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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31675F it is the complementary color #CE98A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31675F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31675F shade: #36675A, #47796D, #588B80, #699D93 and #7AAFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31675F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31675F shade: #31675F, #20554C, #0F4339, #003126 and #001F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31675F shade: #30685F, #306851, #306842, #306833 and #3D6830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31675F shade: #30685F, #306168, #305268, #304368 and #303468

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31675F shade matches the following richer shades: #30685F, #247468, #188071 and #0B8D7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31675F shade: #30685F, #3D5B57, #494F4E, #564245 and #62363D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31675F shade: #306842, #306851, #30685F, #306168 and #305268

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31675F shade: #162F2C, #234B46, #30685F, #3E8479 and #4BA093

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31675F shade: #31675F, #333068 and #684930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31675F shade: #31675F, #5F3068 and #685F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31675F shade: #31675F, #333068, #683039 and #656830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31675F shade: #31675F, #443068, #683039 and #546830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

Complementary color

CMYK 0 / 26 / 22 / 19

HEX #CE98A0

RGB 206 152 160

HSL 351.11, 0.36%, 0.7%

LAB 68.11, 21.39, 3.77

 

CMYK 48 / 0 / 13 / 60

HEX #36675A

RGB 54 103 90

HSL 164.08, 0.31%, 0.31%

LAB 39.95, -20.09, 2.19

 

CMYK 41 / 0 / 10 / 53

HEX #47796D

RGB 71 121 109

HSL 165.6, 0.26%, 0.38%

LAB 47.13, -19.92, 1.28

 

CMYK 37 / 0 / 8 / 45

HEX #588B80

RGB 88 139 128

HSL 167.06, 0.22%, 0.45%

LAB 54.13, -19.73, 0.47

 

CMYK 33 / 0 / 6 / 38

HEX #699D93

RGB 105 157 147

HSL 168.46, 0.21%, 0.51%

LAB 60.98, -19.55, -0.28

 

CMYK 30 / 0 / 5 / 31

HEX #7AAFA6

RGB 122 175 166

HSL 169.81, 0.25%, 0.58%

LAB 67.69, -19.39, -0.99

 

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

CMYK 62 / 0 / 11 / 67

HEX #20554C

RGB 32 85 76

HSL 169.81, 0.45%, 0.23%

LAB 32.54, -20.03, -0.01

 

CMYK 78 / 0 / 15 / 74

HEX #0F4339

RGB 15 67 57

HSL 168.46, 0.63%, 0.16%

LAB 24.99, -19.67, 1.18

 

CMYK 100 / 0 / 22 / 81

HEX #003126

RGB 0 49 38

HSL 166.53, 1%, 0.1%

LAB 17.16, -18.99, 2.63

 

CMYK 100 / 0 / 39 / 88

HEX #001F13

RGB 0 31 19

HSL 156.77, 1%, 0.06%

LAB 9.21, -14.83, 4.7

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 54 / 0 / 22 / 59

HEX #306851

RGB 48 104 81

HSL 155.36, 0.37%, 0.3%

LAB 39.79, -24.54, 7.39

 

CMYK 54 / 0 / 37 / 59

HEX #306842

RGB 48 104 66

HSL 139.29, 0.37%, 0.3%

LAB 39.45, -27.91, 15.92

 

CMYK 54 / 0 / 51 / 59

HEX #306833

RGB 48 104 51

HSL 123.21, 0.37%, 0.3%

LAB 39.19, -30.65, 24.24

 

CMYK 41 / 0 / 54 / 59

HEX #3D6830

RGB 61 104 48

HSL 106.07, 0.37%, 0.3%

LAB 39.76, -26.76, 26.73

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 54 / 7 / 0 / 59

HEX #306168

RGB 48 97 104

HSL 187.5, 0.37%, 0.3%

LAB 38.16, -14.39, -9.08

 

CMYK 54 / 21 / 0 / 59

HEX #305268

RGB 48 82 104

HSL 203.57, 0.37%, 0.3%

LAB 33.27, -5.47, -16.53

 

CMYK 54 / 36 / 0 / 59

HEX #304368

RGB 48 67 104

HSL 219.64, 0.37%, 0.3%

LAB 28.49, 4.22, -23.96

 

CMYK 54 / 50 / 0 / 59

HEX #303468

RGB 48 52 104

HSL 235.71, 0.37%, 0.3%

LAB 23.95, 14.48, -31.16

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 69 / 0 / 10 / 55

HEX #247468

RGB 36 116 104

HSL 171, 0.53%, 0.3%

LAB 44.04, -26.98, -0.4

 

CMYK 81 / 0 / 12 / 50

HEX #188071

RGB 24 128 113

HSL 171.35, 0.68%, 0.3%

LAB 48.04, -31.8, 0.07

 

CMYK 92 / 0 / 13 / 45

HEX #0B8D7A

RGB 11 141 122

HSL 171.23, 0.86%, 0.3%

LAB 52.43, -36.17, 1.19

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 33 / 0 / 4 / 64

HEX #3D5B57

RGB 61 91 87

HSL 172, 0.2%, 0.3%

LAB 36.3, -12.04, -1.25

 

CMYK 8 / 0 / 1 / 69

HEX #494F4E

RGB 73 79 78

HSL 170, 0.04%, 0.3%

LAB 33.05, -2.64, -0.25

 

CMYK 0 / 23 / 20 / 66

HEX #564245

RGB 86 66 69

HSL 351, 0.13%, 0.3%

LAB 30.17, 9.18, 1.49

 

CMYK 0 / 45 / 38 / 62

HEX #62363D

RGB 98 54 61

HSL 350.45, 0.29%, 0.3%

LAB 28.31, 20.57, 4.24

 

CMYK 54 / 0 / 37 / 59

HEX #306842

RGB 48 104 66

HSL 139.29, 0.37%, 0.3%

LAB 39.45, -27.91, 15.92

 

CMYK 54 / 0 / 22 / 59

HEX #306851

RGB 48 104 81

HSL 155.36, 0.37%, 0.3%

LAB 39.79, -24.54, 7.39

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 54 / 7 / 0 / 59

HEX #306168

RGB 48 97 104

HSL 187.5, 0.37%, 0.3%

LAB 38.16, -14.39, -9.08

 

CMYK 54 / 21 / 0 / 59

HEX #305268

RGB 48 82 104

HSL 203.57, 0.37%, 0.3%

LAB 33.27, -5.47, -16.53

 

CMYK 53 / 0 / 6 / 82

HEX #162F2C

RGB 22 47 44

HSL 172.8, 0.36%, 0.14%

LAB 17.39, -10.61, -1.09

 

CMYK 53 / 0 / 7 / 71

HEX #234B46

RGB 35 75 70

HSL 172.5, 0.36%, 0.22%

LAB 28.98, -15.53, -1.37

 

CMYK 54 / 0 / 9 / 59

HEX #30685F

RGB 48 104 95

HSL 170.36, 0.37%, 0.3%

LAB 40.17, -20.88, -0.57

 

CMYK 53 / 0 / 8 / 48

HEX #3E8479

RGB 62 132 121

HSL 170.57, 0.36%, 0.38%

LAB 50.58, -24.89, -0.79

 

CMYK 53 / 0 / 8 / 37

HEX #4BA093

RGB 75 160 147

HSL 170.82, 0.36%, 0.46%

LAB 60.56, -28.97, -1.06

 

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

CMYK 51 / 54 / 0 / 59

HEX #333068

RGB 51 48 104

HSL 243.21, 0.37%, 0.3%

LAB 23.06, 18, -32.57

 

CMYK 0 / 30 / 54 / 59

HEX #684930

RGB 104 73 48

HSL 26.79, 0.37%, 0.3%

LAB 33.82, 9.95, 20.13

 

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

CMYK 9 / 54 / 0 / 59

HEX #5F3068

RGB 95 48 104

HSL 290.36, 0.37%, 0.3%

LAB 28.24, 30.93, -24.02

 

CMYK 0 / 9 / 54 / 59

HEX #685F30

RGB 104 95 48

HSL 50.36, 0.37%, 0.3%

LAB 40.15, -3.37, 27.97

 

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

CMYK 51 / 54 / 0 / 59

HEX #333068

RGB 51 48 104

HSL 243.21, 0.37%, 0.3%

LAB 23.06, 18, -32.57

 

CMYK 0 / 54 / 45 / 59

HEX #683039

RGB 104 48 57

HSL 350.36, 0.37%, 0.3%

LAB 27.72, 26.07, 6.18

 

CMYK 3 / 0 / 54 / 59

HEX #656830

RGB 101 104 48

HSL 63.21, 0.37%, 0.3%

LAB 42.58, -9.96, 30.79

 

CMYK 52 / 0 / 8 / 60

HEX #31675F

RGB 49 103 95

HSL 171.11, 0.36%, 0.3%

LAB 39.88, -20.09, -0.99

 

CMYK 35 / 54 / 0 / 59

HEX #443068

RGB 68 48 104

HSL 261.43, 0.37%, 0.3%

LAB 24.77, 22.67, -29.73

 

CMYK 0 / 54 / 45 / 59

HEX #683039

RGB 104 48 57

HSL 350.36, 0.37%, 0.3%

LAB 27.72, 26.07, 6.18

 

CMYK 19 / 0 / 54 / 59

HEX #546830

RGB 84 104 48

HSL 81.43, 0.37%, 0.3%

LAB 41.21, -17.54, 28.83

 

Description

Color code: HEX #31675F | qconv.com Color code: HEX #31675F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 103 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 103 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 8 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 8% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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