX #35B900

RGB 53 185 0

HSL 102.81, 1%, 0.36%

LAB 66.1, -62.47, 66.08

 

CMYK 66 / 0 / 92 / 20

HEX #46CB10

RGB 70 203 16

HSL 102.67, 0.85%, 0.43%

LAB 72.26, -64.52, 69.37

 

CMYK 61 / 0 / 84 / 13

HEX #57DD23

RGB 87 221 35

HSL 103.23, 0.73%, 0.5%

LAB 78.38, -66.04, 71.3

 

CMYK 56 / 0 / 77 / 6

HEX #68EF36

RGB 104 239 54

HSL 103.78, 0.85%, 0.57%

LAB 84.45, -67.12, 72.1

 

CMYK 53 / 0 / 71 / 0

HEX #79FF49

RGB 121 255 73

HSL 104.18, 1%, 0.64%

LAB 89.89, -67.16, 71.55

 

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

CMYK 81 / 0 / 100 / 35

HEX #1FA700

RGB 31 167 0

HSL 108.86, 1%, 0.33%

LAB 59.82, -60.38, 60.91

 

CMYK 91 / 0 / 100 / 42

HEX #0E9500

RGB 14 149 0

HSL 114.36, 1%, 0.29%

LAB 53.59, -56.81, 55.84

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 47 / 0 / 99 / 27

HEX #62BA01

RGB 98 186 1

HSL 88.54, 0.99%, 0.37%

LAB 67.81, -51.49, 67.9

 

CMYK 20 / 0 / 99 / 27

HEX #94BA01

RGB 148 186 1

HSL 72.32, 0.99%, 0.37%

LAB 70.47, -33.11, 71.1

 

CMYK 0 / 6 / 99 / 27

HEX #BAAF01

RGB 186 175 1

HSL 56.43, 0.99%, 0.37%

LAB 70.25, -11.38, 72.23

 

CMYK 0 / 33 / 99 / 27

HEX #BA7D01

RGB 186 125 1

HSL 40.22, 0.99%, 0.37%

LAB 57.18, 15.62, 63.06

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 99 / 0 / 97 / 27

HEX #01BA05

RGB 1 186 5

HSL 121.3, 0.99%, 0.37%

LAB 65.85, -67.84, 65.03

 

CMYK 99 / 0 / 70 / 27

HEX #01BA37

RGB 1 186 55

HSL 137.51, 0.99%, 0.37%

LAB 66.06, -65.19, 52.82

 

CMYK 99 / 0 / 44 / 27

HEX #01BA69

RGB 1 186 105

HSL 153.73, 0.99%, 0.37%

LAB 66.63, -58.17, 30.16

 

CMYK 99 / 0 / 17 / 27

HEX #01BA9A

RGB 1 186 154

HSL 169.62, 0.99%, 0.37%

LAB 67.62, -47.03, 5.15

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 68 / 0 / 90 / 33

HEX #37AB11

RGB 55 171 17

HSL 105.19, 0.82%, 0.37%

LAB 61.64, -57.19, 60.1

 

CMYK 60 / 0 / 79 / 39

HEX #3F9C20

RGB 63 156 32

HSL 105, 0.66%, 0.37%

LAB 57.01, -49.42, 52.26

 

CMYK 50 / 0 / 67 / 45

HEX #478D2F

RGB 71 141 47

HSL 104.68, 0.5%, 0.37%

LAB 52.5, -40.08, 42.01

 

CMYK 38 / 0 / 50 / 51

HEX #4E7D3E

RGB 78 125 62

HSL 104.76, 0.34%, 0.37%

LAB 47.8, -28.8, 29.23

 

CMYK 20 / 0 / 99 / 27

HEX #95BA01

RGB 149 186 1

HSL 72, 0.99%, 0.37%

LAB 70.53, -32.7, 71.18

 

CMYK 46 / 0 / 99 / 27

HEX #64BA01

RGB 100 186 1

HSL 87.89, 0.99%, 0.37%

LAB 67.89, -50.85, 68

 

CMYK 73 / 0 / 99 / 27

HEX #33BA01

RGB 51 186 1

HSL 103.78, 0.99%, 0.37%

LAB 66.39, -63.12, 66.17

 

CMYK 99 / 0 / 99 / 27

HEX #01BA01

RGB 1 186 1

HSL 120, 0.99%, 0.37%

LAB 65.85, -67.92, 65.51

 

CMYK 99 / 0 / 73 / 27

HEX #01BA33

RGB 1 186 51

HSL 136.22, 0.99%, 0.37%

LAB 66.03, -65.55, 54.31

 

CMYK 74 / 0 / 99 / 59

HEX #1B6901

RGB 27 105 1

HSL 105, 0.98%, 0.21%

LAB 38.44, -41.17, 43.55

 

CMYK 74 / 0 / 99 / 43

HEX #259101

RGB 37 145 1

HSL 105, 0.99%, 0.29%

LAB 52.56, -52.64, 54.98

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 74 / 0 / 99 / 11

HEX #3AE302

RGB 58 227 2

HSL 105.07, 0.98%, 0.45%

LAB 79.52, -74.27, 76.63

 

CMYK 69 / 0 / 93 / 1

HEX #4DFC12

RGB 77 252 18

HSL 104.87, 0.98%, 0.53%

LAB 87.6, -78.28, 81.89

 

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

CMYK 99 / 0 / 6 / 27

HEX #01BAAE

RGB 1 186 174

HSL 176.11, 0.99%, 0.37%

LAB 68.15, -41.47, -5.07

 

CMYK 0 / 99 / 33 / 27

HEX #BA017D

RGB 186 1 125

HSL 319.78, 0.99%, 0.37%

LAB 41.12, 69.64, -16.04

 

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

CMYK 99 / 73 / 0 / 27

HEX #0133BA

RGB 1 51 186

HSL 223.78, 0.99%, 0.37%

LAB 29.21, 41.65, -73.28

 

CMYK 0 / 99 / 73 / 27

HEX #BA0133

RGB 186 1 51

HSL 343.78, 0.99%, 0.37%

LAB 39.07, 64.22, 27.92

 

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

CMYK 99 / 0 / 6 / 27

HEX #01BAAE

RGB 1 186 174

HSL 176.11, 0.99%, 0.37%

LAB 68.15, -41.47, -5.07

 

CMYK 26 / 99 / 0 / 27

HEX #8901BA

RGB 137 1 186

HSL 284.11, 0.99%, 0.37%

LAB 35.76, 70.21, -62.07

 

CMYK 0 / 99 / 92 / 27

HEX #BA010E

RGB 186 1 14

HSL 355.78, 0.99%, 0.37%

LAB 38.71, 63.24, 47.83

 

CMYK 74 / 0 / 99 / 27

HEX #30B902

RGB 48 185 2

HSL 104.92, 0.98%, 0.37%

LAB 66.01, -63.29, 65.72

 

CMYK 99 / 23 / 0 / 27

HEX #018FBA

RGB 1 143 186

HSL 193.95, 0.99%, 0.37%

LAB 55.27, -16.42, -31.36

 

CMYK 26 / 99 / 0 / 27

HEX #8901BA

RGB 137 1 186

HSL 284.11, 0.99%, 0.37%

LAB 35.76, 70.21, -62.07

 

CMYK 0 / 76 / 99 / 27

HEX #BA2D01

RGB 186 45 1

HSL 14.27, 0.99%, 0.37%

LAB 41.72, 54.42, 53.93

 

Description

Color code: HEX #30B902 | qconv.com Color code: HEX #30B902 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 185 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 185 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 99 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 99% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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