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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #314259 it is the complementary color #CEBDA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #314259. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #314259 shade: #364254, #475467, #58667A, #69788D and #7A8AA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #314259. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #314259 shade: #314259, #203046, #0F1E33, #000C20 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #314259 shade: #304158, #303758, #353058, #403058 and #4A3058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #314259 shade: #304158, #303758 and #303058

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #314259 shade matches the following richer shades: #304158, #254063, #1A3E6F, #0F3C7A and #043B85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #314259 shade: #304158, #3C434D, #474542, #524637 and #5D482C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #314259 shade: #305758, #304C58, #304258, #303758 and #343058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #314259 shade: #131A23, #222E3E, #304158, #3F5573 and #4E698E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #314259 shade: #314259, #4F3058 and #525830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #314259 shade: #314259, #583042 and #425830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #314259 shade: #314259, #4F3058, #584730 and #3A5830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #314259 shade: #314259, #583056, #584730 and #305833

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

Complementary color

CMYK 0 / 8 / 19 / 19

HEX #CEBDA6

RGB 206 189 166

HSL 34.5, 0.29%, 0.73%

LAB 77.44, 2.29, 13.8

 

CMYK 36 / 21 / 0 / 67

HEX #364254

RGB 54 66 84

HSL 216, 0.22%, 0.27%

LAB 27.63, 0.16, -12.37

 

CMYK 31 / 18 / 0 / 60

HEX #475467

RGB 71 84 103

HSL 215.63, 0.18%, 0.34%

LAB 35.32, -0.12, -12.63

 

CMYK 28 / 16 / 0 / 52

HEX #58667A

RGB 88 102 122

HSL 215.29, 0.16%, 0.41%

LAB 42.74, -0.35, -12.93

 

CMYK 26 / 15 / 0 / 45

HEX #69788D

RGB 105 120 141

HSL 215, 0.15%, 0.48%

LAB 49.93, -0.54, -13.25

 

CMYK 24 / 14 / 0 / 37

HEX #7A8AA0

RGB 122 138 160

HSL 214.74, 0.17%, 0.55%

LAB 56.93, -0.72, -13.59

 

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

CMYK 54 / 31 / 0 / 73

HEX #203046

RGB 32 48 70

HSL 214.74, 0.37%, 0.2%

LAB 19.49, 0.69, -15.77

 

CMYK 71 / 41 / 0 / 80

HEX #0F1E33

RGB 15 30 51

HSL 215, 0.55%, 0.13%

LAB 11.06, 1.67, -15.77

 

CMYK 100 / 63 / 0 / 87

HEX #000C20

RGB 0 12 32

HSL 217.5, 1%, 0.06%

LAB 3.32, 1.77, -13.73

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 45 / 26 / 0 / 65

HEX #304158

RGB 48 65 88

HSL 214.5, 0.29%, 0.27%

LAB 27.06, 0.13, -15.89

 

CMYK 45 / 38 / 0 / 65

HEX #303758

RGB 48 55 88

HSL 229.5, 0.29%, 0.27%

LAB 23.89, 6.88, -20.82

 

CMYK 40 / 45 / 0 / 65

HEX #353058

RGB 53 48 88

HSL 247.5, 0.29%, 0.27%

LAB 22.21, 13.26, -23.43

 

CMYK 27 / 45 / 0 / 65

HEX #403058

RGB 64 48 88

HSL 264, 0.29%, 0.27%

LAB 23.37, 16.82, -21.53

 

CMYK 16 / 45 / 0 / 65

HEX #4A3058

RGB 74 48 88

HSL 279, 0.29%, 0.27%

LAB 24.56, 20.23, -19.58

 

CMYK 45 / 26 / 0 / 65

HEX #304158

RGB 48 65 88

HSL 214.5, 0.29%, 0.27%

LAB 27.06, 0.13, -15.89

 

CMYK 45 / 38 / 0 / 65

HEX #303758

RGB 48 55 88

HSL 229.5, 0.29%, 0.27%

LAB 23.89, 6.88, -20.82

 

CMYK 45 / 45 / 0 / 65

HEX #303058

RGB 48 48 88

HSL 240, 0.29%, 0.27%

LAB 21.75, 11.74, -24.19

 

CMYK 45 / 26 / 0 / 65

HEX #304158

RGB 48 65 88

HSL 214.5, 0.29%, 0.27%

LAB 27.06, 0.13, -15.89

 

CMYK 63 / 35 / 0 / 61

HEX #254063

RGB 37 64 99

HSL 213.87, 0.46%, 0.27%

LAB 26.62, 1.71, -23.73

 

CMYK 77 / 44 / 0 / 56

HEX #1A3E6F

RGB 26 62 111

HSL 214.59, 0.62%, 0.27%

LAB 26.19, 5.7, -32.14

 

CMYK 88 / 51 / 0 / 52

HEX #0F3C7A

RGB 15 60 122

HSL 214.77, 0.78%, 0.27%

LAB 25.98, 10.4, -39.48

 

CMYK 97 / 56 / 0 / 48

HEX #043B85

RGB 4 59 133

HSL 214.42, 0.94%, 0.27%

LAB 26.29, 15.08, -45.87

 

CMYK 45 / 26 / 0 / 65

HEX #304158

RGB 48 65 88

HSL 214.5, 0.29%, 0.27%

LAB 27.06, 0.13, -15.89

 

CMYK 22 / 13 / 0 / 70

HEX #3C434D

RGB 60 67 77

HSL 215.29, 0.12%, 0.27%

LAB 28.14, -0.34, -6.99

 

CMYK 0 / 3 / 7 / 72

HEX #474542

RGB 71 69 66

HSL 36, 0.04%, 0.27%

LAB 29.39, 0.2, 2.1

 

CMYK 0 / 15 / 33 / 68

HEX #524637

RGB 82 70 55

HSL 33.33, 0.2%, 0.27%

LAB 30.52, 2.47, 10.94

 

CMYK 0 / 23 / 53 / 64

HEX #5D482C

RGB 93 72 44

HSL 34.29, 0.36%, 0.27%

LAB 32.13, 4.94, 20.14

 

CMYK 45 / 1 / 0 / 65

HEX #305758

RGB 48 87 88

HSL 181.5, 0.29%, 0.27%

LAB 34.29, -13.48, -4.91

 

CMYK 45 / 14 / 0 / 65

HEX #304C58

RGB 48 76 88

HSL 198, 0.29%, 0.27%

LAB 30.64, -6.9, -10.39

 

CMYK 45 / 25 / 0 / 65

HEX #304258

RGB 48 66 88

HSL 213, 0.29%, 0.27%

LAB 27.38, -0.53, -15.39

 

CMYK 45 / 38 / 0 / 65

HEX #303758

RGB 48 55 88

HSL 229.5, 0.29%, 0.27%

LAB 23.89, 6.88, -20.82

 

CMYK 41 / 45 / 0 / 65

HEX #343058

RGB 52 48 88

HSL 246, 0.29%, 0.27%

LAB 22.12, 12.95, -23.58

 

CMYK 46 / 26 / 0 / 86

HEX #131A23

RGB 19 26 35

HSL 213.75, 0.3%, 0.11%

LAB 8.98, -0.3, -7.24

 

CMYK 45 / 26 / 0 / 76

HEX #222E3E

RGB 34 46 62

HSL 214.29, 0.29%, 0.19%

LAB 18.55, -0.1, -11.74

 

CMYK 45 / 26 / 0 / 65

HEX #304158

RGB 48 65 88

HSL 214.5, 0.29%, 0.27%

LAB 27.06, 0.13, -15.89

 

CMYK 45 / 26 / 0 / 55

HEX #3F5573

RGB 63 85 115

HSL 214.62, 0.29%, 0.35%

LAB 35.58, 0.33, -19.76

 

CMYK 45 / 26 / 0 / 44

HEX #4E698E

RGB 78 105 142

HSL 214.69, 0.29%, 0.43%

LAB 43.76, 0.51, -23.44

 

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

CMYK 10 / 45 / 0 / 65

HEX #4F3058

RGB 79 48 88

HSL 286.5, 0.29%, 0.27%

LAB 25.2, 21.97, -18.53

 

CMYK 7 / 0 / 45 / 65

HEX #525830

RGB 82 88 48

HSL 69, 0.29%, 0.27%

LAB 35.96, -9.47, 22.36

 

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

CMYK 0 / 45 / 25 / 65

HEX #583042

RGB 88 48 66

HSL 333, 0.29%, 0.27%

LAB 25.51, 20.88, -3.33

 

CMYK 25 / 0 / 45 / 65

HEX #425830

RGB 66 88 48

HSL 93, 0.29%, 0.27%

LAB 34.7, -16.52, 20.51

 

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

CMYK 10 / 45 / 0 / 65

HEX #4F3058

RGB 79 48 88

HSL 286.5, 0.29%, 0.27%

LAB 25.2, 21.97, -18.53

 

CMYK 0 / 19 / 45 / 65

HEX #584730

RGB 88 71 48

HSL 34.5, 0.29%, 0.27%

LAB 31.33, 3.65, 16.55

 

CMYK 34 / 0 / 45 / 65

HEX #3A5830

RGB 58 88 48

HSL 105, 0.29%, 0.27%

LAB 34.17, -19.78, 19.72

 

CMYK 45 / 26 / 0 / 65

HEX #314259

RGB 49 66 89

HSL 214.5, 0.29%, 0.27%

LAB 27.49, 0.1, -15.86

 

CMYK 0 / 45 / 2 / 65

HEX #583056

RGB 88 48 86

HSL 303, 0.29%, 0.27%

LAB 26.33, 24.7, -15.36

 

CMYK 0 / 19 / 45 / 65

HEX #584730

RGB 88 71 48

HSL 34.5, 0.29%, 0.27%

LAB 31.33, 3.65, 16.55

 

CMYK 45 / 0 / 42 / 65

HEX #305833

RGB 48 88 51

HSL 124.5, 0.29%, 0.27%

LAB 33.66, -22.96, 17.16

 

Description

Color code: HEX #314259 | qconv.com Color code: HEX #314259 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 66 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 66 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 26 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 26% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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