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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #314C52 it is the complementary color #CEB3AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #314C52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #314C52 shade: #364C4D, #475E60, #587073, #698286 and #7A9499

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #314C52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #314C52 shade: #314C52, #203A3F, #0F282C, #001619 and #000406

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #314C52 shade: #314C52, #314352, #313A52, #313252 and #3A3152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #314C52 shade: #314C52, #314352, #313A52, #313252 and #313152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #314C52 shade matches the following richer shades: #314C52, #26535D, #1C5A68, #116173 and #06687D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #314C52 shade: #314C52, #3C4648, #473F3D, #513832 and #5C3127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #314C52 shade: #315246, #31524F, #314D52, #314452 and #313B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #314C52 shade: #121D1F, #223439, #314C52, #41646C and #507C86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #314C52 shade: #314C52, #3D3152 and #524B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #314C52 shade: #314C52, #52314D and #4D5231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #314C52 shade: #314C52, #3D3152, #523731 and #465231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #314C52 shade: #314C52, #473152, #523731 and #3C5231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

Complementary color

CMYK 0 / 13 / 16 / 19

HEX #CEB3AD

RGB 206 179 173

HSL 10.91, 0.25%, 0.74%

LAB 75.06, 8.72, 6.63

 

CMYK 30 / 1 / 0 / 70

HEX #364C4D

RGB 54 76 77

HSL 182.61, 0.18%, 0.26%

LAB 30.61, -8.17, -3.35

 

CMYK 26 / 2 / 0 / 62

HEX #475E60

RGB 71 94 96

HSL 184.8, 0.15%, 0.33%

LAB 38.18, -8.09, -3.98

 

CMYK 23 / 3 / 0 / 55

HEX #587073

RGB 88 112 115

HSL 186.67, 0.13%, 0.4%

LAB 45.5, -8.04, -4.57

 

CMYK 22 / 3 / 0 / 47

HEX #698286

RGB 105 130 134

HSL 188.28, 0.12%, 0.47%

LAB 52.61, -8, -5.14

 

CMYK 20 / 3 / 0 / 40

HEX #7A9499

RGB 122 148 153

HSL 189.68, 0.13%, 0.54%

LAB 59.54, -7.98, -5.69

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 49 / 8 / 0 / 75

HEX #203A3F

RGB 32 58 63

HSL 189.68, 0.33%, 0.19%

LAB 22.63, -8.37, -6.23

 

CMYK 66 / 9 / 0 / 83

HEX #0F282C

RGB 15 40 44

HSL 188.28, 0.49%, 0.12%

LAB 14.41, -8.19, -5.58

 

CMYK 100 / 12 / 0 / 90

HEX #001619

RGB 0 22 25

HSL 187.2, 1%, 0.05%

LAB 5.82, -6.13, -4.54

 

CMYK 100 / 33 / 0 / 98

HEX #000406

RGB 0 4 6

HSL 200, 1%, 0.01%

LAB 0.9, -0.77, -1.13

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 40 / 18 / 0 / 68

HEX #314352

RGB 49 67 82

HSL 207.27, 0.25%, 0.26%

LAB 27.51, -2.76, -11.29

 

CMYK 40 / 29 / 0 / 68

HEX #313A52

RGB 49 58 82

HSL 223.64, 0.25%, 0.26%

LAB 24.6, 3.19, -15.75

 

CMYK 40 / 39 / 0 / 68

HEX #313252

RGB 49 50 82

HSL 238.18, 0.25%, 0.26%

LAB 22.1, 8.67, -19.65

 

CMYK 29 / 40 / 0 / 68

HEX #3A3152

RGB 58 49 82

HSL 256.36, 0.25%, 0.26%

LAB 22.67, 12.38, -18.69

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 40 / 18 / 0 / 68

HEX #314352

RGB 49 67 82

HSL 207.27, 0.25%, 0.26%

LAB 27.51, -2.76, -11.29

 

CMYK 40 / 29 / 0 / 68

HEX #313A52

RGB 49 58 82

HSL 223.64, 0.25%, 0.26%

LAB 24.6, 3.19, -15.75

 

CMYK 40 / 39 / 0 / 68

HEX #313252

RGB 49 50 82

HSL 238.18, 0.25%, 0.26%

LAB 22.1, 8.67, -19.65

 

CMYK 40 / 40 / 0 / 68

HEX #313152

RGB 49 49 82

HSL 240, 0.25%, 0.26%

LAB 21.79, 9.37, -20.13

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 59 / 11 / 0 / 64

HEX #26535D

RGB 38 83 93

HSL 190.91, 0.42%, 0.26%

LAB 32.68, -12.19, -10.54

 

CMYK 73 / 13 / 0 / 59

HEX #1C5A68

RGB 28 90 104

HSL 191.05, 0.58%, 0.26%

LAB 35.12, -14.48, -13.76

 

CMYK 85 / 16 / 0 / 55

HEX #116173

RGB 17 97 115

HSL 191.02, 0.74%, 0.26%

LAB 37.67, -15.94, -16.68

 

CMYK 95 / 17 / 0 / 51

HEX #06687D

RGB 6 104 125

HSL 190.59, 0.91%, 0.26%

LAB 40.28, -17.01, -18.79

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 17 / 3 / 0 / 72

HEX #3C4648

RGB 60 70 72

HSL 190, 0.09%, 0.26%

LAB 28.93, -3.55, -2.57

 

CMYK 0 / 11 / 14 / 72

HEX #473F3D

RGB 71 63 61

HSL 12, 0.08%, 0.26%

LAB 27.38, 3.03, 2.47

 

CMYK 0 / 31 / 38 / 68

HEX #513832

RGB 81 56 50

HSL 11.61, 0.24%, 0.26%

LAB 26.18, 10.2, 8.17

 

CMYK 0 / 47 / 58 / 64

HEX #5C3127

RGB 92 49 39

HSL 11.32, 0.4%, 0.26%

LAB 25.62, 18.34, 14.9

 

CMYK 40 / 0 / 15 / 68

HEX #315246

RGB 49 82 70

HSL 158.18, 0.25%, 0.26%

LAB 32.1, -15.24, 3.25

 

CMYK 40 / 0 / 4 / 68

HEX #31524F

RGB 49 82 79

HSL 174.55, 0.25%, 0.26%

LAB 32.37, -12.85, -2.06

 

CMYK 40 / 6 / 0 / 68

HEX #314D52

RGB 49 77 82

HSL 189.09, 0.25%, 0.26%

LAB 30.81, -9.02, -6.3

 

CMYK 40 / 17 / 0 / 68

HEX #314452

RGB 49 68 82

HSL 205.45, 0.25%, 0.26%

LAB 27.84, -3.41, -10.79

 

CMYK 40 / 28 / 0 / 68

HEX #313B52

RGB 49 59 82

HSL 221.82, 0.25%, 0.26%

LAB 24.92, 2.51, -15.26

 

CMYK 42 / 6 / 0 / 88

HEX #121D1F

RGB 18 29 31

HSL 189.23, 0.27%, 0.1%

LAB 9.85, -4.23, -2.96

 

CMYK 40 / 9 / 0 / 78

HEX #223439

RGB 34 52 57

HSL 193.04, 0.25%, 0.18%

LAB 20.41, -5.77, -5.49

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 40 / 7 / 0 / 58

HEX #41646C

RGB 65 100 108

HSL 191.16, 0.25%, 0.34%

LAB 40.12, -10.29, -8.51

 

CMYK 40 / 7 / 0 / 47

HEX #507C86

RGB 80 124 134

HSL 191.11, 0.25%, 0.42%

LAB 49.3, -12.37, -10.23

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 26 / 40 / 0 / 68

HEX #3D3152

RGB 61 49 82

HSL 261.82, 0.25%, 0.26%

LAB 22.99, 13.42, -18.17

 

CMYK 0 / 9 / 40 / 68

HEX #524B31

RGB 82 75 49

HSL 47.27, 0.25%, 0.26%

LAB 31.92, -1.54, 16.57

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 0 / 40 / 6 / 68

HEX #52314D

RGB 82 49 77

HSL 309.09, 0.25%, 0.26%

LAB 25.34, 19.98, -11.01

 

CMYK 6 / 0 / 40 / 68

HEX #4D5231

RGB 77 82 49

HSL 69.09, 0.25%, 0.26%

LAB 33.64, -8.1, 18.72

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 26 / 40 / 0 / 68

HEX #3D3152

RGB 61 49 82

HSL 261.82, 0.25%, 0.26%

LAB 22.99, 13.42, -18.17

 

CMYK 0 / 33 / 40 / 68

HEX #523731

RGB 82 55 49

HSL 10.91, 0.25%, 0.26%

LAB 26, 11.17, 8.6

 

CMYK 15 / 0 / 40 / 68

HEX #465231

RGB 70 82 49

HSL 81.82, 0.25%, 0.26%

LAB 33.05, -11.25, 17.84

 

CMYK 40 / 7 / 0 / 68

HEX #314C52

RGB 49 76 82

HSL 190.91, 0.25%, 0.26%

LAB 30.47, -8.42, -6.8

 

CMYK 13 / 40 / 0 / 68

HEX #473152

RGB 71 49 82

HSL 280, 0.25%, 0.26%

LAB 24.15, 17.01, -16.28

 

CMYK 0 / 33 / 40 / 68

HEX #523731

RGB 82 55 49

HSL 10.91, 0.25%, 0.26%

LAB 26, 11.17, 8.6

 

CMYK 27 / 0 / 40 / 68

HEX #3C5231

RGB 60 82 49

HSL 100, 0.25%, 0.26%

LAB 32.3, -15.54, 16.71

 

Description

Color code: HEX #314C52 | qconv.com Color code: HEX #314C52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 76 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 76 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 7 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 7% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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