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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31209A it is the complementary color #CEDF65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31209A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31209A shade: #362095, #4732A8, #5844BB, #6956CE and #7A68E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31209A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31209A shade: #31209A, #200E87, #0F0074, #000061 and #00004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31209A shade: #301F98, #501F98, #711F98, #921F98 and #981F7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31209A shade: #301F98 and #1F1F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31209A shade matches the following richer shades: #301F98, #2510A7 and #1A01B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31209A shade: #301F98, #3A2E89, #453C7A, #504B6B and #5A5A5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31209A shade: #1F4F98, #1F2F98, #2F1F98, #4F1F98 and #6F1F98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31209A shade: #1A1153, #251876, #301F98, #3A26BA and #4B34D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31209A shade: #31209A, #981F6F and #3F981F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31209A shade: #31209A, #982F1F and #1F982F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31209A shade: #31209A, #981F6F, #88981F and #1F9847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31209A shade: #31209A, #981F4B, #88981F and #1F986B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

Complementary color

CMYK 8 / 0 / 55 / 13

HEX #CEDF65

RGB 206 223 101

HSL 68.36, 0.66%, 0.64%

LAB 85.42, -22.56, 56.87

 

CMYK 64 / 79 / 0 / 42

HEX #362095

RGB 54 32 149

HSL 251.28, 0.65%, 0.35%

LAB 23.63, 43.29, -60.07

 

CMYK 58 / 70 / 0 / 34

HEX #4732A8

RGB 71 50 168

HSL 250.68, 0.54%, 0.43%

LAB 30.52, 41.73, -60.27

 

CMYK 53 / 64 / 0 / 27

HEX #5844BB

RGB 88 68 187

HSL 250.08, 0.47%, 0.5%

LAB 37.48, 40.07, -60.13

 

CMYK 49 / 58 / 0 / 19

HEX #6956CE

RGB 105 86 206

HSL 249.5, 0.55%, 0.57%

LAB 44.4, 38.51, -59.88

 

CMYK 46 / 54 / 0 / 12

HEX #7A68E1

RGB 122 104 225

HSL 248.93, 0.67%, 0.65%

LAB 51.24, 37.1, -59.59

 

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

CMYK 76 / 90 / 0 / 47

HEX #200E87

RGB 32 14 135

HSL 248.93, 0.81%, 0.29%

LAB 17.32, 45.28, -61.85

 

CMYK 87 / 100 / 0 / 55

HEX #0F0074

RGB 15 0 116

HSL 247.76, 1%, 0.23%

LAB 11.71, 44.5, -59.09

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 68 / 80 / 0 / 40

HEX #301F98

RGB 48 31 152

HSL 248.43, 0.66%, 0.36%

LAB 23.25, 44.07, -62.55

 

CMYK 47 / 80 / 0 / 40

HEX #501F98

RGB 80 31 152

HSL 264.3, 0.66%, 0.36%

LAB 26.6, 48.15, -56.93

 

CMYK 26 / 80 / 0 / 40

HEX #711F98

RGB 113 31 152

HSL 280.66, 0.66%, 0.36%

LAB 31.25, 53.74, -49.15

 

CMYK 4 / 80 / 0 / 40

HEX #921F98

RGB 146 31 152

HSL 297.02, 0.66%, 0.36%

LAB 36.66, 60.19, -40.15

 

CMYK 0 / 80 / 18 / 40

HEX #981F7D

RGB 152 31 125

HSL 313.39, 0.66%, 0.36%

LAB 36.24, 57.29, -24.11

 

CMYK 68 / 80 / 0 / 40

HEX #301F98

RGB 48 31 152

HSL 248.43, 0.66%, 0.36%

LAB 23.25, 44.07, -62.55

 

CMYK 80 / 80 / 0 / 40

HEX #1F1F98

RGB 31 31 152

HSL 240, 0.66%, 0.36%

LAB 22.08, 42.63, -64.53

 

CMYK 68 / 80 / 0 / 40

HEX #301F98

RGB 48 31 152

HSL 248.43, 0.66%, 0.36%

LAB 23.25, 44.07, -62.55

 

CMYK 78 / 90 / 0 / 35

HEX #2510A7

RGB 37 16 167

HSL 248.34, 0.83%, 0.36%

LAB 22.14, 54.03, -73.59

 

CMYK 86 / 99 / 0 / 29

HEX #1A01B6

RGB 26 1 182

HSL 248.29, 0.99%, 0.36%

LAB 22.37, 61.5, -82.25

 

CMYK 68 / 80 / 0 / 40

HEX #301F98

RGB 48 31 152

HSL 248.43, 0.66%, 0.36%

LAB 23.25, 44.07, -62.55

 

CMYK 58 / 66 / 0 / 46

HEX #3A2E89

RGB 58 46 137

HSL 247.91, 0.5%, 0.36%

LAB 25.74, 32, -49.15

 

CMYK 43 / 51 / 0 / 52

HEX #453C7A

RGB 69 60 122

HSL 248.71, 0.34%, 0.36%

LAB 29.16, 20.57, -34.19

 

CMYK 25 / 30 / 0 / 58

HEX #504B6B

RGB 80 75 107

HSL 249.38, 0.18%, 0.36%

LAB 33.56, 9.78, -17.77

 

CMYK 2 / 2 / 0 / 64

HEX #5A5A5C

RGB 90 90 92

HSL 240, 0.01%, 0.36%

LAB 38.3, 0.43, -1.16

 

CMYK 80 / 48 / 0 / 40

HEX #1F4F98

RGB 31 79 152

HSL 216.2, 0.66%, 0.36%

LAB 34.29, 11.35, -44.58

 

CMYK 80 / 69 / 0 / 40

HEX #1F2F98

RGB 31 47 152

HSL 232.07, 0.66%, 0.36%

LAB 25.54, 33, -58.83

 

CMYK 69 / 80 / 0 / 40

HEX #2F1F98

RGB 47 31 152

HSL 247.93, 0.66%, 0.36%

LAB 23.17, 43.97, -62.69

 

CMYK 48 / 80 / 0 / 40

HEX #4F1F98

RGB 79 31 152

HSL 263.8, 0.66%, 0.36%

LAB 26.47, 48, -57.14

 

CMYK 27 / 80 / 0 / 40

HEX #6F1F98

RGB 111 31 152

HSL 279.67, 0.66%, 0.36%

LAB 30.94, 53.37, -49.66

 

CMYK 69 / 80 / 0 / 67

HEX #1A1153

RGB 26 17 83

HSL 248.18, 0.66%, 0.2%

LAB 10.89, 26.34, -38.48

 

CMYK 69 / 80 / 0 / 54

HEX #251876

RGB 37 24 118

HSL 248.3, 0.66%, 0.28%

LAB 17.25, 35.67, -51.13

 

CMYK 68 / 80 / 0 / 40

HEX #301F98

RGB 48 31 152

HSL 248.43, 0.66%, 0.36%

LAB 23.25, 44.07, -62.55

 

CMYK 69 / 80 / 0 / 27

HEX #3A26BA

RGB 58 38 186

HSL 248.11, 0.66%, 0.44%

LAB 28.98, 51.98, -73.58

 

CMYK 65 / 76 / 0 / 16

HEX #4B34D5

RGB 75 52 213

HSL 248.57, 0.66%, 0.52%

LAB 35.51, 54.85, -78.54

 

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

CMYK 0 / 80 / 27 / 40

HEX #981F6F

RGB 152 31 111

HSL 320.33, 0.66%, 0.36%

LAB 35.6, 55.41, -16.3

 

CMYK 59 / 0 / 80 / 40

HEX #3F981F

RGB 63 152 31

HSL 104.13, 0.66%, 0.36%

LAB 55.7, -48, 51.33

 

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

CMYK 0 / 69 / 80 / 40

HEX #982F1F

RGB 152 47 31

HSL 7.93, 0.66%, 0.36%

LAB 35.61, 42.93, 34.12

 

CMYK 80 / 0 / 69 / 40

HEX #1F982F

RGB 31 152 47

HSL 127.93, 0.66%, 0.36%

LAB 55.02, -53.19, 44.41

 

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

CMYK 0 / 80 / 27 / 40

HEX #981F6F

RGB 152 31 111

HSL 320.33, 0.66%, 0.36%

LAB 35.6, 55.41, -16.3

 

CMYK 11 / 0 / 80 / 40

HEX #88981F

RGB 136 152 31

HSL 67.93, 0.66%, 0.36%

LAB 59.7, -21.03, 56.49

 

CMYK 80 / 0 / 53 / 40

HEX #1F9847

RGB 31 152 71

HSL 139.83, 0.66%, 0.36%

LAB 55.28, -50.09, 33.4

 

CMYK 68 / 79 / 0 / 40

HEX #31209A

RGB 49 32 154

HSL 248.36, 0.66%, 0.36%

LAB 23.73, 44.29, -62.99

 

CMYK 0 / 80 / 51 / 40

HEX #981F4B

RGB 152 31 75

HSL 338.18, 0.66%, 0.36%

LAB 34.32, 51.54, 4.93

 

CMYK 11 / 0 / 80 / 40

HEX #88981F

RGB 136 152 31

HSL 67.93, 0.66%, 0.36%

LAB 59.7, -21.03, 56.49

 

CMYK 80 / 0 / 30 / 40

HEX #1F986B

RGB 31 152 107

HSL 157.69, 0.66%, 0.36%

LAB 55.9, -43.06, 14.72

 

Description

Color code: HEX #31209A | qconv.com Color code: HEX #31209A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 32 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 32 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 79 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 79% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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