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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B213 it is the complementary color #CF4DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B213 shade: #35B20E, #46C421, #57D634, #68E847 and #79FA5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B213 shade: #30B213, #1FA000, #0E8E00, #007C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B213 shade: #30B412, #5BB412, #87B412, #B2B412 and #B48912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B213 shade: #30B412, #12B420, #12B44C, #12B477 and #12B4A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B213 shade matches the following richer shades: #30B412 and #26C402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B213 shade: #30B412, #3AA322, #449333, #4E8343 and #597353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B213 shade: #86B412, #5BB412, #30B412, #12B420 and #12B44B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B213 shade: #1C690B, #268E0E, #30B412, #3AD916 and #51E930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B213 shade: #30B213, #12B1B4 and #B41270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B213 shade: #30B213, #1230B4 and #B41230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B213 shade: #30B213, #12B1B4, #9612B4 and #B41512

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B213 shade: #30B213, #1280B4, #9612B4 and #B44512

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

Complementary color

CMYK 12 / 67 / 0 / 7

HEX #CF4DEC

RGB 207 77 236

HSL 289.06, 0.81%, 0.61%

LAB 56.71, 71.98, -56.46

 

CMYK 70 / 0 / 92 / 30

HEX #35B20E

RGB 53 178 14

HSL 105.73, 0.85%, 0.38%

LAB 63.86, -59.95, 62.47

 

CMYK 64 / 0 / 83 / 23

HEX #46C421

RGB 70 196 33

HSL 106.38, 0.71%, 0.45%

LAB 70.1, -61.63, 64.18

 

CMYK 59 / 0 / 76 / 16

HEX #57D634

RGB 87 214 52

HSL 107.04, 0.66%, 0.52%

LAB 76.29, -62.78, 64.69

 

CMYK 55 / 0 / 69 / 9

HEX #68E847

RGB 104 232 71

HSL 107.7, 0.78%, 0.59%

LAB 82.44, -63.54, 64.46

 

CMYK 52 / 0 / 64 / 2

HEX #79FA5A

RGB 121 250 90

HSL 108.38, 0.94%, 0.67%

LAB 88.53, -64.02, 63.79

 

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

CMYK 81 / 0 / 100 / 37

HEX #1FA000

RGB 31 160 0

HSL 108.38, 1%, 0.31%

LAB 57.49, -58.28, 59.05

 

CMYK 90 / 0 / 100 / 44

HEX #0E8E00

RGB 14 142 0

HSL 114.08, 1%, 0.28%

LAB 51.2, -54.75, 53.93

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 49 / 0 / 90 / 29

HEX #5BB412

RGB 91 180 18

HSL 92.96, 0.82%, 0.39%

LAB 65.68, -51.02, 63.81

 

CMYK 25 / 0 / 90 / 29

HEX #87B412

RGB 135 180 18

HSL 76.67, 0.82%, 0.39%

LAB 67.9, -35.32, 66.56

 

CMYK 1 / 0 / 90 / 29

HEX #B2B412

RGB 178 180 18

HSL 60.74, 0.82%, 0.39%

LAB 70.98, -17.23, 70.32

 

CMYK 0 / 24 / 90 / 29

HEX #B48912

RGB 180 137 18

HSL 44.07, 0.82%, 0.39%

LAB 59.56, 6.51, 61.45

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 90 / 0 / 82 / 29

HEX #12B420

RGB 18 180 32

HSL 125.19, 0.82%, 0.39%

LAB 64.06, -64.31, 58.59

 

CMYK 90 / 0 / 58 / 29

HEX #12B44C

RGB 18 180 76

HSL 141.48, 0.82%, 0.39%

LAB 64.4, -60.07, 41.88

 

CMYK 90 / 0 / 34 / 29

HEX #12B477

RGB 18 180 119

HSL 157.41, 0.82%, 0.39%

LAB 65.04, -52.43, 20.64

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 81 / 0 / 99 / 23

HEX #26C402

RGB 38 196 2

HSL 108.87, 0.98%, 0.39%

LAB 69.4, -67.99, 68.37

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 64 / 0 / 79 / 36

HEX #3AA322

RGB 58 163 34

HSL 108.84, 0.65%, 0.39%

LAB 59.17, -53.01, 53.63

 

CMYK 54 / 0 / 65 / 42

HEX #449333

RGB 68 147 51

HSL 109.38, 0.48%, 0.39%

LAB 54.38, -43.04, 42.25

 

CMYK 40 / 0 / 49 / 49

HEX #4E8343

RGB 78 131 67

HSL 109.69, 0.32%, 0.39%

LAB 49.81, -30.94, 29.04

 

CMYK 23 / 0 / 28 / 55

HEX #597353

RGB 89 115 83

HSL 108.75, 0.16%, 0.39%

LAB 45.65, -16.21, 14.7

 

CMYK 26 / 0 / 90 / 29

HEX #86B412

RGB 134 180 18

HSL 77.04, 0.82%, 0.39%

LAB 67.84, -35.71, 66.48

 

CMYK 49 / 0 / 90 / 29

HEX #5BB412

RGB 91 180 18

HSL 92.96, 0.82%, 0.39%

LAB 65.68, -51.02, 63.81

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 90 / 0 / 82 / 29

HEX #12B420

RGB 18 180 32

HSL 125.19, 0.82%, 0.39%

LAB 64.06, -64.31, 58.59

 

CMYK 90 / 0 / 58 / 29

HEX #12B44B

RGB 18 180 75

HSL 141.11, 0.82%, 0.39%

LAB 64.39, -60.21, 42.34

 

CMYK 73 / 0 / 90 / 59

HEX #1C690B

RGB 28 105 11

HSL 109.15, 0.81%, 0.23%

LAB 38.51, -40.48, 40.99

 

CMYK 73 / 0 / 90 / 44

HEX #268E0E

RGB 38 142 14

HSL 108.75, 0.82%, 0.31%

LAB 51.6, -51.07, 51.89

 

CMYK 73 / 0 / 90 / 29

HEX #30B412

RGB 48 180 18

HSL 108.89, 0.82%, 0.39%

LAB 64.41, -61.36, 62.23

 

CMYK 73 / 0 / 90 / 15

HEX #3AD916

RGB 58 217 22

HSL 108.92, 0.82%, 0.47%

LAB 76.43, -70.91, 71.86

 

CMYK 65 / 0 / 79 / 9

HEX #51E930

RGB 81 233 48

HSL 109.3, 0.81%, 0.55%

LAB 81.97, -70.62, 71.24

 

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

CMYK 90 / 2 / 0 / 29

HEX #12B1B4

RGB 18 177 180

HSL 181.11, 0.82%, 0.39%

LAB 65.65, -34.97, -12.11

 

CMYK 0 / 90 / 38 / 29

HEX #B41270

RGB 180 18 112

HSL 325.19, 0.82%, 0.39%

LAB 40.09, 65.05, -9.6

 

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

CMYK 90 / 73 / 0 / 29

HEX #1230B4

RGB 18 48 180

HSL 228.89, 0.82%, 0.39%

LAB 28.22, 41.82, -71.35

 

CMYK 0 / 90 / 73 / 29

HEX #B41230

RGB 180 18 48

HSL 348.89, 0.82%, 0.39%

LAB 38.46, 60.51, 28.76

 

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

CMYK 90 / 2 / 0 / 29

HEX #12B1B4

RGB 18 177 180

HSL 181.11, 0.82%, 0.39%

LAB 65.65, -34.97, -12.11

 

CMYK 17 / 90 / 0 / 29

HEX #9612B4

RGB 150 18 180

HSL 288.89, 0.82%, 0.39%

LAB 38.22, 68.72, -54.43

 

CMYK 0 / 88 / 90 / 29

HEX #B41512

RGB 180 21 18

HSL 1.11, 0.82%, 0.39%

LAB 38.35, 59.12, 45.28

 

CMYK 73 / 0 / 89 / 30

HEX #30B213

RGB 48 178 19

HSL 109.06, 0.81%, 0.39%

LAB 63.77, -60.7, 61.5

 

CMYK 90 / 29 / 0 / 29

HEX #1280B4

RGB 18 128 180

HSL 199.26, 0.82%, 0.39%

LAB 50.53, -9.49, -35.34

 

CMYK 17 / 90 / 0 / 29

HEX #9612B4

RGB 150 18 180

HSL 288.89, 0.82%, 0.39%

LAB 38.22, 68.72, -54.43

 

CMYK 0 / 62 / 90 / 29

HEX #B44512

RGB 180 69 18

HSL 18.89, 0.82%, 0.39%

LAB 44.24, 42.91, 49.67

 

Description

Color code: HEX #30B213 | qconv.com Color code: HEX #30B213 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 178 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 178 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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