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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30E3B0 it is the complementary color #CF1C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30E3B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30E3B0 shade: #35E3AB, #46F5BE, #57FFD1, #68FFE4 and #79FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30E3B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30E3B0 shade: #30E3B0, #1FD19D, #0EBF8A, #00AD77 and #009B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30E3B0 shade: #30E2B0, #30E27F, #30E24F, #41E230 and #71E230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30E3B0 shade: #30E2B0, #30E2E0, #30B5E2, #3085E2 and #3055E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30E3B0 shade matches the following richer shades: #30E2B0 and #1DF5B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30E3B0 shade: #30E2B0, #43CFA7, #56BC9F, #69A997 and #7C968F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30E3B0 shade: #30E24E, #30E27D, #30E2AD, #30E2DC and #30B9E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30E3B0 shade: #17A97F, #1CCE9B, #30E2B0, #54E7BD and #79ECCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30E3B0 shade: #30E3B0, #3042E2 and #E26630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30E3B0 shade: #30E3B0, #AD30E2 and #E2AD30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30E3B0 shade: #30E3B0, #3042E2, #E23066 and #E2D130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30E3B0 shade: #30E3B0, #5430E2, #E23066 and #BFE230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

Complementary color

CMYK 0 / 86 / 62 / 19

HEX #CF1C4F

RGB 207 28 79

HSL 342.91, 0.76%, 0.46%

LAB 45.17, 67.29, 19.07

 

CMYK 77 / 0 / 25 / 11

HEX #35E3AB

RGB 53 227 171

HSL 160.69, 0.76%, 0.55%

LAB 81.09, -55.77, 15.25

 

CMYK 71 / 0 / 22 / 4

HEX #46F5BE

RGB 70 245 190

HSL 161.14, 0.9%, 0.62%

LAB 87.16, -56.47, 13.94

 

CMYK 66 / 0 / 18 / 0

HEX #57FFD1

RGB 87 255 209

HSL 163.57, 1%, 0.67%

LAB 90.85, -53.72, 9.41

 

CMYK 59 / 0 / 11 / 0

HEX #68FFE4

RGB 104 255 228

HSL 169.27, 1%, 0.7%

LAB 91.71, -46.44, 0.89

 

CMYK 53 / 0 / 3 / 0

HEX #79FFF7

RGB 121 255 247

HSL 176.42, 1%, 0.74%

LAB 92.71, -38.62, -7.43

 

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

CMYK 85 / 0 / 25 / 18

HEX #1FD19D

RGB 31 209 157

HSL 162.47, 0.74%, 0.47%

LAB 75.03, -54.03, 14.1

 

CMYK 93 / 0 / 28 / 25

HEX #0EBF8A

RGB 14 191 138

HSL 162.03, 0.86%, 0.4%

LAB 68.89, -52.53, 15.68

 

CMYK 100 / 0 / 31 / 32

HEX #00AD77

RGB 0 173 119

HSL 161.27, 1%, 0.34%

LAB 62.69, -50.61, 17.41

 

CMYK 100 / 0 / 35 / 39

HEX #009B64

RGB 0 155 100

HSL 158.71, 1%, 0.3%

LAB 56.45, -48.09, 19.33

 

CMYK 79 / 0 / 22 / 11

HEX #30E2B0

RGB 48 226 176

HSL 163.15, 0.75%, 0.54%

LAB 80.83, -54.75, 12.24

 

CMYK 79 / 0 / 44 / 11

HEX #30E27F

RGB 48 226 127

HSL 146.63, 0.75%, 0.54%

LAB 79.93, -64.76, 36.28

 

CMYK 79 / 0 / 65 / 11

HEX #30E24F

RGB 48 226 79

HSL 130.45, 0.75%, 0.54%

LAB 79.38, -71.33, 57.7

 

CMYK 71 / 0 / 79 / 11

HEX #41E230

RGB 65 226 48

HSL 114.27, 0.75%, 0.54%

LAB 79.46, -71.37, 68.76

 

CMYK 50 / 0 / 79 / 11

HEX #71E230

RGB 113 226 48

HSL 98.09, 0.75%, 0.54%

LAB 80.8, -60.45, 70.5

 

CMYK 79 / 0 / 22 / 11

HEX #30E2B0

RGB 48 226 176

HSL 163.15, 0.75%, 0.54%

LAB 80.83, -54.75, 12.24

 

CMYK 79 / 0 / 1 / 11

HEX #30E2E0

RGB 48 226 224

HSL 179.33, 0.75%, 0.54%

LAB 82.06, -42.21, -11.39

 

CMYK 79 / 20 / 0 / 11

HEX #30B5E2

RGB 48 181 226

HSL 195.17, 0.75%, 0.54%

LAB 68.87, -19.92, -32.51

 

CMYK 79 / 41 / 0 / 11

HEX #3085E2

RGB 48 133 226

HSL 211.35, 0.75%, 0.54%

LAB 54.96, 7.2, -54.39

 

CMYK 79 / 62 / 0 / 11

HEX #3055E2

RGB 48 85 226

HSL 227.53, 0.75%, 0.54%

LAB 42.18, 37.39, -75.08

 

CMYK 79 / 0 / 22 / 11

HEX #30E2B0

RGB 48 226 176

HSL 163.15, 0.75%, 0.54%

LAB 80.83, -54.75, 12.24

 

CMYK 88 / 0 / 25 / 4

HEX #1DF5B8

RGB 29 245 184

HSL 163.06, 0.92%, 0.54%

LAB 86.52, -61.62, 16.07

 

CMYK 79 / 0 / 22 / 11

HEX #30E2B0

RGB 48 226 176

HSL 163.15, 0.75%, 0.54%

LAB 80.83, -54.75, 12.24

 

CMYK 68 / 0 / 19 / 19

HEX #43CFA7

RGB 67 207 167

HSL 162.86, 0.59%, 0.54%

LAB 75.21, -46.75, 9.08

 

CMYK 54 / 0 / 15 / 26

HEX #56BC9F

RGB 86 188 159

HSL 162.94, 0.43%, 0.54%

LAB 69.79, -36.77, 5.72

 

CMYK 38 / 0 / 11 / 34

HEX #69A997

RGB 105 169 151

HSL 163.13, 0.27%, 0.54%

LAB 64.65, -24.75, 2.82

 

CMYK 17 / 0 / 5 / 41

HEX #7C968F

RGB 124 150 143

HSL 163.85, 0.11%, 0.54%

LAB 59.96, -10.62, 0.64

 

CMYK 79 / 0 / 65 / 11

HEX #30E24E

RGB 48 226 78

HSL 130.11, 0.75%, 0.54%

LAB 79.37, -71.44, 58.1

 

CMYK 79 / 0 / 45 / 11

HEX #30E27D

RGB 48 226 125

HSL 145.96, 0.75%, 0.54%

LAB 79.9, -65.1, 37.23

 

CMYK 79 / 0 / 23 / 11

HEX #30E2AD

RGB 48 226 173

HSL 162.13, 0.75%, 0.54%

LAB 80.76, -55.45, 13.73

 

CMYK 79 / 0 / 3 / 11

HEX #30E2DC

RGB 48 226 220

HSL 177.98, 0.75%, 0.54%

LAB 81.94, -43.34, -9.44

 

CMYK 79 / 18 / 0 / 11

HEX #30B9E2

RGB 48 185 226

HSL 193.82, 0.75%, 0.54%

LAB 70.05, -21.99, -30.69

 

CMYK 86 / 0 / 25 / 34

HEX #17A97F

RGB 23 169 127

HSL 162.74, 0.76%, 0.38%

LAB 61.73, -45.96, 11.69

 

CMYK 86 / 0 / 25 / 19

HEX #1CCE9B

RGB 28 206 155

HSL 162.81, 0.76%, 0.46%

LAB 74.03, -53.54, 13.76

 

CMYK 79 / 0 / 22 / 11

HEX #30E2B0

RGB 48 226 176

HSL 163.15, 0.75%, 0.54%

LAB 80.83, -54.75, 12.24

 

CMYK 64 / 0 / 18 / 9

HEX #54E7BD

RGB 84 231 189

HSL 162.86, 0.75%, 0.62%

LAB 83.29, -48.91, 9

 

CMYK 49 / 0 / 14 / 7

HEX #79ECCB

RGB 121 236 203

HSL 162.78, 0.75%, 0.7%

LAB 86.19, -40.48, 5.97

 

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

CMYK 79 / 71 / 0 / 11

HEX #3042E2

RGB 48 66 226

HSL 233.93, 0.75%, 0.54%

LAB 37.87, 48.93, -82.16

 

CMYK 0 / 55 / 79 / 11

HEX #E26630

RGB 226 102 48

HSL 18.2, 0.75%, 0.54%

LAB 57.93, 45.27, 51.95

 

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

CMYK 23 / 79 / 0 / 11

HEX #AD30E2

RGB 173 48 226

HSL 282.13, 0.75%, 0.54%

LAB 47.61, 73.72, -65.73

 

CMYK 0 / 23 / 79 / 11

HEX #E2AD30

RGB 226 173 48

HSL 42.13, 0.75%, 0.54%

LAB 73.72, 8.22, 66.74

 

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

CMYK 79 / 71 / 0 / 11

HEX #3042E2

RGB 48 66 226

HSL 233.93, 0.75%, 0.54%

LAB 37.87, 48.93, -82.16

 

CMYK 0 / 79 / 55 / 11

HEX #E23066

RGB 226 48 102

HSL 341.8, 0.75%, 0.54%

LAB 50.97, 69.1, 13.45

 

CMYK 0 / 8 / 79 / 11

HEX #E2D130

RGB 226 209 48

HSL 54.27, 0.75%, 0.54%

LAB 82.9, -10.42, 74.96

 

CMYK 79 / 0 / 22 / 11

HEX #30E3B0

RGB 48 227 176

HSL 162.91, 0.76%, 0.54%

LAB 81.13, -55.14, 12.67

 

CMYK 63 / 79 / 0 / 11

HEX #5430E2

RGB 84 48 226

HSL 252.13, 0.75%, 0.54%

LAB 36.91, 61.39, -83.67

 

CMYK 0 / 79 / 55 / 11

HEX #E23066

RGB 226 48 102

HSL 341.8, 0.75%, 0.54%

LAB 50.97, 69.1, 13.45

 

CMYK 15 / 0 / 79 / 11

HEX #BFE230

RGB 191 226 48

HSL 71.8, 0.75%, 0.54%

LAB 84.83, -33.12, 75.67

 

Description

Color code: HEX #30E3B0 | qconv.com Color code: HEX #30E3B0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 227 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 227 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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