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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30E415 it is the complementary color #CF1BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30E415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30E415 shade: #35E410, #46F623, #57FF36, #68FF49 and #79FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30E415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30E415 shade: #30E415, #1FD202, #0EC000, #00AE00 and #009C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30E415 shade: #30E415, #68E415, #A0E415, #D8E415 and #E4B915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30E415 shade: #30E415, #15E432, #15E46A, #15E4A1 and #15E4D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30E415 shade matches the following richer shades: #30E415 and #21F801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30E415 shade: #30E415, #3FD029, #4EBC3D, #5DA851 and #6C9366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30E415 shade: #9FE415, #68E415, #30E415, #15E430 and #15E468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30E415 shade: #20990E, #28BE11, #30E415, #4EEC36 and #6FEF5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30E415 shade: #30E415, #15D6E4 and #E41583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30E415 shade: #30E415, #1530E4 and #E41530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30E415 shade: #30E415, #15D6E4, #C915E4 and #E42315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30E415 shade: #30E415, #1598E4, #C915E4 and #E46115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

Complementary color

CMYK 12 / 88 / 0 / 8

HEX #CF1BEA

RGB 207 27 234

HSL 292.17, 0.83%, 0.51%

LAB 51.83, 85.36, -63.18

 

CMYK 77 / 0 / 93 / 11

HEX #35E410

RGB 53 228 16

HSL 109.53, 0.87%, 0.48%

LAB 79.77, -75.03, 75.47

 

CMYK 72 / 0 / 86 / 4

HEX #46F623

RGB 70 246 35

HSL 110.05, 0.92%, 0.55%

LAB 85.67, -77.2, 77.58

 

CMYK 66 / 0 / 79 / 0

HEX #57FF36

RGB 87 255 54

HSL 110.15, 1%, 0.61%

LAB 88.83, -76.07, 76.07

 

CMYK 59 / 0 / 71 / 0

HEX #68FF49

RGB 104 255 73

HSL 109.78, 1%, 0.64%

LAB 89.37, -71.31, 70.85

 

CMYK 53 / 0 / 64 / 0

HEX #79FF5C

RGB 121 255 92

HSL 109.33, 1%, 0.68%

LAB 90.03, -65.65, 64.63

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 85 / 0 / 99 / 18

HEX #1FD202

RGB 31 210 2

HSL 111.63, 0.98%, 0.42%

LAB 73.8, -72.69, 71.88

 

CMYK 93 / 0 / 100 / 25

HEX #0EC000

RGB 14 192 0

HSL 115.63, 1%, 0.38%

LAB 67.87, -68.99, 67.28

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 54 / 0 / 91 / 11

HEX #68E415

RGB 104 228 21

HSL 95.94, 0.83%, 0.49%

LAB 81.01, -64.64, 76.34

 

CMYK 30 / 0 / 91 / 11

HEX #A0E415

RGB 160 228 21

HSL 79.71, 0.83%, 0.49%

LAB 83.45, -46.69, 79.35

 

CMYK 5 / 0 / 91 / 11

HEX #D8E415

RGB 216 228 21

HSL 63.48, 0.83%, 0.49%

LAB 87.07, -24.59, 83.75

 

CMYK 0 / 19 / 91 / 11

HEX #E4B915

RGB 228 185 21

HSL 47.54, 0.83%, 0.49%

LAB 76.83, 2.1, 76.3

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 0 / 78 / 11

HEX #15E432

RGB 21 228 50

HSL 128.41, 0.83%, 0.49%

LAB 79.54, -76.66, 68.06

 

CMYK 91 / 0 / 54 / 11

HEX #15E46A

RGB 21 228 106

HSL 144.64, 0.83%, 0.49%

LAB 80, -70.92, 46.48

 

CMYK 91 / 0 / 29 / 11

HEX #15E4A1

RGB 21 228 161

HSL 160.58, 0.83%, 0.49%

LAB 80.86, -60.88, 20.11

 

CMYK 91 / 0 / 5 / 11

HEX #15E4D9

RGB 21 228 217

HSL 176.81, 0.83%, 0.49%

LAB 82.19, -46.76, -7.5

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 87 / 0 / 100 / 3

HEX #21F801

RGB 33 248 1

HSL 112.23, 0.99%, 0.49%

LAB 85.74, -82.89, 81.57

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 70 / 0 / 80 / 18

HEX #3FD029

RGB 63 208 41

HSL 112.1, 0.67%, 0.49%

LAB 73.76, -66.5, 65.36

 

CMYK 59 / 0 / 68 / 26

HEX #4EBC3D

RGB 78 188 61

HSL 111.97, 0.51%, 0.49%

LAB 67.96, -55.07, 52.83

 

CMYK 45 / 0 / 52 / 34

HEX #5DA851

RGB 93 168 81

HSL 111.72, 0.35%, 0.49%

LAB 62.45, -40.72, 37.53

 

CMYK 27 / 0 / 31 / 42

HEX #6C9366

RGB 108 147 102

HSL 112, 0.18%, 0.49%

LAB 57.09, -22.61, 19.61

 

CMYK 30 / 0 / 91 / 11

HEX #9FE415

RGB 159 228 21

HSL 80, 0.83%, 0.49%

LAB 83.4, -47.06, 79.28

 

CMYK 54 / 0 / 91 / 11

HEX #68E415

RGB 104 228 21

HSL 95.94, 0.83%, 0.49%

LAB 81.01, -64.64, 76.34

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 0 / 79 / 11

HEX #15E430

RGB 21 228 48

HSL 127.83, 0.83%, 0.49%

LAB 79.53, -76.79, 68.63

 

CMYK 91 / 0 / 54 / 11

HEX #15E468

RGB 21 228 104

HSL 144.06, 0.83%, 0.49%

LAB 79.98, -71.2, 47.38

 

CMYK 79 / 0 / 91 / 40

HEX #20990E

RGB 32 153 14

HSL 112.23, 0.83%, 0.33%

LAB 55.2, -55.59, 54.95

 

CMYK 79 / 0 / 91 / 25

HEX #28BE11

RGB 40 190 17

HSL 112.02, 0.84%, 0.41%

LAB 67.52, -65.64, 64.99

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 67 / 0 / 77 / 7

HEX #4EEC36

RGB 78 236 54

HSL 112.09, 0.83%, 0.57%

LAB 82.85, -71.82, 70.33

 

CMYK 54 / 0 / 62 / 6

HEX #6FEF5C

RGB 111 239 92

HSL 112.24, 0.82%, 0.65%

LAB 84.94, -62.41, 58.9

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 6 / 0 / 11

HEX #15D6E4

RGB 21 214 228

HSL 184.06, 0.83%, 0.49%

LAB 78.38, -37.3, -19.08

 

CMYK 0 / 91 / 43 / 11

HEX #E41583

RGB 228 21 131

HSL 328.12, 0.83%, 0.49%

LAB 50.3, 77.2, -5.08

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 79 / 0 / 11

HEX #1530E4

RGB 21 48 228

HSL 232.17, 0.83%, 0.49%

LAB 33.72, 58.09, -90.2

 

CMYK 0 / 91 / 79 / 11

HEX #E41530

RGB 228 21 48

HSL 352.17, 0.83%, 0.49%

LAB 48.57, 72.4, 42.71

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 6 / 0 / 11

HEX #15D6E4

RGB 21 214 228

HSL 184.06, 0.83%, 0.49%

LAB 78.38, -37.3, -19.08

 

CMYK 12 / 91 / 0 / 11

HEX #C915E4

RGB 201 21 228

HSL 292.17, 0.83%, 0.49%

LAB 50.16, 84.31, -62.52

 

CMYK 0 / 85 / 91 / 11

HEX #E42315

RGB 228 35 21

HSL 4.06, 0.83%, 0.49%

LAB 49.19, 69.47, 56.24

 

CMYK 79 / 0 / 91 / 11

HEX #30E415

RGB 48 228 21

HSL 112.17, 0.83%, 0.49%

LAB 79.71, -75.56, 74.73

 

CMYK 91 / 33 / 0 / 11

HEX #1598E4

RGB 21 152 228

HSL 202.03, 0.83%, 0.49%

LAB 60.08, -5.3, -47.39

 

CMYK 12 / 91 / 0 / 11

HEX #C915E4

RGB 201 21 228

HSL 292.17, 0.83%, 0.49%

LAB 50.16, 84.31, -62.52

 

CMYK 0 / 57 / 91 / 11

HEX #E46115

RGB 228 97 21

HSL 22.03, 0.83%, 0.49%

LAB 57.17, 47.73, 61.76

 

Description

Color code: HEX #30E415 | qconv.com Color code: HEX #30E415 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 228 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 228 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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