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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30DD84 it is the complementary color #CF227B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30DD84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30DD84 shade: #35DD7F, #46EF92, #57FFA5, #68FFB8 and #79FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30DD84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30DD84 shade: #30DD84, #1FCB71, #0EB95E, #00A74B and #009538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30DD84 shade: #30DD84, #30DD56, #3ADD30, #68DD30 and #97DD30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30DD84 shade: #30DD84, #30DDB3, #30D9DD, #30AADD and #307CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30DD84 shade matches the following richer shades: #30DD84 and #1DF084

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30DD84 shade: #30DD84, #44CA85, #57B685, #6BA386 and #7E8F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30DD84 shade: #39DD30, #30DD56, #30DD84, #30DDB2 and #30DADD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30DD84 shade: #1AA15B, #20C470, #30DD84, #54E399 and #77E8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30DD84 shade: #30DD84, #3067DD and #DD3F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30DD84 shade: #30DD84, #8430DD and #DD8430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30DD84 shade: #30DD84, #3067DD, #DD308A and #DDA630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30DD84 shade: #30DD84, #3033DD, #DD308A and #DDDA30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

Complementary color

CMYK 0 / 84 / 41 / 19

HEX #CF227B

RGB 207 34 123

HSL 329.13, 0.72%, 0.47%

LAB 46.76, 69.44, -5.89

 

CMYK 76 / 0 / 43 / 13

HEX #35DD7F

RGB 53 221 127

HSL 146.43, 0.71%, 0.54%

LAB 78.46, -62.42, 34.39

 

CMYK 71 / 0 / 39 / 6

HEX #46EF92

RGB 70 239 146

HSL 146.98, 0.84%, 0.61%

LAB 84.54, -63.16, 32.87

 

CMYK 66 / 0 / 35 / 0

HEX #57FFA5

RGB 87 255 165

HSL 147.86, 1%, 0.67%

LAB 89.98, -62.89, 30.65

 

CMYK 59 / 0 / 28 / 0

HEX #68FFB8

RGB 104 255 184

HSL 151.79, 1%, 0.7%

LAB 90.75, -56.16, 22.15

 

CMYK 53 / 0 / 20 / 0

HEX #79FFCB

RGB 121 255 203

HSL 156.72, 1%, 0.74%

LAB 91.64, -48.76, 13.75

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 85 / 0 / 44 / 20

HEX #1FCB71

RGB 31 203 113

HSL 148.6, 0.74%, 0.46%

LAB 72.36, -60.92, 33.51

 

CMYK 92 / 0 / 49 / 27

HEX #0EB95E

RGB 14 185 94

HSL 148.07, 0.86%, 0.39%

LAB 66.21, -59.22, 35.27

 

CMYK 100 / 0 / 55 / 35

HEX #00A74B

RGB 0 167 75

HSL 146.95, 1%, 0.33%

LAB 60.02, -56.94, 37.1

 

CMYK 100 / 0 / 62 / 42

HEX #009538

RGB 0 149 56

HSL 142.55, 1%, 0.29%

LAB 53.79, -53.81, 38.93

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 0 / 61 / 13

HEX #30DD56

RGB 48 221 86

HSL 133.18, 0.72%, 0.53%

LAB 77.88, -69.01, 53.08

 

CMYK 74 / 0 / 78 / 13

HEX #3ADD30

RGB 58 221 48

HSL 116.53, 0.72%, 0.53%

LAB 77.77, -70.96, 67.11

 

CMYK 53 / 0 / 78 / 13

HEX #68DD30

RGB 104 221 48

HSL 100.58, 0.72%, 0.53%

LAB 78.97, -61.14, 68.66

 

CMYK 32 / 0 / 78 / 13

HEX #97DD30

RGB 151 221 48

HSL 84.28, 0.72%, 0.53%

LAB 81.02, -46.16, 71.32

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 0 / 19 / 13

HEX #30DDB3

RGB 48 221 179

HSL 165.43, 0.72%, 0.53%

LAB 79.38, -52.03, 8.6

 

CMYK 78 / 2 / 0 / 13

HEX #30D9DD

RGB 48 217 221

HSL 181.39, 0.72%, 0.53%

LAB 79.31, -39.03, -13.89

 

CMYK 78 / 23 / 0 / 13

HEX #30AADD

RGB 48 170 221

HSL 197.69, 0.72%, 0.53%

LAB 65.43, -15.78, -35.1

 

CMYK 78 / 44 / 0 / 13

HEX #307CDD

RGB 48 124 221

HSL 213.64, 0.72%, 0.53%

LAB 52.13, 10.86, -56.11

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 88 / 0 / 45 / 6

HEX #1DF084

RGB 29 240 132

HSL 149.29, 0.88%, 0.53%

LAB 84.09, -70.24, 39.13

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 66 / 0 / 34 / 21

HEX #44CA85

RGB 68 202 133

HSL 149.1, 0.56%, 0.53%

LAB 73, -51.97, 24.11

 

CMYK 52 / 0 / 27 / 29

HEX #57B685

RGB 87 182 133

HSL 149.05, 0.39%, 0.53%

LAB 67.41, -39.62, 16.54

 

CMYK 34 / 0 / 18 / 36

HEX #6BA386

RGB 107 163 134

HSL 148.93, 0.23%, 0.53%

LAB 62.54, -24.89, 9.29

 

CMYK 12 / 0 / 6 / 44

HEX #7E8F86

RGB 126 143 134

HSL 148.24, 0.07%, 0.53%

LAB 57.85, -7.96, 2.71

 

CMYK 74 / 0 / 78 / 13

HEX #39DD30

RGB 57 221 48

HSL 116.88, 0.72%, 0.53%

LAB 77.75, -71.12, 67.09

 

CMYK 78 / 0 / 61 / 13

HEX #30DD56

RGB 48 221 86

HSL 133.18, 0.72%, 0.53%

LAB 77.88, -69.01, 53.08

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 0 / 19 / 13

HEX #30DDB2

RGB 48 221 178

HSL 165.09, 0.72%, 0.53%

LAB 79.36, -52.27, 9.1

 

CMYK 78 / 1 / 0 / 13

HEX #30DADD

RGB 48 218 221

HSL 181.04, 0.72%, 0.53%

LAB 79.61, -39.48, -13.45

 

CMYK 84 / 0 / 43 / 37

HEX #1AA15B

RGB 26 161 91

HSL 148.89, 0.72%, 0.37%

LAB 58.48, -50.46, 26.95

 

CMYK 84 / 0 / 43 / 23

HEX #20C470

RGB 32 196 112

HSL 149.27, 0.72%, 0.45%

LAB 70.15, -58.57, 31.15

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 63 / 0 / 33 / 11

HEX #54E399

RGB 84 227 153

HSL 148.95, 0.72%, 0.61%

LAB 81.36, -54.98, 25.09

 

CMYK 49 / 0 / 25 / 9

HEX #77E8AE

RGB 119 232 174

HSL 149.2, 0.71%, 0.69%

LAB 84.32, -45.34, 18.46

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 53 / 0 / 13

HEX #3067DD

RGB 48 103 221

HSL 220.92, 0.72%, 0.53%

LAB 46.38, 24.1, -65.39

 

CMYK 0 / 71 / 78 / 13

HEX #DD3F30

RGB 221 63 48

HSL 5.2, 0.72%, 0.53%

LAB 50.85, 60.15, 44.62

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 40 / 78 / 0 / 13

HEX #8430DD

RGB 132 48 221

HSL 269.13, 0.72%, 0.53%

LAB 41.59, 66.12, -72.92

 

CMYK 0 / 40 / 78 / 13

HEX #DD8430

RGB 221 132 48

HSL 29.13, 0.72%, 0.53%

LAB 63.42, 27.97, 56.97

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 53 / 0 / 13

HEX #3067DD

RGB 48 103 221

HSL 220.92, 0.72%, 0.53%

LAB 46.38, 24.1, -65.39

 

CMYK 0 / 78 / 38 / 13

HEX #DD308A

RGB 221 48 138

HSL 328.79, 0.72%, 0.53%

LAB 51.06, 70.9, -8.31

 

CMYK 0 / 25 / 78 / 13

HEX #DDA630

RGB 221 166 48

HSL 40.92, 0.72%, 0.53%

LAB 71.46, 9.78, 64.48

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 78 / 77 / 0 / 13

HEX #3033DD

RGB 48 51 221

HSL 238.96, 0.72%, 0.53%

LAB 34.43, 55.53, -84.99

 

CMYK 0 / 78 / 38 / 13

HEX #DD308A

RGB 221 48 138

HSL 328.79, 0.72%, 0.53%

LAB 51.06, 70.9, -8.31

 

CMYK 0 / 1 / 78 / 13

HEX #DDDA30

RGB 221 218 48

HSL 58.96, 0.72%, 0.53%

LAB 84.86, -17.01, 76.53

 

Description

Color code: HEX #30DD84 | qconv.com Color code: HEX #30DD84 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 221 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 221 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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