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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #316D2E it is the complementary color #CE92D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #316D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #316D2E shade: #366D29, #477F3C, #58914F, #69A362 and #7AB575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #316D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #316D2E shade: #316D2E, #205B1B, #0F4908, #003700 and #002500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #316D2E shade: #306B2D, #416B2D, #516B2D, #626B2D and #6B632D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #316D2E shade: #306B2D, #2D6B3B, #2D6B4B, #2D6B5C and #2D696B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #316D2E shade matches the following richer shades: #306B2D, #247820, #198414 and #0E9008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #316D2E shade: #306B2D, #3B5F39, #465345, #514652 and #5C3A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #316D2E shade: #516B2D, #406B2D, #306B2D, #2D6B3A and #2D6B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #316D2E shade: #163114, #234E20, #306B2D, #3D8839 and #4AA645

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #316D2E shade: #316D2E, #2D626B and #6B2D49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #316D2E shade: #316D2E, #2D306B and #6B2D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #316D2E shade: #316D2E, #2D626B, #682D6B and #6B362D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #316D2E shade: #316D2E, #2D4F6B, #682D6B and #6B492D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

Complementary color

CMYK 1 / 30 / 0 / 18

HEX #CE92D1

RGB 206 146 209

HSL 297.14, 0.41%, 0.7%

LAB 68.23, 33.01, -23.37

 

CMYK 50 / 0 / 62 / 57

HEX #366D29

RGB 54 109 41

HSL 108.53, 0.45%, 0.29%

LAB 41.03, -32.4, 31.83

 

CMYK 44 / 0 / 53 / 50

HEX #477F3C

RGB 71 127 60

HSL 110.15, 0.36%, 0.37%

LAB 48.06, -32.45, 30.54

 

CMYK 39 / 0 / 46 / 43

HEX #58914F

RGB 88 145 79

HSL 111.82, 0.29%, 0.44%

LAB 54.96, -32.33, 29.21

 

CMYK 36 / 0 / 40 / 36

HEX #69A362

RGB 105 163 98

HSL 113.54, 0.26%, 0.51%

LAB 61.72, -32.13, 27.92

 

CMYK 33 / 0 / 35 / 29

HEX #7AB575

RGB 122 181 117

HSL 115.31, 0.3%, 0.58%

LAB 68.37, -31.9, 26.71

 

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

CMYK 65 / 0 / 70 / 64

HEX #205B1B

RGB 32 91 27

HSL 115.31, 0.54%, 0.23%

LAB 33.71, -32.91, 30.28

 

CMYK 79 / 0 / 89 / 71

HEX #0F4908

RGB 15 73 8

HSL 113.54, 0.8%, 0.16%

LAB 26.4, -31.66, 30.75

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 39 / 0 / 58 / 58

HEX #416B2D

RGB 65 107 45

HSL 100.65, 0.41%, 0.3%

LAB 40.94, -27.13, 29.81

 

CMYK 24 / 0 / 58 / 58

HEX #516B2D

RGB 81 107 45

HSL 85.16, 0.41%, 0.3%

LAB 41.93, -20.75, 31.22

 

CMYK 8 / 0 / 58 / 58

HEX #626B2D

RGB 98 107 45

HSL 68.71, 0.41%, 0.3%

LAB 43.21, -13.29, 33.03

 

CMYK 0 / 7 / 58 / 58

HEX #6B632D

RGB 107 99 45

HSL 52.26, 0.41%, 0.3%

LAB 41.59, -4.59, 31.37

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 58 / 0 / 45 / 58

HEX #2D6B3B

RGB 45 107 59

HSL 133.55, 0.41%, 0.3%

LAB 40.23, -31.5, 21.01

 

CMYK 58 / 0 / 30 / 58

HEX #2D6B4B

RGB 45 107 75

HSL 149.03, 0.41%, 0.3%

LAB 40.54, -28.22, 12.04

 

CMYK 58 / 0 / 14 / 58

HEX #2D6B5C

RGB 45 107 92

HSL 165.48, 0.41%, 0.3%

LAB 40.97, -23.99, 2.4

 

CMYK 58 / 2 / 0 / 58

HEX #2D696B

RGB 45 105 107

HSL 181.94, 0.41%, 0.3%

LAB 40.77, -18.62, -7.01

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 70 / 0 / 73 / 53

HEX #247820

RGB 36 120 32

HSL 117.27, 0.58%, 0.3%

LAB 44.11, -42.69, 39.17

 

CMYK 81 / 0 / 85 / 48

HEX #198414

RGB 25 132 20

HSL 117.32, 0.74%, 0.3%

LAB 47.96, -49.66, 47.08

 

CMYK 90 / 0 / 94 / 44

HEX #0E9008

RGB 14 144 8

HSL 117.35, 0.89%, 0.3%

LAB 51.9, -55.09, 53.1

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 38 / 0 / 40 / 63

HEX #3B5F39

RGB 59 95 57

HSL 116.84, 0.25%, 0.3%

LAB 36.76, -21.55, 17.77

 

CMYK 16 / 0 / 17 / 67

HEX #465345

RGB 70 83 69

HSL 115.71, 0.09%, 0.3%

LAB 33.81, -8.23, 6.51

 

CMYK 1 / 15 / 0 / 68

HEX #514652

RGB 81 70 82

HSL 295, 0.08%, 0.3%

LAB 31.2, 7.17, -5.44

 

CMYK 2 / 38 / 0 / 63

HEX #5C3A5E

RGB 92 58 94

HSL 296.67, 0.24%, 0.3%

LAB 29.69, 21.71, -15.35

 

CMYK 24 / 0 / 58 / 58

HEX #516B2D

RGB 81 107 45

HSL 85.16, 0.41%, 0.3%

LAB 41.93, -20.75, 31.22

 

CMYK 40 / 0 / 58 / 58

HEX #406B2D

RGB 64 107 45

HSL 101.61, 0.41%, 0.3%

LAB 40.89, -27.5, 29.73

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 58 / 0 / 46 / 58

HEX #2D6B3A

RGB 45 107 58

HSL 132.58, 0.41%, 0.3%

LAB 40.21, -31.68, 21.56

 

CMYK 58 / 0 / 30 / 58

HEX #2D6B4B

RGB 45 107 75

HSL 149.03, 0.41%, 0.3%

LAB 40.54, -28.22, 12.04

 

CMYK 55 / 0 / 59 / 81

HEX #163114

RGB 22 49 20

HSL 115.86, 0.42%, 0.14%

LAB 17.54, -17.64, 15.31

 

CMYK 55 / 0 / 59 / 69

HEX #234E20

RGB 35 78 32

HSL 116.09, 0.42%, 0.22%

LAB 29.19, -25.64, 22.51

 

CMYK 55 / 0 / 58 / 58

HEX #306B2D

RGB 48 107 45

HSL 117.1, 0.41%, 0.3%

LAB 40.14, -32.88, 28.66

 

CMYK 55 / 0 / 58 / 47

HEX #3D8839

RGB 61 136 57

HSL 116.96, 0.41%, 0.38%

LAB 50.57, -39.85, 34.98

 

CMYK 55 / 0 / 58 / 35

HEX #4AA645

RGB 74 166 69

HSL 116.91, 0.41%, 0.46%

LAB 60.92, -46.92, 41.39

 

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

CMYK 58 / 8 / 0 / 58

HEX #2D626B

RGB 45 98 107

HSL 188.71, 0.41%, 0.3%

LAB 38.47, -14.73, -10.47

 

CMYK 0 / 58 / 32 / 58

HEX #6B2D49

RGB 107 45 73

HSL 332.9, 0.41%, 0.3%

LAB 28.07, 31.01, -3.87

 

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

CMYK 58 / 55 / 0 / 58

HEX #2D306B

RGB 45 48 107

HSL 237.1, 0.41%, 0.3%

LAB 22.77, 17.62, -35

 

CMYK 0 / 58 / 55 / 58

HEX #6B2D30

RGB 107 45 48

HSL 357.1, 0.41%, 0.3%

LAB 27.34, 27.98, 11.71

 

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

CMYK 58 / 8 / 0 / 58

HEX #2D626B

RGB 45 98 107

HSL 188.71, 0.41%, 0.3%

LAB 38.47, -14.73, -10.47

 

CMYK 3 / 58 / 0 / 58

HEX #682D6B

RGB 104 45 107

HSL 297.1, 0.41%, 0.3%

LAB 29.11, 35.97, -24.48

 

CMYK 0 / 50 / 58 / 58

HEX #6B362D

RGB 107 54 45

HSL 8.71, 0.41%, 0.3%

LAB 29.3, 22.56, 16.26

 

CMYK 55 / 0 / 58 / 57

HEX #316D2E

RGB 49 109 46

HSL 117.14, 0.41%, 0.3%

LAB 40.88, -33.32, 29.02

 

CMYK 58 / 26 / 0 / 58

HEX #2D4F6B

RGB 45 79 107

HSL 207.1, 0.41%, 0.3%

LAB 32.28, -3.31, -19.95

 

CMYK 3 / 58 / 0 / 58

HEX #682D6B

RGB 104 45 107

HSL 297.1, 0.41%, 0.3%

LAB 29.11, 35.97, -24.48

 

CMYK 0 / 32 / 58 / 58

HEX #6B492D

RGB 107 73 45

HSL 27.1, 0.41%, 0.3%

LAB 34.15, 11.05, 22.44

 

Description

Color code: HEX #316D2E | qconv.com Color code: HEX #316D2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 109 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 109 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 58 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 58% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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