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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B9A7 it is the complementary color #CF4658. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B9A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B9A7 shade: #35B9A2, #46CBB5, #57DDC8, #68EFDB and #79FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B9A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B9A7 shade: #30B9A7, #1FA794, #0E9581, #00836E and #00715B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B9A7 shade: #30BAA8, #30BA83, #30BA5D, #30BA38 and #4DBA30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B9A7 shade: #30BAA8, #30A7BA, #3082BA, #305CBA and #3037BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B9A7 shade matches the following richer shades: #30BAA8, #1DCDB6 and #0AE0C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B9A7 shade: #30BAA8, #43A79A, #56948C, #69817E and #7C6E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B9A7 shade: #30BA5E, #30BA83, #30BAA8, #30A8BA and #3083BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B9A7 shade: #1F786D, #27998A, #30BAA8, #44CFBC and #65D7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B9A7 shade: #30B9A7, #3930BA and #BA7030

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B9A7 shade: #30B9A7, #A830BA and #BAA830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B9A7 shade: #30B9A7, #3930BA, #BA3042 and #B1BA30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B9A7 shade: #30B9A7, #6230BA, #BA3042 and #87BA30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

Complementary color

CMYK 0 / 66 / 57 / 19

HEX #CF4658

RGB 207 70 88

HSL 352.12, 0.59%, 0.54%

LAB 49.92, 55.1, 19.92

 

CMYK 71 / 0 / 12 / 27

HEX #35B9A2

RGB 53 185 162

HSL 169.55, 0.55%, 0.47%

LAB 68.07, -40.56, 1.47

 

CMYK 66 / 0 / 11 / 20

HEX #46CBB5

RGB 70 203 181

HSL 170.08, 0.56%, 0.54%

LAB 74.41, -41.07, 0.4

 

CMYK 61 / 0 / 10 / 13

HEX #57DDC8

RGB 87 221 200

HSL 170.6, 0.66%, 0.6%

LAB 80.69, -41.4, -0.57

 

CMYK 56 / 0 / 8 / 6

HEX #68EFDB

RGB 104 239 219

HSL 171.11, 0.81%, 0.67%

LAB 86.89, -41.61, -1.46

 

CMYK 53 / 0 / 7 / 0

HEX #79FFEE

RGB 121 255 238

HSL 172.39, 1%, 0.74%

LAB 92.47, -40.83, -3.12

 

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

CMYK 81 / 0 / 11 / 35

HEX #1FA794

RGB 31 167 148

HSL 171.62, 0.69%, 0.39%

LAB 61.71, -38.92, -0.06

 

CMYK 91 / 0 / 13 / 42

HEX #0E9581

RGB 14 149 129

HSL 171.11, 0.83%, 0.32%

LAB 55.25, -37.57, 1.27

 

CMYK 100 / 0 / 16 / 49

HEX #00836E

RGB 0 131 110

HSL 170.38, 1%, 0.26%

LAB 48.71, -35.77, 2.77

 

CMYK 100 / 0 / 19 / 56

HEX #00715B

RGB 0 113 91

HSL 168.32, 1%, 0.22%

LAB 42.1, -33.22, 4.52

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 74 / 0 / 30 / 27

HEX #30BA83

RGB 48 186 131

HSL 156.09, 0.59%, 0.46%

LAB 67.56, -49.18, 17.68

 

CMYK 74 / 0 / 50 / 27

HEX #30BA5D

RGB 48 186 93

HSL 139.57, 0.59%, 0.46%

LAB 66.93, -56.36, 36.75

 

CMYK 74 / 0 / 70 / 27

HEX #30BA38

RGB 48 186 56

HSL 123.48, 0.59%, 0.46%

LAB 66.54, -60.94, 53.09

 

CMYK 59 / 0 / 74 / 27

HEX #4DBA30

RGB 77 186 48

HSL 107.39, 0.59%, 0.46%

LAB 67.21, -55.65, 56.97

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 74 / 10 / 0 / 27

HEX #30A7BA

RGB 48 167 186

HSL 188.26, 0.59%, 0.46%

LAB 63.19, -25.73, -19.13

 

CMYK 74 / 30 / 0 / 27

HEX #3082BA

RGB 48 130 186

HSL 204.35, 0.59%, 0.46%

LAB 51.99, -5.6, -36.44

 

CMYK 74 / 51 / 0 / 27

HEX #305CBA

RGB 48 92 186

HSL 220.87, 0.59%, 0.46%

LAB 40.94, 18.05, -54.04

 

CMYK 74 / 70 / 0 / 27

HEX #3037BA

RGB 48 55 186

HSL 236.96, 0.59%, 0.46%

LAB 31.59, 41.79, -69.29

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 86 / 0 / 11 / 20

HEX #1DCDB6

RGB 29 205 182

HSL 172.16, 0.75%, 0.46%

LAB 74.38, -46.21, -0.26

 

CMYK 96 / 0 / 13 / 12

HEX #0AE0C4

RGB 10 224 196

HSL 172.15, 0.91%, 0.46%

LAB 80.38, -51.2, 0.98

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 60 / 0 / 8 / 35

HEX #43A79A

RGB 67 167 154

HSL 172.2, 0.43%, 0.46%

LAB 62.65, -32.15, -1.97

 

CMYK 42 / 0 / 5 / 42

HEX #56948C

RGB 86 148 140

HSL 172.26, 0.26%, 0.46%

LAB 57.13, -22.02, -2.06

 

CMYK 19 / 0 / 2 / 49

HEX #69817E

RGB 105 129 126

HSL 172.5, 0.1%, 0.46%

LAB 52.07, -9.29, -1.26

 

CMYK 0 / 11 / 10 / 51

HEX #7C6E70

RGB 124 110 112

HSL 351.43, 0.06%, 0.46%

LAB 47.76, 5.84, 0.89

 

CMYK 74 / 0 / 49 / 27

HEX #30BA5E

RGB 48 186 94

HSL 140, 0.59%, 0.46%

LAB 66.94, -56.21, 36.27

 

CMYK 74 / 0 / 30 / 27

HEX #30BA83

RGB 48 186 131

HSL 156.09, 0.59%, 0.46%

LAB 67.56, -49.18, 17.68

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 74 / 10 / 0 / 27

HEX #30A8BA

RGB 48 168 186

HSL 187.83, 0.59%, 0.46%

LAB 63.49, -26.23, -18.67

 

CMYK 74 / 30 / 0 / 27

HEX #3083BA

RGB 48 131 186

HSL 203.91, 0.59%, 0.46%

LAB 52.29, -6.19, -35.97

 

CMYK 74 / 0 / 9 / 53

HEX #1F786D

RGB 31 120 109

HSL 172.58, 0.59%, 0.3%

LAB 45.4, -28.28, -1.41

 

CMYK 75 / 0 / 10 / 40

HEX #27998A

RGB 39 153 138

HSL 172.11, 0.59%, 0.38%

LAB 57.12, -34.5, -1.1

 

CMYK 74 / 0 / 10 / 27

HEX #30BAA8

RGB 48 186 168

HSL 172.17, 0.59%, 0.46%

LAB 68.44, -40.04, -1.29

 

CMYK 67 / 0 / 9 / 19

HEX #44CFBC

RGB 68 207 188

HSL 171.8, 0.59%, 0.54%

LAB 75.75, -41.34, -1.42

 

CMYK 53 / 0 / 7 / 16

HEX #65D7C8

RGB 101 215 200

HSL 172.11, 0.59%, 0.62%

LAB 79.35, -36.01, -2.48

 

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

CMYK 69 / 74 / 0 / 27

HEX #3930BA

RGB 57 48 186

HSL 243.91, 0.59%, 0.46%

LAB 30.71, 46.73, -70.73

 

CMYK 0 / 40 / 74 / 27

HEX #BA7030

RGB 186 112 48

HSL 27.83, 0.59%, 0.46%

LAB 54.28, 24.02, 46.41

 

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

CMYK 10 / 74 / 0 / 27

HEX #A830BA

RGB 168 48 186

HSL 292.17, 0.59%, 0.46%

LAB 44.21, 65.33, -48.17

 

CMYK 0 / 10 / 74 / 27

HEX #BAA830

RGB 186 168 48

HSL 52.17, 0.59%, 0.46%

LAB 68.5, -6.59, 60.47

 

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

CMYK 69 / 74 / 0 / 27

HEX #3930BA

RGB 57 48 186

HSL 243.91, 0.59%, 0.46%

LAB 30.71, 46.73, -70.73

 

CMYK 0 / 74 / 65 / 27

HEX #BA3042

RGB 186 48 66

HSL 352.17, 0.59%, 0.46%

LAB 42.68, 55.4, 23.1

 

CMYK 5 / 0 / 74 / 27

HEX #B1BA30

RGB 177 186 48

HSL 63.91, 0.59%, 0.46%

LAB 72.68, -19.73, 64.16

 

CMYK 74 / 0 / 10 / 27

HEX #30B9A7

RGB 48 185 167

HSL 172.12, 0.59%, 0.46%

LAB 68.11, -39.87, -1.23

 

CMYK 47 / 74 / 0 / 27

HEX #6230BA

RGB 98 48 186

HSL 261.74, 0.59%, 0.46%

LAB 34.51, 52.23, -64.34

 

CMYK 0 / 74 / 65 / 27

HEX #BA3042

RGB 186 48 66

HSL 352.17, 0.59%, 0.46%

LAB 42.68, 55.4, 23.1

 

CMYK 27 / 0 / 74 / 27

HEX #87BA30

RGB 135 186 48

HSL 82.17, 0.59%, 0.46%

LAB 69.81, -36.85, 60.41

 

Description

Color code: HEX #30B9A7 | qconv.com Color code: HEX #30B9A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 185 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 185 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 10 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 10% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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